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Helen Merrill|Dream of You

Dream of You

Helen Merrill

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One thing that set Helen Merrill apart from other '50s jazz singers was her acutely dramatic vocal style. Her earnest phrasing, elongated notes, and incandescent tone might even strike the contemporary listener as qualities more appropriate for the Broadway stage than a jazz club. On 1955's Dream of You, though, Merrill found reconciliation, sounding both melodramatic and swinging within Gil Evans' darkly spacious, yet economical arrangements. Suitably, torchy ballads are prominent. On the somewhat grandiose side there's "Where Flamingos Fly" and "I'm a Fool to Want You," which find Merrill in a pensive mood amidst a variety of tempo and timbre shifts. More subdued ground is covered on "I've Never Seen" and "He Was Too Good to Me." Briskly swinging numbers like "People Will Say We're in Love," "By Myself," and "You're Lucky to Me" balance the program and feature the demure, yet fluid delivery Merrill favored on fast numbers. What is most impressive on this date is a group of sultry, medium tempo numbers including "Anyplace I Lay My Hat Is Home," "Just a Lucky So and So," and in particular "A New Town Is a Blue Town." The programmatic quality of Merrill's coyly sensual voice and Evans' slightly askew, bubbling reeds and languid rhythm conjure up dramatic, balmy southern scenes á la Tennessee Williams. In the picturesque arrangements one also hears the seeds of Evans' own future collaborations with Miles Davis. Even though her collaborations with Clifford Brown and others are great recordings, this one with Gil Evans shows off more of Merrill's expressive vocal talents, due in no small part to the sympathetic and urbane arrangements.

© Stephen Cook /TiVo

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Dream of You

Helen Merrill

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1
People Will Say We're In Love
00:02:36

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

2
By Myself
00:03:25

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

3
Any Place I Hang My Hat Is Home
00:04:12

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

4
I've Never Seen
00:03:35

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

5
He Was Too Good to Me
00:03:03

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

6
A New Town Is a Blue Town
00:03:11

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

7
You're Lucky to Me
00:03:27

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

8
Where Flamingos Fly
00:02:46

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

9
Dream of You
00:02:54

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

10
I'm a Fool to Want You
00:04:08

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

11
I'm Just a Lucky So and So
00:03:10

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

12
Troubled Waters
00:03:15

Gil Evans, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

13
Soft as Spring
00:03:15

Hal Mooney, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

14
Black Is the Color of My True Love's Hair
00:02:53

Hal Mooney, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

15
Lazy Afternoon
00:03:09

Hal Mooney, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

16
The Things We Did Last Summer
00:03:07

Hal Mooney, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

17
After You, Who?
00:03:05

Hal Mooney, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

18
If You Go
00:03:12

Hal Mooney, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

19
If I Forget You
00:03:22

Hal Mooney, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

20
If Love Where All
00:03:07

Hal Mooney, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

21
Easy Come Easy Go
00:03:43

Hal Mooney, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

22
I'll Be Around
00:02:45

Hal Mooney, Composer - Helen Merrill, MainArtist

(C) 2011 Fresh Sound Records (P) 2011 Fresh Sound Records

Presentación del Álbum

One thing that set Helen Merrill apart from other '50s jazz singers was her acutely dramatic vocal style. Her earnest phrasing, elongated notes, and incandescent tone might even strike the contemporary listener as qualities more appropriate for the Broadway stage than a jazz club. On 1955's Dream of You, though, Merrill found reconciliation, sounding both melodramatic and swinging within Gil Evans' darkly spacious, yet economical arrangements. Suitably, torchy ballads are prominent. On the somewhat grandiose side there's "Where Flamingos Fly" and "I'm a Fool to Want You," which find Merrill in a pensive mood amidst a variety of tempo and timbre shifts. More subdued ground is covered on "I've Never Seen" and "He Was Too Good to Me." Briskly swinging numbers like "People Will Say We're in Love," "By Myself," and "You're Lucky to Me" balance the program and feature the demure, yet fluid delivery Merrill favored on fast numbers. What is most impressive on this date is a group of sultry, medium tempo numbers including "Anyplace I Lay My Hat Is Home," "Just a Lucky So and So," and in particular "A New Town Is a Blue Town." The programmatic quality of Merrill's coyly sensual voice and Evans' slightly askew, bubbling reeds and languid rhythm conjure up dramatic, balmy southern scenes á la Tennessee Williams. In the picturesque arrangements one also hears the seeds of Evans' own future collaborations with Miles Davis. Even though her collaborations with Clifford Brown and others are great recordings, this one with Gil Evans shows off more of Merrill's expressive vocal talents, due in no small part to the sympathetic and urbane arrangements.

© Stephen Cook /TiVo

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