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Corey Harris|Daily Bread

Daily Bread

Corey Harris

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Corey Harris takes a decidedly anthropological and academic approach to the blues, deeply researching its variants and origins, even making several trips to Africa to trace out its DNA (resulting in the marvelous Mississippi to Mali), but even as Harris thinks and connects dots like a scholar, when he gets down to playing the songs, he's all musician, and that leads him to create some wonderful hybrids. One would expect Harris to build further on the Mali connection for this album, but Daily Bread surprises by sounding more Jamaican than anything else, and even includes striking covers of John Holt's "I See Your Face" and Sylford Walker's "Lamb's Bread," which merge the reggae rhythms of the originals with a sort of blues sensibility, while the political "The Bush Is Burning" is nothing less than full-blown ska. There are two tracks here ("Mami Wata" and "The Peach") featuring guitarist, trumpeter, and vocalist Olu Dara that do build on the African dimension, with "The Peach" -- a ten-minute-long Griot creation rap -- in particular becoming a kind of perfect blend of Africa and Delta, but the rhythmic synthesis is so complete on Daily Bread that everything meshes together like pieces from the same bright quilt. Perhaps the most amazing thing about this album is how ultimately American it sounds (no doubt thanks to the presence of New Orleans pianist Henry Butler on several cuts) in spite of its Caribbean and African lilt, a testament to how well Harris pulls all these different international strands together without losing sight of where his musical journey began. Given his penchant for researching origins and sources, one would expect Harris to have a preservationist approach to the blues, but he's really more interested in the dynamic possibilities of the genre, and he does this on Daily Bread by looking to Africa and the Caribbean, with the end result being a wonderfully varied and yet unified album that preserves the blues by gracefully expanding the genre's possibilities.

© Steve Leggett /TiVo

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Daily Bread

Corey Harris

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1
Daily Bread
00:05:11

Adam Ayan, Mastering Engineer, StudioPersonnel - Corey Harris, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel, ComposerLyricist - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer - Harry Dennis, Jr., Percussion, AssociatedPerformer - Houston Ross, Bass Guitar, AssociatedPerformer - Morwenna Lasko, Violin, AssociatedPerformer

℗ 2005 Rounder Records Corp.

2
I See Your Face
00:03:23

Adam Ayan, Mastering Engineer, StudioPersonnel - John Holt, ComposerLyricist - Corey Harris, Guitar, Vocals, MainArtist, AssociatedPerformer - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Vic Brown, Bass Guitar, AssociatedPerformer - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer - Harry Dennis, Jr., Percussion, AssociatedPerformer - Darrell Rose, Percussion, Conga, AssociatedPerformer

℗ 2005 Rounder Records Corp.

3
Got To Be A Better Way
00:03:40

Adam Ayan, Mastering Engineer, StudioPersonnel - Corey Harris, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel, ComposerLyricist - Henry Butler, Piano, AssociatedPerformer - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Vic Brown, Bass Guitar, AssociatedPerformer - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer - Harry Dennis, Jr., Percussion, AssociatedPerformer

℗ 2005 Rounder Records Corp.

4
A Nickel And A Nail
00:04:19

Adam Ayan, Mastering Engineer, StudioPersonnel - DON ROBEY, ComposerLyricist - Corey Harris, Guitar, Vocals, MainArtist, AssociatedPerformer - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Henry Butler, Piano, AssociatedPerformer - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Vernon Morrison, ComposerLyricist - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Vic Brown, Bass Guitar, AssociatedPerformer - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer - Harry Dennis, Jr., Percussion, AssociatedPerformer

℗ 2005 Rounder Records Corp.

5
The Sweetest Fruit
00:03:57

Adam Ayan, Mastering Engineer, StudioPersonnel - Corey Harris, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Morwenna Lasko, Violin, AssociatedPerformer

℗ 2005 Rounder Records Corp.

6
Mami Wata
00:03:25

Olu Dara, Trumpet, Vocals, FeaturedArtist, AssociatedPerformer, ComposerLyricist - Adam Ayan, Mastering Engineer, StudioPersonnel - Corey Harris, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer - Harry Dennis, Jr., Percussion, AssociatedPerformer - Houston Ross, Bass Guitar, AssociatedPerformer

℗ 2005 Rounder Records Corp.

7
Lamb's Bread
00:03:45

Olu Dara, Trumpet, AssociatedPerformer - Adam Ayan, Mastering Engineer, StudioPersonnel - Sylford Walker, ComposerLyricist - Corey Harris, Guitar, Vocals, MainArtist, AssociatedPerformer - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Henry Butler, Hammond B3, AssociatedPerformer - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Vic Brown, Bass Guitar, AssociatedPerformer - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer - Harry Dennis, Jr., Percussion, AssociatedPerformer

℗ 2005 Rounder Records Corp.

8
Just In Time
00:03:36

Adam Ayan, Mastering Engineer, StudioPersonnel - Corey Harris, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Henry Butler, Piano, AssociatedPerformer - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer - Harry Dennis, Jr., Flute, AssociatedPerformer, ComposerLyricist - Houston Ross, Bass Guitar, AssociatedPerformer

℗ 2005 Rounder Records Corp.

9
Khaira
00:03:46

Traditional, ComposerLyricist - Adam Ayan, Mastering Engineer, StudioPersonnel - Corey Harris, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Vic Brown, Bass Guitar, AssociatedPerformer - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer - Harry Dennis, Jr., Percussion, AssociatedPerformer

℗ 2005 Rounder Records Corp.

10
Big String
00:05:46

Adam Ayan, Mastering Engineer, StudioPersonnel - Corey Harris, Guitar, Percussion, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel, ComposerLyricist - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer - Houston Ross, Bass Guitar, AssociatedPerformer - Morwenna Lasko, Violin, AssociatedPerformer

℗ 2005 Rounder Records Corp.

11
More Precious Than Gold
00:05:13

Adam Ayan, Mastering Engineer, StudioPersonnel - Corey Harris, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Henry Butler, Hammond B3, AssociatedPerformer - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer - Houston Ross, Bass Guitar, AssociatedPerformer

℗ 2005 Rounder Records Corp.

12
The Bush Is Burning
00:03:54

Adam Ayan, Mastering Engineer, StudioPersonnel - Corey Harris, Guitar, Percussion, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - John Gros, Hammond B3, AssociatedPerformer - Trip Faulconer, Recording Engineer, StudioPersonnel - Vic Brown, Bass Guitar, AssociatedPerformer - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel - Johnny Gilmore, Drums, AssociatedPerformer

℗ 2005 Rounder Records Corp.

13
The Peach
00:09:59

Olu Dara, Guitar, Vocals, FeaturedArtist, AssociatedPerformer, ComposerLyricist - Adam Ayan, Mastering Engineer, StudioPersonnel - Corey Harris, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Reynolds, Producer, Mixer, Recording Engineer, Recording Producer, StudioPersonnel - Scott Billington, Producer, Mixer, Recording Producer, StudioPersonnel - Dave Stipe, Asst. Recording Engineer, StudioPersonnel - Trip Faulconer, Recording Engineer, StudioPersonnel - Aaron Ratesic, Asst. Recording Engineer, StudioPersonnel

℗ 2005 Rounder Records Corp.

Presentación del Álbum

Corey Harris takes a decidedly anthropological and academic approach to the blues, deeply researching its variants and origins, even making several trips to Africa to trace out its DNA (resulting in the marvelous Mississippi to Mali), but even as Harris thinks and connects dots like a scholar, when he gets down to playing the songs, he's all musician, and that leads him to create some wonderful hybrids. One would expect Harris to build further on the Mali connection for this album, but Daily Bread surprises by sounding more Jamaican than anything else, and even includes striking covers of John Holt's "I See Your Face" and Sylford Walker's "Lamb's Bread," which merge the reggae rhythms of the originals with a sort of blues sensibility, while the political "The Bush Is Burning" is nothing less than full-blown ska. There are two tracks here ("Mami Wata" and "The Peach") featuring guitarist, trumpeter, and vocalist Olu Dara that do build on the African dimension, with "The Peach" -- a ten-minute-long Griot creation rap -- in particular becoming a kind of perfect blend of Africa and Delta, but the rhythmic synthesis is so complete on Daily Bread that everything meshes together like pieces from the same bright quilt. Perhaps the most amazing thing about this album is how ultimately American it sounds (no doubt thanks to the presence of New Orleans pianist Henry Butler on several cuts) in spite of its Caribbean and African lilt, a testament to how well Harris pulls all these different international strands together without losing sight of where his musical journey began. Given his penchant for researching origins and sources, one would expect Harris to have a preservationist approach to the blues, but he's really more interested in the dynamic possibilities of the genre, and he does this on Daily Bread by looking to Africa and the Caribbean, with the end result being a wonderfully varied and yet unified album that preserves the blues by gracefully expanding the genre's possibilities.

© Steve Leggett /TiVo

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