Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
Cássia Eller comes from a humble past as a cook and mason's assistant. She became a success in pop music, selling about 200,000 copies of each of her albums with a strong appeal among legions of outcasts -- she struggles for respectability, as she is openly lesbian. This album, the seventh in her career, and the best to date (having been nominated in several categories for a Latin Grammy), proposes a new Cássia Eller. With her aggressive singing smoothed out in an album dedicated to love, more elaborated and sophisticated arrangements, sensual, nude photos of her in the inlay, the presence of a string section, arrangers, producers, musicians and composers from the first team of MPB, everything here suggests a wish to transform herself into the new muse of the first team of MPB. But not everything is lost. This approach may have some advantages. Sometimes, playing innocent Brazilian grooves can be more revolutionary a deed than repeating the indignation of London punk rockers. And the album enacts an approximation with the Brazilian universe.
"O Segundo Sol," the opening track, is a good pop song by Nando Reis (former husband of Marisa Monte, co-producer of this album), "Mapa do Meu Nada" by Carlinhos Brown follows, with his usual weak lyrics. "Gatas Extraordinárias" is quite recognizable as a Caetano Veloso tune, reinforcing the strong Brazilian character. "Um Vranco, um Xis, um Zero," a pop song by Marisa Monte/Arnaldo Antunes/Pepeu Gomes, talks about a former lover whose smell one doesn't forget. Pretty conventional. The "rebellious" touch can be found in the form of a a fuzzed-out guitar solo, inspired by Cássia's adoration of Kurt Cobain's sound. "O Meu Mundo Ficaria Completo" is another pop love song with disposable lyrics, but there are congas there. "Palavras ao Vento" is a pop ballad. Then there's a big surprise. "Aprendiz de Feiticeiro" (Itamar Assumpção) is a funk groove topped with an embolada-like melody, substituted by a baião melody at the bridge; Chiquinho Chagas plays an irresistible accordion, mixing the Northeastern Brazilian sonorities with American musical idioms, finishing with an unmistakable baião with comme il faut zabumbas. "Pedra Gigante" (Gilberto Gil/Bené Fonteles) brings more MPB sounds together with the crude, metallic, nasal singing of Cássia's mother (a former professional singer), Nanci Ribeiro. "Maluca" has tango overtones, keeping an eye out for Mercosul, but at the same time recalling our latinidad. Given its soft lyrics, one can't infer that it was written by Luis Capucho, an AIDS victim who didn't live long enough to make his own first album. . Not by accident, the best track of the album is by Luiz Melodia (with Renato Piau), a samba played as jazz, with brass/reed/wood/rhythm sections: "Esse Filme eu Já Vi." For the first time, Eller feels secure enough to vocally improviese along with a sax solo. If this album points to something better, it's to the trend began in the '90s in Brazilian music: a recuperation of the melodic/harmonic and improvising qualities of MPB.
© Alvaro Neder /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Nando Reis, Producer, ComposerLyricist - Cássia Eller, MainArtist - Luiz Brasil, Producer
℗ 1999 Universal Music Ltda
Nando Reis, Producer - Carlinhos Brown, ComposerLyricist - Jussara Silveira, MainArtist - Cássia Eller, MainArtist - Luiz Brasil, Producer
℗ 1999 Universal Music Ltda
Nando Reis, Producer - CAetano Veloso, ComposerLyricist - Cássia Eller, MainArtist - Luiz Brasil, Producer
℗ 1999 Universal Music Ltda
Nando Reis, Producer - Marisa Monte, ComposerLyricist - Pepeu Gomes, ComposerLyricist - Arnaldo Antunes, ComposerLyricist - Cássia Eller, MainArtist - Luiz Brasil, Producer
℗ 1999 Universal Music Ltda
Nando Reis, Producer, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Luiz Brasil, Producer
℗ 1999 Universal Music Ltda
Moraes Moreira, ComposerLyricist - Nando Reis, Producer - Marisa Monte, ComposerLyricist - Cássia Eller, MainArtist - Luiz Brasil, Producer
℗ 1999 Universal Music Ltda
Nando Reis, Producer - Itamar Assumpção, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Luiz Brasil, Producer
℗ 1999 Universal Music Ltda
Nando Reis, Producer - Gilberto Gil, ComposerLyricist - Cássia Eller, MainArtist - Luiz Brasil, Producer - Bené Fonteles, ComposerLyricist
℗ 1999 Universal Music Ltda
Nando Reis, Producer, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Luiz Brasil, Producer
℗ 1999 Universal Music Ltda
Nando Reis, Producer - Cássia Eller, MainArtist - Luiz Brasil, Producer - Luiz Capucho, ComposerLyricist
℗ 1999 Universal Music Ltda
Nando Reis, Producer, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Luiz Brasil, Producer
℗ 1999 Universal Music Ltda
Nando Reis, Producer - Renato Piau, ComposerLyricist - Luiz Melodia, ComposerLyricist - Cássia Eller, MainArtist - Luiz Brasil, Producer
℗ 1999 Universal Music Ltda
Presentación del Álbum
Cássia Eller comes from a humble past as a cook and mason's assistant. She became a success in pop music, selling about 200,000 copies of each of her albums with a strong appeal among legions of outcasts -- she struggles for respectability, as she is openly lesbian. This album, the seventh in her career, and the best to date (having been nominated in several categories for a Latin Grammy), proposes a new Cássia Eller. With her aggressive singing smoothed out in an album dedicated to love, more elaborated and sophisticated arrangements, sensual, nude photos of her in the inlay, the presence of a string section, arrangers, producers, musicians and composers from the first team of MPB, everything here suggests a wish to transform herself into the new muse of the first team of MPB. But not everything is lost. This approach may have some advantages. Sometimes, playing innocent Brazilian grooves can be more revolutionary a deed than repeating the indignation of London punk rockers. And the album enacts an approximation with the Brazilian universe.
"O Segundo Sol," the opening track, is a good pop song by Nando Reis (former husband of Marisa Monte, co-producer of this album), "Mapa do Meu Nada" by Carlinhos Brown follows, with his usual weak lyrics. "Gatas Extraordinárias" is quite recognizable as a Caetano Veloso tune, reinforcing the strong Brazilian character. "Um Vranco, um Xis, um Zero," a pop song by Marisa Monte/Arnaldo Antunes/Pepeu Gomes, talks about a former lover whose smell one doesn't forget. Pretty conventional. The "rebellious" touch can be found in the form of a a fuzzed-out guitar solo, inspired by Cássia's adoration of Kurt Cobain's sound. "O Meu Mundo Ficaria Completo" is another pop love song with disposable lyrics, but there are congas there. "Palavras ao Vento" is a pop ballad. Then there's a big surprise. "Aprendiz de Feiticeiro" (Itamar Assumpção) is a funk groove topped with an embolada-like melody, substituted by a baião melody at the bridge; Chiquinho Chagas plays an irresistible accordion, mixing the Northeastern Brazilian sonorities with American musical idioms, finishing with an unmistakable baião with comme il faut zabumbas. "Pedra Gigante" (Gilberto Gil/Bené Fonteles) brings more MPB sounds together with the crude, metallic, nasal singing of Cássia's mother (a former professional singer), Nanci Ribeiro. "Maluca" has tango overtones, keeping an eye out for Mercosul, but at the same time recalling our latinidad. Given its soft lyrics, one can't infer that it was written by Luis Capucho, an AIDS victim who didn't live long enough to make his own first album. . Not by accident, the best track of the album is by Luiz Melodia (with Renato Piau), a samba played as jazz, with brass/reed/wood/rhythm sections: "Esse Filme eu Já Vi." For the first time, Eller feels secure enough to vocally improviese along with a sax solo. If this album points to something better, it's to the trend began in the '90s in Brazilian music: a recuperation of the melodic/harmonic and improvising qualities of MPB.
© Alvaro Neder /TiVo
Acerca del álbum
- 1 disco(s) - 12 pista(s)
- Duración total: 00:43:47
- Artistas principales: Cássia Eller
- Compositor: Various Composers
- Sello: Universal Music Ltda.
- Género World music Brasil MPB
© 1999 Universal Music Ltda ℗ 1999 Universal Music Ltda
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.