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The second ESP issue from the Paul Bley Trio is a contrast as dramatic as rain against sunshine. The earlier album, Barrage, recorded in October of 1964, was full of harsh, diffident extrapolations of sound and fury, perhaps because of its sidemen; Marshall Allen and Dewey Johnson on saxophone and trumpet, respectively, were on loan from Sun Ra and joined Eddie Gomez and Milford Graves. Indeed, the music there felt like one long struggle to survive. On this date, recorded over a year later and released in 1966, Bley's sidemen are two more like-minded experimentalists, drummer Barry Altschul and bassist Steve Swallow. The program of tunes here is also more even-handed and characteristically lush: the entire first side and two on the second were written by Carla Bley (including the gorgeous "Ida Lupino") for a total of seven, and there is one each by pianists Annette Peacock and Ornette Coleman. Bley and his trio understand that with compositions of this nature, full of space and an inherent, interior-pointing lyricism, that pace is everything. And while this set clocks in at just over 29 minutes in length, the playing is so genuine and moving that it doesn't need to be any longer. The interplay between these three (long before Swallow switched to electric bass exclusively) is startling in how tightly woven they are melodically and harmonically. There isn't a sense that one player -- other than the volume of Mr. Bley's piano in this crappy mix -- stands out from the other two; they are of a piece traveling down this opaque yet warm road together. Bley may never have been as flashy as Cecil Taylor, but he is every bit the innovator.
© Thom Jurek /TiVo
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Ida Lupino (Carla Bley)
Paul Bley Trio, Ensemble - Carla Bley, Composer
2012 ESP-Disk 2012 ESP-Disk
Start (Carla Bley)
Paul Bley Trio, Ensemble - Carla Bley, Composer
2012 ESP-Disk 2012 ESP-Disk
Closer (Carla Bley)
Paul Bley Trio, Ensemble - Carla Bley, Composer
2012 ESP-Disk 2012 ESP-Disk
Sideways In Mexico (Carla Bley)
Paul Bley Trio, Ensemble - Carla Bley, Composer
2012 ESP-Disk 2012 ESP-Disk
Batterie (Carla Bley)
Paul Bley Trio, Ensemble - Carla Bley, Composer
2012 ESP-Disk 2012 ESP-Disk
And Now the Queen (Carla Bley)
Paul Bley Trio, Ensemble - Carla Bley, Composer
2012 ESP-Disk 2012 ESP-Disk
Figfoot (Paul Bley)
Paul Bley Trio, Ensemble - Paul Bley, Composer
2012 ESP-Disk 2012 ESP-Disk
Crossroads (Ornette Coleman)
Paul Bley Trio, Ensemble - Ornette Coleman, Composer
2012 ESP-Disk 2012 ESP-Disk
Violin (Carla Bley)
Paul Bley Trio, Ensemble - Carla Bley, Composer
2012 ESP-Disk 2012 ESP-Disk
Cartoon (Annette Peacock)
Paul Bley Trio, Ensemble - Annette Peacock, Composer
2012 ESP-Disk 2012 ESP-Disk
Presentación del Álbum
The second ESP issue from the Paul Bley Trio is a contrast as dramatic as rain against sunshine. The earlier album, Barrage, recorded in October of 1964, was full of harsh, diffident extrapolations of sound and fury, perhaps because of its sidemen; Marshall Allen and Dewey Johnson on saxophone and trumpet, respectively, were on loan from Sun Ra and joined Eddie Gomez and Milford Graves. Indeed, the music there felt like one long struggle to survive. On this date, recorded over a year later and released in 1966, Bley's sidemen are two more like-minded experimentalists, drummer Barry Altschul and bassist Steve Swallow. The program of tunes here is also more even-handed and characteristically lush: the entire first side and two on the second were written by Carla Bley (including the gorgeous "Ida Lupino") for a total of seven, and there is one each by pianists Annette Peacock and Ornette Coleman. Bley and his trio understand that with compositions of this nature, full of space and an inherent, interior-pointing lyricism, that pace is everything. And while this set clocks in at just over 29 minutes in length, the playing is so genuine and moving that it doesn't need to be any longer. The interplay between these three (long before Swallow switched to electric bass exclusively) is startling in how tightly woven they are melodically and harmonically. There isn't a sense that one player -- other than the volume of Mr. Bley's piano in this crappy mix -- stands out from the other two; they are of a piece traveling down this opaque yet warm road together. Bley may never have been as flashy as Cecil Taylor, but he is every bit the innovator.
© Thom Jurek /TiVo
Acerca del álbum
- 1 disco(s) - 10 pista(s)
- Duración total: 00:28:03
- Artistas principales: Paul Bley Trio
- Compositor: Various Composers
- Sello: ESP-Disk
- Género Jazz
2012 ESP-Disk 2012 ESP-Disk
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