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Philippe Quint|Chaplin's Smile: Song Arrangements for Violin and Piano

Chaplin's Smile: Song Arrangements for Violin and Piano

Philippe Quint

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Is there another major movie star who composed scores for his or her own films? This aspect of Charlie Chaplin's work is often underestimated, with Smile first appearing in instrumental form in the 1936 film Modern Times and later recorded with lyrics by Nat King Cole and many other artists, being the example of his work that invariably comes to mind when Chaplin's work as a composer is mentioned. Yet a few hours' acquaintance with Chaplin's films will demonstrate the degree to which music is woven into their flow, intensifying the romantic scenes against which the slapstick plays out. Chaplin was not a trained musician; he improvised these pieces at the piano, having them notated by others. An advantage of hearing them in a group is that you get an insight into his creative process: sample Mandolin Serenade to hear how the improvisatory process shows up in the music. That piece, from 1957, was from Chaplin's A King in New York, and some of the pieces are even later (from the 1967 comedy A Countess from Hong Kong); his style evolves somewhat but does not fundamentally shift, and this is also interesting. Russian-American violinist Philippe Quint and pianist Marta Aznavoorian, assisted in a couple of cases by none other than Joshua Bell, catch the classic sentimental tone perfectly, and the whole album can be enjoyed on several different levels, from silent movie nostalgia to unique insight into Chaplin as a creative figure.

© James Manheim /TiVo

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Chaplin's Smile: Song Arrangements for Violin and Piano

Philippe Quint

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1
Eternally (The Terry Theme from Limelight)
00:03:44

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

2
Smile (Theme from Modern Times) [with Joshua Bell]
00:03:59

Charles Chaplin, Composer - Joshua Bell, Violin - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

3
Weeping Willows
00:03:19

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

4
Love Song
00:03:28

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

5
Tango Bitterness
00:02:46

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

6
Now That It's Ended
00:03:09

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

7
Mandolin Serenade (with Joshua Bell)
00:03:59

Charles Chaplin, Composer - Joshua Bell, Violin, FeaturedArtist - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

8
Falling Star
00:03:37

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

9
City Lights Suite
00:08:17

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

10
Beautiful, Wonderful Eyes
00:03:35

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

11
The Kid Fantasy
00:09:53

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

12
Tango Natasha
00:02:33

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

13
Crossing the Dance Floor
00:03:01

Charles Chaplin, Composer - Philippe Quint, Violin, MainArtist - Marta Aznavoorian, Piano

© 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company. ℗ 2019 Prato Production Inc. under exclusive license to Arts Music Inc. a Warner Music Group Company.

Presentación del Álbum

Is there another major movie star who composed scores for his or her own films? This aspect of Charlie Chaplin's work is often underestimated, with Smile first appearing in instrumental form in the 1936 film Modern Times and later recorded with lyrics by Nat King Cole and many other artists, being the example of his work that invariably comes to mind when Chaplin's work as a composer is mentioned. Yet a few hours' acquaintance with Chaplin's films will demonstrate the degree to which music is woven into their flow, intensifying the romantic scenes against which the slapstick plays out. Chaplin was not a trained musician; he improvised these pieces at the piano, having them notated by others. An advantage of hearing them in a group is that you get an insight into his creative process: sample Mandolin Serenade to hear how the improvisatory process shows up in the music. That piece, from 1957, was from Chaplin's A King in New York, and some of the pieces are even later (from the 1967 comedy A Countess from Hong Kong); his style evolves somewhat but does not fundamentally shift, and this is also interesting. Russian-American violinist Philippe Quint and pianist Marta Aznavoorian, assisted in a couple of cases by none other than Joshua Bell, catch the classic sentimental tone perfectly, and the whole album can be enjoyed on several different levels, from silent movie nostalgia to unique insight into Chaplin as a creative figure.

© James Manheim /TiVo

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