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Max Bruch was always an outspoken opponent of modernity in all its forms: his role models were Mendelssohn and Schumann, and his demons were named Wagner, Richard Strauss and Max Reger. When he died in 1920 (he was born in 1838), his soul had been shaken by Schönberg, Debussy, Stravinsky and the First World War, which he lived through as a grumpy old man. He was also vexed by the success of his First Violin Concerto, which overshadowed all the rest of his music, including this 1863 opera Die Loreley which the librettist had initially given to Mendelssohn before rather unenthusiastically taking the decision to take it on himself. However, the composer took care to stay within the romantic style of his time, turning out melodies that were related to the Lied and phrases borrowed from German folk music in an overall atmosphere which was 100% Germanic. The work was impeccably designed: a kind of dramatic crescendo that finishes by exploding into the final drama. This is a piece that certainly deserves applause on the international stage. © SM/Qobuz
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Die Loreley, Act I (Max Bruch)
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra, MainArtist - Stefan Blunier, Conductor
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist, MainArtist - Stefan Blunier, Conductor - Benedikt Eder, Artist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist - Stefan Blunier, Conductor - Michaela Kaune, Artist, MainArtist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist - Stefan Blunier, Conductor - Michaela Kaune, Artist, MainArtist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Michaela Kaune, Artist, MainArtist - Philharmonischer Chor Prag, Choir
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Philharmonischer Chor Prag, Choir - Sebastian Campione, Artist, MainArtist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Sebastian Campione, Artist - Danae Kontora, Artist, MainArtist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Michaela Kaune, Artist, MainArtist - Philharmonischer Chor Prag, Choir - Danae Kontora, Artist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist - Stefan Blunier, Conductor - Michaela Kaune, Artist, MainArtist - Magdalena Hinterdobler, Artist - Philharmonischer Chor Prag, Choir - Sebastian Campione, Artist - Jan Hendrik Rootering, Artist
(C) 2019 CPO (P) 2019 CPO
Die Loreley, Act II (Max Bruch)
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Michaela Kaune, Artist, MainArtist - Philharmonischer Chor Prag, Choir
(C) 2019 CPO (P) 2019 CPO
DISCO 2
Die Loreley, Act III (Max Bruch)
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist - Stefan Blunier, Conductor - Magdalena Hinterdobler, Artist, MainArtist - Philharmonischer Chor Prag, Choir
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist, MainArtist - Stefan Blunier, Conductor - Benedikt Eder, Artist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist - Stefan Blunier, Conductor - Magdalena Hinterdobler, Artist, MainArtist - Jan Hendrik Rootering, Artist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist - Stefan Blunier, Conductor - Magdalena Hinterdobler, Artist, MainArtist - Philharmonischer Chor Prag, Choir - Jan Hendrik Rootering, Artist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist - Stefan Blunier, Conductor - Michaela Kaune, Artist, MainArtist - Magdalena Hinterdobler, Artist - Philharmonischer Chor Prag, Choir - Jan Hendrik Rootering, Artist
(C) 2019 CPO (P) 2019 CPO
Thomas Hamberger, Artist - Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist - Stefan Blunier, Conductor - Michaela Kaune, Artist, MainArtist - Magdalena Hinterdobler, Artist - Philharmonischer Chor Prag, Choir - Jan Hendrik Rootering, Artist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Magdalena Hinterdobler, Artist, MainArtist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Magdalena Hinterdobler, Artist, MainArtist - Jan Hendrik Rootering, Artist
(C) 2019 CPO (P) 2019 CPO
Thomas Hamberger, Artist - Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist - Stefan Blunier, Conductor - Michaela Kaune, Artist, MainArtist - Magdalena Hinterdobler, Artist - Philharmonischer Chor Prag, Choir - Jan Hendrik Rootering, Artist
(C) 2019 CPO (P) 2019 CPO
DISCO 3
Die Loreley, Act IV (Max Bruch)
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Philharmonischer Chor Prag, Choir, MainArtist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Philharmonischer Chor Prag, Choir - Sebastian Campione, Artist, MainArtist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Philharmonischer Chor Prag, Choir - Sebastian Campione, Artist, MainArtist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Stefan Blunier, Conductor - Sebastian Campione, Artist, MainArtist
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist, MainArtist - Stefan Blunier, Conductor - Philharmonischer Chor Prag, Choir
(C) 2019 CPO (P) 2019 CPO
Max Bruch, Composer - Münchner Rundfunkorchester, Orchestra - Thomas Mohr, Artist - Stefan Blunier, Conductor - Michaela Kaune, Artist, MainArtist - Philharmonischer Chor Prag, Choir
(C) 2019 CPO (P) 2019 CPO
Presentación del Álbum
Max Bruch was always an outspoken opponent of modernity in all its forms: his role models were Mendelssohn and Schumann, and his demons were named Wagner, Richard Strauss and Max Reger. When he died in 1920 (he was born in 1838), his soul had been shaken by Schönberg, Debussy, Stravinsky and the First World War, which he lived through as a grumpy old man. He was also vexed by the success of his First Violin Concerto, which overshadowed all the rest of his music, including this 1863 opera Die Loreley which the librettist had initially given to Mendelssohn before rather unenthusiastically taking the decision to take it on himself. However, the composer took care to stay within the romantic style of his time, turning out melodies that were related to the Lied and phrases borrowed from German folk music in an overall atmosphere which was 100% Germanic. The work was impeccably designed: a kind of dramatic crescendo that finishes by exploding into the final drama. This is a piece that certainly deserves applause on the international stage. © SM/Qobuz
Acerca del álbum
- 3 disco(s) - 25 pista(s)
- Duración total: 02:22:55
- 1 Libreto digital
- Artistas principales: Michaela Kaune
- Compositor: Max Bruch
- Sello: CPO
- Género Clásica Ópera
(C) 2019 CPO (P) 2019 CPO
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