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Tasmin Little|British Violin Sonatas, Vol. 3

British Violin Sonatas, Vol. 3

Tasmin Little, Piers Lane

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The 2020 release coincided with the planned retirement of violinist Tasmin Little from concert performances; whether she planned to stop recording as well is not clear. It also concludes a three-volume series of mostly unfamiliar violin sonatas by Little and pianist Piers Lane. The series has contained several gems, but from the evidence here, Little has saved the best for last, and she plays them with a conviction and precision that exceed even her usual high standard. There are two larger works, the imposing Violin Sonata in E minor, Op. 112, of York Bowen and the Violin Sonata No. 2 in A minor of John Ireland, something of an emotional maelstrom. Sample as well the smaller pieces: the evocative The Hart's Grace by the all-but-unknown James Francis Brown and a sprightly early Sonatina in C major by the young William Alwyn, who disavowed the work. As so often happens with composers, he was wrong. Things settle down with the final First Meeting by Eric Coates, in a version for violin and piano (the original is for viola). It's a fine collection of unjustly neglected music, and one hopes that it is not Little's swan song.
© TiVo

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British Violin Sonatas, Vol. 3

Tasmin Little

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Sonata, Op. 112 (York Bowen)

1
I. Maestoso con fuoco
00:08:44

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - York Bowen, Composer

2020 Chandos Records 2020 Chandos Records

2
II. Lento - Tempo poco lento
00:05:59

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - York Bowen, Composer

2020 Chandos Records 2020 Chandos Records

3
III. Finale. Allegro con fuoco
00:05:27

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - York Bowen, Composer

2020 Chandos Records 2020 Chandos Records

Sonata No. 2 (John Ireland)

4
I. Allegro
00:08:56

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - John Ireland, Composer

2020 Chandos Records 2020 Chandos Records

5
II. Poco lento quasi adagio
00:09:26

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - John Ireland, Composer

2020 Chandos Records 2020 Chandos Records

6
III. In tempo moderato
00:06:45

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - John Ireland, Composer

2020 Chandos Records 2020 Chandos Records

7
The Hart's Grace
00:06:55

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - James Francis Brown, Composer

2020 Chandos Records 2020 Chandos Records

Sonatina (William Alwyn)

8
I. Allegro e grazioso
00:03:51

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - William Alwyn, Composer

2020 Chandos Records 2020 Chandos Records

9
II. Adagio
00:04:09

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - William Alwyn, Composer

2020 Chandos Records 2020 Chandos Records

10
III. Vivace
00:03:15

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - William Alwyn, Composer

2020 Chandos Records 2020 Chandos Records

11
First Meeting
00:06:35

Piers Lane, Piano, MainArtist - Tasmin Little, Violin, MainArtist - Eric Coates, Composer

2020 Chandos Records 2020 Chandos Records

Presentación del Álbum

The 2020 release coincided with the planned retirement of violinist Tasmin Little from concert performances; whether she planned to stop recording as well is not clear. It also concludes a three-volume series of mostly unfamiliar violin sonatas by Little and pianist Piers Lane. The series has contained several gems, but from the evidence here, Little has saved the best for last, and she plays them with a conviction and precision that exceed even her usual high standard. There are two larger works, the imposing Violin Sonata in E minor, Op. 112, of York Bowen and the Violin Sonata No. 2 in A minor of John Ireland, something of an emotional maelstrom. Sample as well the smaller pieces: the evocative The Hart's Grace by the all-but-unknown James Francis Brown and a sprightly early Sonatina in C major by the young William Alwyn, who disavowed the work. As so often happens with composers, he was wrong. Things settle down with the final First Meeting by Eric Coates, in a version for violin and piano (the original is for viola). It's a fine collection of unjustly neglected music, and one hopes that it is not Little's swan song.
© TiVo

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