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Eric Andersen|Bout Changes 'N' Things

Bout Changes 'N' Things

Eric Andersen

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On his second album, Andersen took considerable strides toward finding his own voice as a writer, and establishing himself as a noted singer/songwriter. The record featured several songs that would endure among his most renowned compositions. The pretty "Violets of Dawn" was an obvious candidate for a hit record if it was given a folk-rock arrangement, though it never was a hit, in spite of several artists trying. "Thirsty Boots," inspired by the '60s civil rights movement, is one of the better known social commentary folk tunes of the period, although it wasn't that typical of Andersen's repertoire. "Close the Door Lightly When You Go" was one of Andersen's best bittersweet romantic tunes, and covered to good effect by Fairport Convention and the Dillards. At other points, Andersen still sounded a good deal like early Bob Dylan, but on the whole he was outgrowing that early persona, nonetheless often sounding like a gentler and more romantic counterpart to Dylan, with a more conventionally pretty voice. While Debbie Green added second guitar to a couple of songs and Harvey Brooks played electric bass on a couple of others, the album was otherwise just Andersen with his guitar and harmonica, which in 1966 was becoming an old-fashioned way of doing things among contemporary songwriters. Perhaps for that reason, the entire album was redone with electric arrangements and resequenced (although with the exact same 12 songs), and the results were released as Andersen's next album, 'Bout Changes & Things Take Two.

© Richie Unterberger /TiVo

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Bout Changes 'N' Things

Eric Andersen

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1
Close The Door Lightly
00:03:50

Eric Andersen, Composer, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

2
That's All Right, Mama
00:02:56

Arthur Crudup, ComposerLyricist - Eric Andersen, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

3
Blind Fiddler
00:04:49

Eric Andersen, Composer, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

4
The Hustler
00:04:50

Eric Andersen, Composer, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

5
Thirsty Boots
00:05:13

Eric Andersen, Composer, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

6
My Land Is A Good Land
00:02:59

Eric Andersen, Composer, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

7
Hey Babe, Have You Been Cheatin'
00:03:36

Eric Andersen, Composer, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

8
Cross Your Mind
00:05:16

Eric Andersen, Composer, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

9
Champion At Keeping Them Rolling
00:03:30

Ewan MacColl, Composer - Eric Andersen, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

10
I Shall Go Unbounded
00:04:30

Eric Andersen, Composer, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

11
Violets Of Dawn
00:04:12

Eric Andersen, Composer, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

12
The Girl I Love
00:03:36

Eric Andersen, Composer, MainArtist

(C) 2012 Vanguard Records, A Welk Music Group Company ℗ 1967 Vanguard Records, a Welk Music Group Company

Presentación del Álbum

On his second album, Andersen took considerable strides toward finding his own voice as a writer, and establishing himself as a noted singer/songwriter. The record featured several songs that would endure among his most renowned compositions. The pretty "Violets of Dawn" was an obvious candidate for a hit record if it was given a folk-rock arrangement, though it never was a hit, in spite of several artists trying. "Thirsty Boots," inspired by the '60s civil rights movement, is one of the better known social commentary folk tunes of the period, although it wasn't that typical of Andersen's repertoire. "Close the Door Lightly When You Go" was one of Andersen's best bittersweet romantic tunes, and covered to good effect by Fairport Convention and the Dillards. At other points, Andersen still sounded a good deal like early Bob Dylan, but on the whole he was outgrowing that early persona, nonetheless often sounding like a gentler and more romantic counterpart to Dylan, with a more conventionally pretty voice. While Debbie Green added second guitar to a couple of songs and Harvey Brooks played electric bass on a couple of others, the album was otherwise just Andersen with his guitar and harmonica, which in 1966 was becoming an old-fashioned way of doing things among contemporary songwriters. Perhaps for that reason, the entire album was redone with electric arrangements and resequenced (although with the exact same 12 songs), and the results were released as Andersen's next album, 'Bout Changes & Things Take Two.

© Richie Unterberger /TiVo

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