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Sticky Fingaz|Black Trash: The Autobiography of Kirk Jones

Black Trash: The Autobiography of Kirk Jones

Sticky Fingaz

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Sticky Fingaz' oft-delayed solo debut, Black Trash: The Autobiography of Kirk Jones, is a bold conceptual endeavor that loosely follows the same format Prince Paul implemented on his hip-hopera Prince Among Thieves. Scripted to fit the silver screen, Black Trash chronicles the trials and tribulations of Kirk Jones, a down-on-his-luck knucklehead who always manages to find trouble. Playing out like a lyrical collage, Black Trash is an emotional roller coaster that tackles the quintessential tale of good vs. evil. Though highly imaginative, like most Hollywood blockbusters, Black Trash fights bouts of long-windedness (this is particularly evident toward the LP's conclusion), yet there is still plenty to chew on in between. Displaying a lyrical diversity that his stint with Onyx rarely suggested, Sticky serves up a slew of profound moral messages on the thought-provoking "Why" and "Oh My God," where in a maniacal state Sticky questions God's existence. Yet, his lyrical transformation is best exemplified on "Money Talks" (featuring Raekwon), where Sticky speaks in third-person, as a dollar bill, and vividly depicts how the material possessions people strive to own eventually end up owning them. While the dramatic ebb and flow of Black Trash is the LP's saving grace, as the running dialogue (contributed by Omar Epps) and frequent skits ingeniously captures the many complex intricacies that make up Sticky/Jones' conflicting personas. However, it is hard to feel sympathetic for the character, as he is a man who, through the course of this LP, shows little regard for human life, kills his best friend, beats his wife, and deserts his child. Yet, similar to James Gandolfini's portrayal of Tony Soprano, Sticky convincingly brings Jones to life, and he is such an enigmatic character that you can't help but root for him, even though he doesn't deserve it.

© Matt Conaway /TiVo

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Black Trash: The Autobiography of Kirk Jones

Sticky Fingaz

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1
Intro (Sticky Fingaz/Black Trash) (Album Version (Explicit)) Explicit
00:01:47

Tony Prendatt, Producer - Sticky Fingaz, Producer, MainArtist - Sticky Fingaz and Tony Prendatt, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

2
Come On (Album Version)
00:04:26

Edward Hinson, ComposerLyricist - Mike Stokes, ComposerLyricist - Self, Producer - JOE THOMAS, ComposerLyricist - Kirk Jones, ComposerLyricist - Ken "Supa Engineer" Duro, Mix Engineer, StudioPersonnel - Sticky Fingaz, MainArtist - Steve Eigner, Recording Engineer, StudioPersonnel

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

3
My Dogz Iz My Gunz (Album Version)
00:04:25

Kirk Jones, ComposerLyricist - Rich Travali, Mix Engineer, StudioPersonnel - Black Child, FeaturedArtist - Ramel Gill, ComposerLyricist - Darrol K. "Shamello" Durant, Producer, ComposerLyricist - Joe Davis, ComposerLyricist - Sticky Fingaz, MainArtist - Buddah, Producer - Shamello & Buddah, Producer - Roger N. Munroe, ComposerLyricist - Steve Eigner, Recording Engineer, StudioPersonnel - Joe Naughty, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

4
Not Die'N (Album Version)
00:02:21

Tony Prendatt, Mix Engineer, StudioPersonnel - Edward Hinson, ComposerLyricist - Anthony Hester, ComposerLyricist - Self, Producer - Kirk Jones, ComposerLyricist - Sticky Fingaz, MainArtist - Steve Eigner, Recording Engineer, StudioPersonnel

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

5
Kirk Jones Conscience (Album Version)
00:01:37

Tony Prendatt, Producer - Kirk Jones, ComposerLyricist - Sticky Fingaz, Producer, MainArtist - Omar Epps, FeaturedArtist - Sticky Fingaz and Tony Prendatt, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

6
Money Talks (Album Version)
00:04:32

Dana Stinson, ComposerLyricist - Cory Woods, ComposerLyricist - Rockwilder, Producer - Tommy Uzzo, Mix Engineer, StudioPersonnel - Raekwon, FeaturedArtist - Kirk Jones, ComposerLyricist - Sticky Fingaz, MainArtist - Steve Eigner, Recording Engineer, StudioPersonnel

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

7
Why (Album Version)
00:04:57

D. Lee, ComposerLyricist - George Spivey, ComposerLyricist - Kirk Jones, ComposerLyricist - X-1, FeaturedArtist - Sticky Fingaz, MainArtist - Still Living, FeaturedArtist - Bruce Sandler, ComposerLyricist - Steve Eigner, Recording Engineer, StudioPersonnel - D.J. Scratch, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

8
Oh My God (Album Version)
00:04:26

Tony Prendatt, Mix Engineer, StudioPersonnel - Edward Hinson, ComposerLyricist - Self, Producer - Kirk Jones, ComposerLyricist - John Dankworth, ComposerLyricist - Sticky Fingaz, Producer, MainArtist - Steve Eigner, Recording Engineer, StudioPersonnel - Sticky Fingaz and Self, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

9
State vs. Kirk Jones (Album Version)
00:04:15

The Guess Who, FeaturedArtist - Superb, FeaturedArtist - Reggie Noble, ComposerLyricist - Dominick Lamb, ComposerLyricist - Canibus, FeaturedArtist - Rah Digga, FeaturedArtist - Germaine Williams, ComposerLyricist - Redman, FeaturedArtist - Kirk Jones, ComposerLyricist - Rich Travali, Mix Engineer, StudioPersonnel - Sticky Fingaz, MainArtist - Scarred 4 Life, FeaturedArtist - Rashia Tashan Fisher, ComposerLyricist - Dominick "Nottz" Lamb, Producer - Steve Eigner, Recording Engineer, StudioPersonnel - Clarence Dorsey, ComposerLyricist

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

10
Kirk Jones Conscience II (Album Version)
00:00:48

Tony Prendatt, Producer - Kirk Jones, ComposerLyricist - Sticky Fingaz, Producer, MainArtist - Sticky Fingaz and Tony Prendatt, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

11
Baby Brother (Album Version)
00:05:39

George Spivey, ComposerLyricist - Barry White, ComposerLyricist - Vinny Nicoletti, Mix Engineer, StudioPersonnel - Dave Hollister, FeaturedArtist, ComposerLyricist - Kirk Jones, ComposerLyricist - Sticky Fingaz, MainArtist - Steve Eigner, Recording Engineer, StudioPersonnel - D.J. Scratch, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

12
Cheatin' (Album Version)
00:04:00

Dana Stinson, Producer, ComposerLyricist - Rockwilder, Producer - Tommy Uzzo, Mix Engineer, StudioPersonnel - Kirk Jones, ComposerLyricist - Sticky Fingaz, MainArtist - Steve Eigner, Recording Engineer, StudioPersonnel

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

13
What Chu Want (Album Version)
00:04:14

Epitome, Producer - Kirk Jones, ComposerLyricist - Rich Travali, Mix Engineer, StudioPersonnel - Darrol K. "Shamello" Durant, ComposerLyricist - X-1, FeaturedArtist - Sticky Fingaz, MainArtist - Chuckie Madness, Producer - Buddah, Producer - Shamello & Buddah, Producer - Roger N. Munroe, ComposerLyricist - Bruce Sandler, ComposerLyricist - Steve Eigner, Recording Engineer, StudioPersonnel

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

14
Ghetto (Album Version)
00:04:18

Petey Pablo, FeaturedArtist - Aliaune "Akon" Thiam, ComposerLyricist - Rich Travali, Mixer, StudioPersonnel - Darrol K. "Shamello" Durant, Producer, Additional Producer - Sticky Fingaz, MainArtist - Buddah, Producer, Additional Producer - B. Darius, ComposerLyricist - Shamello & Buddah, Producer, Additional Producer - Spyda, Producer - Steve Eigner, Recording Engineer, StudioPersonnel - Fran Lover, Producer - Spyda & Fran Lover, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

15
What If I Was White (Album Version)
00:04:42

Tony Prendatt, Mix Engineer, StudioPersonnel - Damon Elliott, Producer - Eminem, FeaturedArtist - Kirk Jones, ComposerLyricist - Damon W. Elliott, Producer, ComposerLyricist - Sticky Fingaz, MainArtist - Steve Eigner, Recording Engineer, StudioPersonnel

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

16
Sister I'm Sorry (Album Version)
00:04:27

Kirk Jones, ComposerLyricist - Rich Travali, Mix Engineer, StudioPersonnel - Sticky Fingaz, Producer, MainArtist - Choclatt, FeaturedArtist - Dion "Big D" Evans, Producer, ComposerLyricist - Steve Eigner, Recording Engineer, StudioPersonnel - Big D Evans, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

17
Get It Up (Album Version)
00:03:59

George Spivey, ComposerLyricist - Scratch, Producer - Kirk Jones, ComposerLyricist - Sticky Fingaz, MainArtist - D.J. Scratch, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

18
Kirk Jones Conscience III (Album Version)
00:00:36

Tony Prendatt, Producer - Kirk Jones, ComposerLyricist - Sticky Fingaz, Producer, MainArtist - Sticky Fingaz and Tony Prendatt, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

19
Licken Off In Hip-Hop (Album Version)
00:04:15

Tony Prendatt, Mix Engineer, StudioPersonnel - Michael Harper, ComposerLyricist - Kirk Jones, ComposerLyricist - Punch, Producer - Sticky Fingaz, MainArtist - Columbo the Shining Star, FeaturedArtist - Steve Eigner, Recording Engineer, StudioPersonnel

℗ 2001 Universal Motown Records, a division of UMG Recordings, Inc.

20
Wonderful World (Album Version)
00:02:10

Tony Prendatt, Recording Engineer, Mix Engineer, StudioPersonnel - GEORGE DAVID WEISS, ComposerLyricist - George Douglas, ComposerLyricist - Kirk Jones, ComposerLyricist - Sticky Fingaz, MainArtist - Dion "Big D" Evans, Producer - Big D Evans, Producer

℗ 2000 Universal Motown Records, a division of UMG Recordings, Inc.

Presentación del Álbum

Sticky Fingaz' oft-delayed solo debut, Black Trash: The Autobiography of Kirk Jones, is a bold conceptual endeavor that loosely follows the same format Prince Paul implemented on his hip-hopera Prince Among Thieves. Scripted to fit the silver screen, Black Trash chronicles the trials and tribulations of Kirk Jones, a down-on-his-luck knucklehead who always manages to find trouble. Playing out like a lyrical collage, Black Trash is an emotional roller coaster that tackles the quintessential tale of good vs. evil. Though highly imaginative, like most Hollywood blockbusters, Black Trash fights bouts of long-windedness (this is particularly evident toward the LP's conclusion), yet there is still plenty to chew on in between. Displaying a lyrical diversity that his stint with Onyx rarely suggested, Sticky serves up a slew of profound moral messages on the thought-provoking "Why" and "Oh My God," where in a maniacal state Sticky questions God's existence. Yet, his lyrical transformation is best exemplified on "Money Talks" (featuring Raekwon), where Sticky speaks in third-person, as a dollar bill, and vividly depicts how the material possessions people strive to own eventually end up owning them. While the dramatic ebb and flow of Black Trash is the LP's saving grace, as the running dialogue (contributed by Omar Epps) and frequent skits ingeniously captures the many complex intricacies that make up Sticky/Jones' conflicting personas. However, it is hard to feel sympathetic for the character, as he is a man who, through the course of this LP, shows little regard for human life, kills his best friend, beats his wife, and deserts his child. Yet, similar to James Gandolfini's portrayal of Tony Soprano, Sticky convincingly brings Jones to life, and he is such an enigmatic character that you can't help but root for him, even though he doesn't deserve it.

© Matt Conaway /TiVo

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