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Freiburger Barockorchester|Beethoven: Symphony No. 7 - The Creatures of Prometheus

Beethoven: Symphony No. 7 - The Creatures of Prometheus

Freiburger Barockorchester, Gottfried von der Goltz

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The output of the Freiburger Barockorchester over time has moved forward from core Baroque repertory to Mendelssohn and Schubert. The group leapfrogged over Beethoven, however, perhaps holding him in reserve for the Harmonia Mundi label's large Beethoven series of the 2020s. These have now begun to appear with a variety of conductors at the helm. This release includes the Symphony No. 7 in A Major, Op. 92, and the ballet The Creatures of Prometheus, Op. 43, and the conductor is the orchestra's concertmaster, Gottfried von der Goltz. Both readings are enjoyable and valuable. Compared with the blistering first movement of the Symphony No. 9 in D minor, Op. 125, led by Pablo Heras-Casado, and the rethinking from the ground up of the Missa Solemnis, Op. 123, by René Jacobs, von der Goltz does not color far outside of the lines, with moderate tempos. It's not that this is a traditional reading of the Seventh; no historical-instrument performance can be that, but von der Goltz lets the orchestra do the talking, with the sharp attacks and slightly buzzy textures of the winds cutting through the texture and providing considerable momentum in the finale, creating a kind of pedal point at several junctures. The period brass instruments emerge in full glory here, but the strings are never overwhelmed, and Harmonia Mundi's Teldex Studio sound renders the conductor's careful balances faithfully. Also worthwhile is The Creatures of Prometheus, which is rarely performed complete. This reading captures the pregnant quality of much of the score, which contains ideas Beethoven worked out in pieces to come, most prominently in the finale and its tune that reappeared in the Symphony No. 3 in E flat major, Op. 55 ("Eroica"). Historically oriented performances of Beethoven are still not so common, but they are making headway, and this is a good place to start with them.
© TiVo

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Beethoven: Symphony No. 7 - The Creatures of Prometheus

Freiburger Barockorchester

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Symphony No. 7 in A major, Op. 92 (Ludwig van Beethoven)

1
I. Poco sostenuto - Vivace
00:14:02

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

2
II. Allegretto
00:08:17

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

3
III. Presto - Assai meno presto
00:09:26

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

4
IV. Allegro con brio
00:09:01

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

DISCO 2

The Creatures of Prometheus, Op. 43 (Ludwig van Beethoven)

1
Overture. Adagio - Allegro molto e con brio
00:04:34

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

2
Introduction "La Tempesta". Allegro non troppo
00:02:01

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

3
1. Poco adagio - Allegro con brio
00:02:58

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

4
2. Adagio - Allegro con brio
00:01:37

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

5
3. Allegro vivace
00:02:00

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

6
4. Maestoso - Andante
00:01:20

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

7
5. Adagio - Andante quasi allegretto
00:06:58

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

8
6. Un poco adagio - Allegretto
00:01:19

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

9
7. Grave
00:03:50

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

10
8. Marcia. Allegro con brio - Presto
00:06:38

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

11
9. Adagio - Allegro molto
00:03:32

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

12
10. Pastorale. Allegro
00:02:38

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

13
11. Coro di Gioja. Andante
00:00:20

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

14
12. Solo di Gioja. Maestoso - Adagio - Allegro
00:02:52

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

15
13. Terzettino - Grotteschi. Allegro - Comodo
00:04:04

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

16
14. Solo della Signora Cassentini. Andante - Adagio - Allegro - Allegretto
00:05:17

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

17
15. Coro e Solo di Viganò. Andantino - Adagio - Allegro
00:04:10

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

18
16. Finale. Allegretto - Allegro molto - Presto
00:06:11

Ludwig van Beethoven, Composer - Gottfried von der Goltz, Conductor, MainArtist - Freiburger Barockorchester, Orchestra, MainArtist

2021 harmonia mundi 2021 harmonia mundi

Presentación del Álbum

The output of the Freiburger Barockorchester over time has moved forward from core Baroque repertory to Mendelssohn and Schubert. The group leapfrogged over Beethoven, however, perhaps holding him in reserve for the Harmonia Mundi label's large Beethoven series of the 2020s. These have now begun to appear with a variety of conductors at the helm. This release includes the Symphony No. 7 in A Major, Op. 92, and the ballet The Creatures of Prometheus, Op. 43, and the conductor is the orchestra's concertmaster, Gottfried von der Goltz. Both readings are enjoyable and valuable. Compared with the blistering first movement of the Symphony No. 9 in D minor, Op. 125, led by Pablo Heras-Casado, and the rethinking from the ground up of the Missa Solemnis, Op. 123, by René Jacobs, von der Goltz does not color far outside of the lines, with moderate tempos. It's not that this is a traditional reading of the Seventh; no historical-instrument performance can be that, but von der Goltz lets the orchestra do the talking, with the sharp attacks and slightly buzzy textures of the winds cutting through the texture and providing considerable momentum in the finale, creating a kind of pedal point at several junctures. The period brass instruments emerge in full glory here, but the strings are never overwhelmed, and Harmonia Mundi's Teldex Studio sound renders the conductor's careful balances faithfully. Also worthwhile is The Creatures of Prometheus, which is rarely performed complete. This reading captures the pregnant quality of much of the score, which contains ideas Beethoven worked out in pieces to come, most prominently in the finale and its tune that reappeared in the Symphony No. 3 in E flat major, Op. 55 ("Eroica"). Historically oriented performances of Beethoven are still not so common, but they are making headway, and this is a good place to start with them.
© TiVo

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