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Maurizio Pollini|Beethoven: Piano Sonatas Opp. 31 & 49

Beethoven: Piano Sonatas Opp. 31 & 49

Maurizio Pollini

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This is the final installment in a Beethoven sonata cycle (now also available as a box set) begun by Maurizio Pollini in the 1970s. As such, listeners might think it would differ from cycles recorded as a single creative statement, but in fact Pollini's output over his long career has been remarkably stable, especially in regard to Beethoven. The group, Nos. 16-20, released in 2014, contains some of the least-recorded items among Beethoven's sonatas, namely the highly transitional Piano Sonata No. 16 in G major, Op. 31/1, and the two student pieces, the Piano Sonata No. 19 in G minor, Op. 49/1, and Piano Sonata No. 20 in G major, Op. 49/2. Pollini in no way tosses off these minor pieces; his readings have all the virtues and, some would say, flaws of his recordings of the bigger sonatas. He can seem emotionless, but nobody can make a movement of Beethoven sound like a single large gesture, with each note precisely controlled and smoothly inserted into the whole, like Pollini can. His Beethoven is commanding without being especially dramatic, and that's quite a trick. His approach seems a bit overdone in the two Op. 49 sonatas, which work best when they're done in a simple, limpid way. But the Op. 31 group is coherent and controlled, with little outbursts of temper bursting through, and a bit of warmth allowed into the pastoral Op. 31/3. Those who have admired Pollini's Beethoven in the past will be very satisfied with this capstone to his Beethoven efforts.

© TiVo

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Beethoven: Piano Sonatas Opp. 31 & 49

Maurizio Pollini

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Piano Sonata No. 16 in G Major, Op. 31 No. 1 (Ludwig van Beethoven)

1
I. Allegro vivace
00:05:51

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

2
II. Adagio grazioso
00:08:52

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

3
III. Rondo (Allegretto)
00:05:21

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "The Tempest" (Ludwig van Beethoven)

4
I. Largo - Allegro (2013 Recording)
00:07:59

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

5
II. Adagio (2013 Recording)
00:07:12

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

6
III. Allegretto (2013 Recording)
00:05:55

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

Piano Sonata No. 18 in E Flat Major, Op. 31 No. 3 - "The Hunt" (Ludwig van Beethoven)

7
I. Allegro
00:07:18

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3 "The Hunt" (Ludwig van Beethoven)

8
II. Scherzo (Allegretto vivace)
00:04:41

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

9
III. Menuetto (Moderato e grazioso)
00:03:45

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

10
IV. Presto con fuoco
00:04:14

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

Piano Sonata No. 19 in G Minor, Op. 49 No. 1 (Ludwig van Beethoven)

11
I. Andante
00:03:56

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

12
II. Rondo (Allegro)
00:03:00

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

Piano Sonata No. 20 in G Major, Op. 49 No. 2 (Ludwig van Beethoven)

13
I. Allegro ma non troppo
00:04:05

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

14
II. Tempo di Menuetto
00:03:03

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

Presentación del Álbum

This is the final installment in a Beethoven sonata cycle (now also available as a box set) begun by Maurizio Pollini in the 1970s. As such, listeners might think it would differ from cycles recorded as a single creative statement, but in fact Pollini's output over his long career has been remarkably stable, especially in regard to Beethoven. The group, Nos. 16-20, released in 2014, contains some of the least-recorded items among Beethoven's sonatas, namely the highly transitional Piano Sonata No. 16 in G major, Op. 31/1, and the two student pieces, the Piano Sonata No. 19 in G minor, Op. 49/1, and Piano Sonata No. 20 in G major, Op. 49/2. Pollini in no way tosses off these minor pieces; his readings have all the virtues and, some would say, flaws of his recordings of the bigger sonatas. He can seem emotionless, but nobody can make a movement of Beethoven sound like a single large gesture, with each note precisely controlled and smoothly inserted into the whole, like Pollini can. His Beethoven is commanding without being especially dramatic, and that's quite a trick. His approach seems a bit overdone in the two Op. 49 sonatas, which work best when they're done in a simple, limpid way. But the Op. 31 group is coherent and controlled, with little outbursts of temper bursting through, and a bit of warmth allowed into the pastoral Op. 31/3. Those who have admired Pollini's Beethoven in the past will be very satisfied with this capstone to his Beethoven efforts.

© TiVo

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