Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
Canadian pianist Stewart Goodyear garnered considerable publicity for a marathon performance in Toronto of all of Beethoven's sonatas, followed by a recording of the whole cycle. This single-disc album on Marquis offers excerpts from the complete set, and it's a reasonable sampling even if few listeners would nominate the forbidding Piano Sonata No. 29 in B flat major, Op. 106 ("Hammerklavier") as a favorite Beethoven sonata. As it happens, that sonata offers a good example both of Goodyear's playing in general and of his strengths. He takes the "Hammerklavier" finale at Beethoven's original metronome marking of half note=138, a tempo that has generally been thought excessive and probably erroneous due to the imprecision of early metronomes. Goodyear's argument in favor of its validity is impressive: his reading is indeed awesomely fast, but it's never out of control, and in his hands the "Hammerklavier" simply joins the finale of the Symphony No. 9 in D minor, Op. 125, and other late Beethoven works as music that was intended to be at the edge of playability. In general, Goodyear takes dangerously fast tempos, and for the most part pulls them off. Do not sample the Piano Sonata No. 8 in C minor, Op. 13 ("Pathétique"), at the beginning: it is the exception to the general style, with a measured, almost intellectual dissection of a tumultuous early sonata. Goodyear's carefully considered slow movement here gives the music its proper weight. More typical is the finale of the Piano Sonata No. 23 in F sharp minor, Op. 57 ("Appassionata"), and this blistering but pearly essay in pianism makes a good place to start in sampling. Goodyear's most unorthodox and perhaps least successful interpretation is that of the Piano Sonata No. 26 in E flat major, Op. 81a ("Les adieux"), whose programmatic sentiments are lost in a crunch of fast, abstract shapes. But in general this is both a technically and an interpretively daring approach to Beethoven, and it's convenient to have a representative sampling of his entire set.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
DISCO 2
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Ludwig van Beethoven, Composer - Stewart Goodyear, MainArtist
2016 Marquis 2016 Marquis
Presentación del Álbum
Canadian pianist Stewart Goodyear garnered considerable publicity for a marathon performance in Toronto of all of Beethoven's sonatas, followed by a recording of the whole cycle. This single-disc album on Marquis offers excerpts from the complete set, and it's a reasonable sampling even if few listeners would nominate the forbidding Piano Sonata No. 29 in B flat major, Op. 106 ("Hammerklavier") as a favorite Beethoven sonata. As it happens, that sonata offers a good example both of Goodyear's playing in general and of his strengths. He takes the "Hammerklavier" finale at Beethoven's original metronome marking of half note=138, a tempo that has generally been thought excessive and probably erroneous due to the imprecision of early metronomes. Goodyear's argument in favor of its validity is impressive: his reading is indeed awesomely fast, but it's never out of control, and in his hands the "Hammerklavier" simply joins the finale of the Symphony No. 9 in D minor, Op. 125, and other late Beethoven works as music that was intended to be at the edge of playability. In general, Goodyear takes dangerously fast tempos, and for the most part pulls them off. Do not sample the Piano Sonata No. 8 in C minor, Op. 13 ("Pathétique"), at the beginning: it is the exception to the general style, with a measured, almost intellectual dissection of a tumultuous early sonata. Goodyear's carefully considered slow movement here gives the music its proper weight. More typical is the finale of the Piano Sonata No. 23 in F sharp minor, Op. 57 ("Appassionata"), and this blistering but pearly essay in pianism makes a good place to start in sampling. Goodyear's most unorthodox and perhaps least successful interpretation is that of the Piano Sonata No. 26 in E flat major, Op. 81a ("Les adieux"), whose programmatic sentiments are lost in a crunch of fast, abstract shapes. But in general this is both a technically and an interpretively daring approach to Beethoven, and it's convenient to have a representative sampling of his entire set.
© TiVo
Acerca del álbum
- 2 disco(s) - 19 pista(s)
- Duración total: 02:13:11
- Artistas principales: Stewart Goodyear
- Compositor: Ludwig van Beethoven
- Sello: Marquis Classics
- Género Clásica
2016 Marquis 2016 Marquis
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.