Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Bach's Art of Fugue came down to us without any clear indication of the performing forces desired. The fugue was primarily a keyboard genre, and this massive, almost mystically complex extraction of well over an hour's worth of contrapuntal treatments from a simple fugue subject is most often performed on a harpsichord or organ. But the work's abstract quality has invited performances on other instruments for decades. String quartet versions on recordings go back to a Roth Quartet version of the 1930s, in an arrangement to which Roy Harris contributed. But this is a risky way to go, riskier even than novelty arrangements for saxophones and the like that maintain and exploit a sharp contrast between music and medium. The string quartet was not part of Bach's compositional world, but its origins were temporally close enough to the Art of Fugue to make quartet performances sound just a little "off" from Bach's Baroque sound ideal. The liner notes of the Emerson Quartet's new recording of the work play up the cerebral aspect of the string quartet image; they seethe with diagrams and deep thoughts. But the cerebrations of a Classical string quartet are the witty dialogues of Diderot, not the solitary metaphysics of Leibnitz. The Emerson seems cognizant of the single-minded intensity of this unique work, but the group doesn't always negotiate the pitfall of sounding too much like a string quartet -- too elegantly expressive, too much like the conversation among learned friends to which the string quartet is so often likened. Bach's fugues aren't conversations, and though lovers of the Art of Fugue will find plenty to interest them here, those looking for their first Art of Fugue might investigate a keyboard version instead -- a work this concentrated is best appreciated without distraction.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
The Art Of Fugue, BWV 1080 - Version For String Quartet (Johann Sebastian Bach)
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Lawrence Dutton, Viola, MainArtist, AssociatedPerformer - Eugene Drucker, Violin, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Eugene Drucker, Violin, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Lawrence Dutton, Viola, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Lawrence Dutton, Viola, MainArtist, AssociatedPerformer - Eugene Drucker, Violin, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Philip Setzer, Violin, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Philip Setzer, Violin, MainArtist, AssociatedPerformer - Lawrence Dutton, Viola, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Lawrence Dutton, Viola, MainArtist, AssociatedPerformer - Eugene Drucker, Violin, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Philip Setzer, Violin, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer
℗ 2003 Deutsche Grammophon GmbH, Berlin
Presentación del Álbum
Bach's Art of Fugue came down to us without any clear indication of the performing forces desired. The fugue was primarily a keyboard genre, and this massive, almost mystically complex extraction of well over an hour's worth of contrapuntal treatments from a simple fugue subject is most often performed on a harpsichord or organ. But the work's abstract quality has invited performances on other instruments for decades. String quartet versions on recordings go back to a Roth Quartet version of the 1930s, in an arrangement to which Roy Harris contributed. But this is a risky way to go, riskier even than novelty arrangements for saxophones and the like that maintain and exploit a sharp contrast between music and medium. The string quartet was not part of Bach's compositional world, but its origins were temporally close enough to the Art of Fugue to make quartet performances sound just a little "off" from Bach's Baroque sound ideal. The liner notes of the Emerson Quartet's new recording of the work play up the cerebral aspect of the string quartet image; they seethe with diagrams and deep thoughts. But the cerebrations of a Classical string quartet are the witty dialogues of Diderot, not the solitary metaphysics of Leibnitz. The Emerson seems cognizant of the single-minded intensity of this unique work, but the group doesn't always negotiate the pitfall of sounding too much like a string quartet -- too elegantly expressive, too much like the conversation among learned friends to which the string quartet is so often likened. Bach's fugues aren't conversations, and though lovers of the Art of Fugue will find plenty to interest them here, those looking for their first Art of Fugue might investigate a keyboard version instead -- a work this concentrated is best appreciated without distraction.
© TiVo
Acerca del álbum
- 1 disco(s) - 22 pista(s)
- Duración total: 01:19:46
- Artistas principales: Emerson String Quartet
- Compositor: Johann Sebastian Bach
- Sello: Deutsche Grammophon (DG)
- Género Clásica
© 2007 Deutsche Grammophon GmbH, Berlin ℗ 2007 Deutsche Grammophon GmbH, Berlin
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.