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Ed Motta|As Segundas Intenções Do Manual

As Segundas Intenções Do Manual

Ed Motta

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This album evokes right in the title the connection with Manual Prático Para Bailes, Festas E Afins, Vol. 1 from 1997, which sold 250,000 copies, of which this one is a continuation. It has partnerships with Blake Amos, Rita Lee, Ronaldo Bastos, Zélia Duncan, Lulu Santos, Nelson Motta, and others. Ed Motta is an extremely competent and versatile singer, with potent vocal ranges. The album marks his return to the pop universe (according to him, due to João Donato's influence) after his experience with an acoustic jazz trio in the sophisticated show Músicas de Antigamente E Algumas Inéditas. Defining his niche in the pop music, in spite of his comprehensive tastes (his personal CD/vinyl collection reaches 10,000 items), he nevertheless dedicates to jazz the instrumental "A Tijuca Em Cinemascope," with excellent musicians and exciting solos, in Latin style, and "Outono No Rio," taken from the mentioned show, a four-to-the-bar swing with a distinctive and longing vibraphone. But the album is dominated by the danceable soul/pop sonorities where the biggest virtue, after Motta's inspired interpretations and the beautiful melodies, is the use of mainly acoustic instruments and discrete use of electronics, contrarily to Brazil's production trends in 2000, resulting in the best of two worlds: you can dance to it, you can sit and listen to it.

© Alvaro Neder /TiVo

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As Segundas Intenções Do Manual

Ed Motta

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1
Mágica De Um Charlatão
00:03:29

Ed Motta, MainArtist, ComposerLyricist - Francisco Eduardo Fagundes Amaral, ComposerLyricist

℗ 2000 Universal Music Ltda

2
Dez Mais Um Amor
00:04:18

Ronaldo Bastos, ComposerLyricist - Ed Motta, Producer, MainArtist, ComposerLyricist

℗ 2000 Universal Music Ltda

3
Colombina
00:04:45

Rita Lee, ComposerLyricist - Ed Motta, Producer, MainArtist, ComposerLyricist

℗ 2000 Universal Music Ltda

4
Ela Disse Sim
00:03:40

Ed Motta, Producer, MainArtist, ComposerLyricist - Filho Nelson Candido Motta, ComposerLyricist

℗ 2000 Universal Music Ltda

5
A Deriva
00:04:22

Zélia Duncan, ComposerLyricist - Ed Motta, Producer, MainArtist, ComposerLyricist

℗ 2000 Universal Music Ltda

6
Conversa Mole
00:04:28

Ed Motta, Producer, MainArtist, ComposerLyricist - Filho Nelson Candido Motta, ComposerLyricist

℗ 2000 Universal Music Ltda

7
Pisca Alerta
00:03:36

Lulu Santos, ComposerLyricist - Ed Motta, Producer, MainArtist, ComposerLyricist

℗ 2000 Universal Music Ltda

8
Uma Vida Inteira Pra Mim
00:04:32

Ronaldo Bastos, ComposerLyricist - Ed Motta, Producer, MainArtist, ComposerLyricist

℗ 2000 Universal Music Ltda

9
Suddenly You
00:04:30

Ed Motta, Producer, MainArtist, ComposerLyricist - Blake Amos, ComposerLyricist

℗ 2000 Universal Music Ltda

10
Joia De Magoa
00:04:46

Ed Motta, Producer, MainArtist, ComposerLyricist - Doc Comparato, ComposerLyricist

℗ 2000 Universal Music Ltda

11
Assim, Assim
00:04:06

Ed Motta, Producer, MainArtist, ComposerLyricist - Doc Comparato, ComposerLyricist

℗ 2000 Universal Music Ltda

12
Outono No Rio
00:04:09

Ronaldo Bastos, ComposerLyricist - Ed Motta, Producer, MainArtist, ComposerLyricist

℗ 2000 Universal Music Ltda

13
Drive Me Crazy (Instrumental)
00:03:58

Ed Motta, Producer, MainArtist, ComposerLyricist

℗ 2000 Universal Music Ltda

14
A Tijuca Em Cinemascope (Instrumental)
00:04:34

Ed Motta, Producer, MainArtist, ComposerLyricist

℗ 2000 Universal Music Ltda

Presentación del Álbum

This album evokes right in the title the connection with Manual Prático Para Bailes, Festas E Afins, Vol. 1 from 1997, which sold 250,000 copies, of which this one is a continuation. It has partnerships with Blake Amos, Rita Lee, Ronaldo Bastos, Zélia Duncan, Lulu Santos, Nelson Motta, and others. Ed Motta is an extremely competent and versatile singer, with potent vocal ranges. The album marks his return to the pop universe (according to him, due to João Donato's influence) after his experience with an acoustic jazz trio in the sophisticated show Músicas de Antigamente E Algumas Inéditas. Defining his niche in the pop music, in spite of his comprehensive tastes (his personal CD/vinyl collection reaches 10,000 items), he nevertheless dedicates to jazz the instrumental "A Tijuca Em Cinemascope," with excellent musicians and exciting solos, in Latin style, and "Outono No Rio," taken from the mentioned show, a four-to-the-bar swing with a distinctive and longing vibraphone. But the album is dominated by the danceable soul/pop sonorities where the biggest virtue, after Motta's inspired interpretations and the beautiful melodies, is the use of mainly acoustic instruments and discrete use of electronics, contrarily to Brazil's production trends in 2000, resulting in the best of two worlds: you can dance to it, you can sit and listen to it.

© Alvaro Neder /TiVo

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