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Felicity Lott|Armin Jordan conducts Debussy, Roussel & Chausson (Live)

Armin Jordan conducts Debussy, Roussel & Chausson (Live)

Felicity Lott, Armin Jordan & Orchestre de la Suisse Romande

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The prestigious Lucerne Festival, which has seen, and still today showcases, the very best conductors, soloists and orchestras on the planet, continues to publish its exceptional archives. This new offering displays the sumptuous return of Armin Jordan who led the Orchestre de la Suisse Romande between 1985 and 1997 and gave a second “golden age” to the Genovese ensemble after the fruitful years of Ansermet (1918-1967).


With his Germanic and Latin cultural heritage, Armin Jordan took pleasure in gracing works with a generous and tormented lyricism. His only two appearances at the podium of the ancient Kunsthaus at the festival of his birth town are brought together here with his superb recordings created in 1988 and 1994. Here we find his stunning sense of colour and unique mix of fluidity, transparence and vigour which he made his own.


After Prelude to the afternoon of a Faun with its hazy poeticism, we discover the Second Suite of Bacchus and Arriadne by Albert Roussel led by a beating drum with a touring OSR at the top of its game. The strength of this interpretation perfectly fills a gap as Jordan had never recorded this flamboyant work in studio. Such is not the case with Poème de l’amour et de la mer which was recorded in Monte-Carlo for Erato with Jessye Norman.


In this 1994 Lucerne concert, he directed his dear companion Felicity Lott. While the voice of this English cantata singer doesn’t have the amber-scented and sensual colour of her American colleague, she nevertheless possesses a timbre of perfect harmony with the style and colour of the Chausson conductor. Finally, one can admire Ansermet’s beautiful orchestration recorded in 1932 with Claude Debussy’s Six Épigraphes Antiques where he displayed the most intricate of details as much as Jordan perfectly translates its flourishes and subtleties. © François Hudry/Qobuz

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Armin Jordan conducts Debussy, Roussel & Chausson (Live)

Felicity Lott

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1
Prélude à l'après-midi d'un faune (Live)
Ernest Ansermet, Orchestre de la Suisse Romande
00:09:38

Claude Debussy, Composer - Copyright Control, MusicPublisher - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

2
Bacchus et Ariane, Op. 43: Suite No. 2 (Live)
Ernest Ansermet, Orchestre de la Suisse Romande
00:19:04

Copyright Control, MusicPublisher - Albert Roussel, Composer - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

3
Six épigraphes antiques (orch. by Ernest Ansermet): I. Pour invoquer Pan, dieu du vent d'été (Live)
Ernest Ansermet, Orchestre de la Suisse Romande
00:02:40

Claude Debussy, Composer - Copyright Control, MusicPublisher - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

4
Six épigraphes antiques (orch. by Ernest Ansermet): II. Pour un tombeau sans nom (Live)
Ernest Ansermet, Orchestre de la Suisse Romande
00:03:30

Claude Debussy, Composer - Copyright Control, MusicPublisher - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

5
Six épigraphes antiques (orch. by Ernest Ansermet): III. Pour que la nuit soit propice (Live)
Ernest Ansermet, Orchestre de la Suisse Romande
00:02:21

Claude Debussy, Composer - Copyright Control, MusicPublisher - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

6
Six épigraphes antiques (orch. by Ernest Ansermet): IV. Pour la danseuse aux crotales (Live)
Ernest Ansermet, Orchestre de la Suisse Romande
00:02:43

Claude Debussy, Composer - Copyright Control, MusicPublisher - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

7
Six épigraphes antiques (orch. by Ernest Ansermet): V. Pour l'Égyptienne (Live)
Ernest Ansermet, Orchestre de la Suisse Romande
00:03:11

Claude Debussy, Composer - Copyright Control, MusicPublisher - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

8
Six épigraphes antiques (orch. by Ernest Ansermet): VI. Pour remercier la pluie au matin (Live)
Ernest Ansermet, Orchestre de la Suisse Romande
00:02:12

Claude Debussy, Composer - Copyright Control, MusicPublisher - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

9
Poème de l'amour et de la mer: I. La fleur des eaux (Live)
Felicity Lott
00:12:25

Felicity Lott, Artist, MainArtist - Copyright Control, MusicPublisher - Ernest Chausson, Composer - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

10
Poème de l'amour et de la mer: Interlude (Live)
Felicity Lott
00:02:38

Felicity Lott, Artist, MainArtist - Copyright Control, MusicPublisher - Ernest Chausson, Composer - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

11
Poème de l'amour et de la mer: II. La mort de l'amour (Live)
Felicity Lott
00:14:06

Felicity Lott, Artist, MainArtist - Copyright Control, MusicPublisher - Ernest Chausson, Composer - Orchestre de la Suisse Romande, Ensemble, MainArtist - Armin Jordan, Conductor, MainArtist

2020 audite Musikproduktion 2020 audite Musikproduktion

Presentación del Álbum

The prestigious Lucerne Festival, which has seen, and still today showcases, the very best conductors, soloists and orchestras on the planet, continues to publish its exceptional archives. This new offering displays the sumptuous return of Armin Jordan who led the Orchestre de la Suisse Romande between 1985 and 1997 and gave a second “golden age” to the Genovese ensemble after the fruitful years of Ansermet (1918-1967).


With his Germanic and Latin cultural heritage, Armin Jordan took pleasure in gracing works with a generous and tormented lyricism. His only two appearances at the podium of the ancient Kunsthaus at the festival of his birth town are brought together here with his superb recordings created in 1988 and 1994. Here we find his stunning sense of colour and unique mix of fluidity, transparence and vigour which he made his own.


After Prelude to the afternoon of a Faun with its hazy poeticism, we discover the Second Suite of Bacchus and Arriadne by Albert Roussel led by a beating drum with a touring OSR at the top of its game. The strength of this interpretation perfectly fills a gap as Jordan had never recorded this flamboyant work in studio. Such is not the case with Poème de l’amour et de la mer which was recorded in Monte-Carlo for Erato with Jessye Norman.


In this 1994 Lucerne concert, he directed his dear companion Felicity Lott. While the voice of this English cantata singer doesn’t have the amber-scented and sensual colour of her American colleague, she nevertheless possesses a timbre of perfect harmony with the style and colour of the Chausson conductor. Finally, one can admire Ansermet’s beautiful orchestration recorded in 1932 with Claude Debussy’s Six Épigraphes Antiques where he displayed the most intricate of details as much as Jordan perfectly translates its flourishes and subtleties. © François Hudry/Qobuz

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