Qobuz Store wallpaper
Categorías:
Carrito 0

Su carrito está vacío

Kate Lindsey|Arianna

Arianna

Kate Lindsey, Arcangelo and Jonathan Cohen

Libreto digital

Disponible en
24-Bit/96 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Compre y descargue este álbum en múltiples formatos, según sus necesidades.

Several composers have written music inspired by the story of Arianna (also commonly known as Ariadne) abandoned by Theseus on the island of Naxos. The American mezzo-soprano Kate Lindsey, lauded for her intelligent and luminous singing, chose to illustrate this story by means of three composers: Alessandro Scarlatti, Handel and Haydn and with the help of the Arcangelo ensemble, founded by harpsichordist and organist Jonathan Cohen. The archetype of the woman abandoned, the character of Arianna offers composers and performers alike vast expressive possibilities for an audience always eager to identify themselves with the scarred heroine.

Monteverdi was without a doubt one of the first ones to put the young woman’s perils to music, in an opera which has since been lost (the only surviving part is the sublime lamento). In the cantata Ebra d’amor fuggia, Alessandro Scarlatti conjures Arianna’s state of mind in a very baroque way, tenderly, dreamily, rebelliously… Handel would also use the same influence during his Roman years with his cantata Ah! crudel, nel planto moi, an exact contemporary of Scarlatti’s work, as the two were composed in 1707.

At the later end of the century, in 1789, Haydn also wrote Arianna a Naxos, a cantata for solo voice accompanied by a single keyboard. The expression is intense but the absence of vocal virtuosity pushes one to think this is work destined for more experienced performers just as much as talented amateurs. We know that Haydn planned on adding instruments to his cantata, a project that was completed by several composers including his student Sigismund Neukomm, whose work from 1808, the year before the Haydn’s death, is presented here. © François Hudry/Qobuz

Más información

Arianna

Kate Lindsey

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde 12,49€/mes

L'Arianna (Ebra d'amor fuggia), H. 242 (Alessandro Scarlatti)

1
I. Introduzione (Allegrissimo - Allegro) - II. Recitativo "Ebra d'amor fuggia"
Kate Lindsey
00:03:10

Anonymous, Lyricist - Copyright Control, MusicPublisher - ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

2
III. Aria "Pur ti stringo o moi diletto"
Kate Lindsey
00:03:01

Anonymous, Lyricist - Copyright Control, MusicPublisher - ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

3
IV. Recitativo "Ribaciolla Teseo"
Kate Lindsey
00:01:29

Anonymous, Lyricist - Copyright Control, MusicPublisher - ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

4
V. Aria "Stringa si dolce nodo ardente amore"
Kate Lindsey
00:03:20

Anonymous, Lyricist - Copyright Control, MusicPublisher - ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

5
VI. Recitativo "Ma poi che desta vide"
Kate Lindsey
00:00:58

Anonymous, Lyricist - Copyright Control, MusicPublisher - ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

6
VII. [Aria] "Ingoiatelo"
Kate Lindsey
00:01:30

Anonymous, Lyricist - Copyright Control, MusicPublisher - ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

7
VIII. [Accompagnato] "Ah che son con Teseo"
Kate Lindsey
00:01:10

Anonymous, Lyricist - Copyright Control, MusicPublisher - ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

8
IX. [Aria] "Struggiti, o core"
Kate Lindsey
00:07:19

Anonymous, Lyricist - Copyright Control, MusicPublisher - ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

9
X. [Recitativo - Arioso] "Si disse e tanto pianse"
Kate Lindsey
00:01:15

Anonymous, Lyricist - Copyright Control, MusicPublisher - ALESSANDRO SCARLATTI, Composer - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

Ah! Crudel, nel pianto mio, HWV 78 (Georg Friedrich Händel)

10
I. Sonata
Arcangelo
00:08:18

George Frideric Handel, Composer - Copyright Control, MusicPublisher - Arcangelo, MainArtist - Jonathan Cohen, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

11
II. Aria "Ah, crudel, nel pianto mio"
Kate Lindsey
00:06:55

George Frideric Handel, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

12
III. Recitativo "Non sdegnerai d'amar"
Kate Lindsey
00:00:50

George Frideric Handel, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

13
IV. Aria "Di quel bel che il ciel ti diede"
Kate Lindsey
00:03:58

George Frideric Handel, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

14
V. Recitativo accompagnato "Balena il cielo"
Kate Lindsey
00:01:57

George Frideric Handel, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

15
VI. Aria "Per trofei di mia costanza"
Kate Lindsey
00:07:16

George Frideric Handel, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

Arianna a Naxos, Hob. XXVIb:2 (Joseph Haydn)

16
I. Recitativo "Teseo moi ben, ove sei?"
Kate Lindsey
00:06:29

Franz Joseph Haydn, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

17
II. Aria "Dove sei, moi bel tesoro"
Kate Lindsey
00:04:50

Franz Joseph Haydn, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

18
III. Recitativo "Ma, a chi parlo?"
Kate Lindsey
00:03:59

Franz Joseph Haydn, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

19
IV. Aria "Ah! che morir vorrei"
Kate Lindsey
00:04:18

Franz Joseph Haydn, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Arcangelo, MainArtist - Jonathan Cohen, MainArtist - Kate Lindsey, MainArtist

2020 Alpha classics / Outhere Music France 2020 Arcangelo & Alpha Classics / Outhere Music France

Presentación del Álbum

Several composers have written music inspired by the story of Arianna (also commonly known as Ariadne) abandoned by Theseus on the island of Naxos. The American mezzo-soprano Kate Lindsey, lauded for her intelligent and luminous singing, chose to illustrate this story by means of three composers: Alessandro Scarlatti, Handel and Haydn and with the help of the Arcangelo ensemble, founded by harpsichordist and organist Jonathan Cohen. The archetype of the woman abandoned, the character of Arianna offers composers and performers alike vast expressive possibilities for an audience always eager to identify themselves with the scarred heroine.

Monteverdi was without a doubt one of the first ones to put the young woman’s perils to music, in an opera which has since been lost (the only surviving part is the sublime lamento). In the cantata Ebra d’amor fuggia, Alessandro Scarlatti conjures Arianna’s state of mind in a very baroque way, tenderly, dreamily, rebelliously… Handel would also use the same influence during his Roman years with his cantata Ah! crudel, nel planto moi, an exact contemporary of Scarlatti’s work, as the two were composed in 1707.

At the later end of the century, in 1789, Haydn also wrote Arianna a Naxos, a cantata for solo voice accompanied by a single keyboard. The expression is intense but the absence of vocal virtuosity pushes one to think this is work destined for more experienced performers just as much as talented amateurs. We know that Haydn planned on adding instruments to his cantata, a project that was completed by several composers including his student Sigismund Neukomm, whose work from 1808, the year before the Haydn’s death, is presented here. © François Hudry/Qobuz

Acerca del álbum

Mejorar la información del álbum

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Blue Train

John Coltrane

Blue Train John Coltrane

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Más en Qobuz
Por Kate Lindsey

Thousands of Miles

Kate Lindsey

Thousands of Miles Kate Lindsey

Mohammed Fairouz: No Orpheus

Kate Lindsey

Here's Your Trouble

Kate Lindsey

Here's Your Trouble Kate Lindsey

Tiranno

Kate Lindsey

Tiranno Kate Lindsey

Abendlied

Kate Lindsey

Abendlied Kate Lindsey

Playlists

Quizás también le guste...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi

Chopin: Piano Sonata No. 2, Op. 35 "Funeral March" - Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier"

Beatrice Rana