Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
By the end of 1970, most of Bo Diddley's income was derived from his concert work, primarily as an "oldies" act in rock 'n roll revival shows such as the Toronto concert where he shared a stage with the Plastic Ono Band. But he and Chess believed there was still a way for him to try and reach a wider, more contemporary audience. This album was the result, a valiant effort to update Bo Diddley's sound and image, somewhat in the vein of Muddy Waters' Electric Mud, only a few years later, and only slightly more successful in that quest, in the sense of yielding one lasting addition to Bo's repertory. Relevance was the key word, not only in the song selection, which includes three John Fogerty tunes ("Lodi," "Bad Moon Rising," "Down on the Corner") and covers of numbers by the Band and Elton John, but a new song entitled "Pollution" that tries hard to integrate the Bo Diddley beat into a message piece -- it's a good try, but nothing on this record (including "Pollution") was going to challenge Marvin Gaye's What's Going On for primacy or effectiveness. The record starts off well enough, with a superb, deeply soulful cover of Al Kooper's "I Love You More Than You'll Ever Know," and a decent rendition of "The Shape I'm In." But two of the Fogerty covers ("Lodi" is the only one that sort of works) are embarrassing, with the girlie chorus killing "Bad Moon Rising." And "Bad Side of the Moon" was a waste of studio time. One song from this album has remained part of Bo's concert set for decades, however -- "I Said Shutup Woman," which has the most traditional sound of anything on Another Dimension.
© Bruce Eder /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Bob Gallo, Producer, Recording Arranger, AssociatedPerformer - ROBBIE ROBERTSON, ComposerLyricist - BO DIDDLEY, MainArtist
℗ 1971 Geffen Records
Bob Gallo, Producer - Al Kooper, ComposerLyricist - BO DIDDLEY, MainArtist
℗ 2015 Geffen Records
Bob Gallo, Producer, Recording Arranger, AssociatedPerformer - BO DIDDLEY, MainArtist - Kay Reynolds, ComposerLyricist
℗ 1971 Geffen Records
Bob Gallo, Producer, Recording Arranger, AssociatedPerformer - John Fogerty, ComposerLyricist - BO DIDDLEY, MainArtist
℗ 1971 Geffen Records
Bob Gallo, Producer, Recording Arranger, AssociatedPerformer - John Fogerty, ComposerLyricist - BO DIDDLEY, MainArtist
℗ 1971 Geffen Records
Bob Gallo, Producer, Recording Arranger, AssociatedPerformer - BO DIDDLEY, MainArtist - Kay Reynolds, ComposerLyricist - Bobby Alexis, ComposerLyricist - Connie Redmond, ComposerLyricist
℗ 1971 Geffen Records
Bernie Taupin, Author - Elton John, Composer - Bob Gallo, Producer, Recording Arranger, AssociatedPerformer - BO DIDDLEY, MainArtist
℗ 1971 Geffen Records
Bob Gallo, Producer - John Fogerty, ComposerLyricist - BO DIDDLEY, MainArtist
℗ 1971 Geffen Records
Bob Gallo, Producer, Recording Arranger, AssociatedPerformer - BO DIDDLEY, MainArtist - Michael Benghiat, ComposerLyricist - George Nishigomi, ComposerLyricist
℗ 1971 Geffen Records
Presentación del Álbum
By the end of 1970, most of Bo Diddley's income was derived from his concert work, primarily as an "oldies" act in rock 'n roll revival shows such as the Toronto concert where he shared a stage with the Plastic Ono Band. But he and Chess believed there was still a way for him to try and reach a wider, more contemporary audience. This album was the result, a valiant effort to update Bo Diddley's sound and image, somewhat in the vein of Muddy Waters' Electric Mud, only a few years later, and only slightly more successful in that quest, in the sense of yielding one lasting addition to Bo's repertory. Relevance was the key word, not only in the song selection, which includes three John Fogerty tunes ("Lodi," "Bad Moon Rising," "Down on the Corner") and covers of numbers by the Band and Elton John, but a new song entitled "Pollution" that tries hard to integrate the Bo Diddley beat into a message piece -- it's a good try, but nothing on this record (including "Pollution") was going to challenge Marvin Gaye's What's Going On for primacy or effectiveness. The record starts off well enough, with a superb, deeply soulful cover of Al Kooper's "I Love You More Than You'll Ever Know," and a decent rendition of "The Shape I'm In." But two of the Fogerty covers ("Lodi" is the only one that sort of works) are embarrassing, with the girlie chorus killing "Bad Moon Rising." And "Bad Side of the Moon" was a waste of studio time. One song from this album has remained part of Bo's concert set for decades, however -- "I Said Shutup Woman," which has the most traditional sound of anything on Another Dimension.
© Bruce Eder /TiVo
Acerca del álbum
- 1 disco(s) - 9 pista(s)
- Duración total: 00:35:07
- Artistas principales: Bo Diddley
- Compositor: Various Composers
- Sello: Geffen
- Género Blues/Country/Folk Blues
© 2015 Geffen Records ℗ 1971 Geffen Records
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.