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Eric Johnson|Ah Via Musicom

Ah Via Musicom

Eric Johnson

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After being overlooked on his debut, Tones, guitarist Eric Johnson burst onto the airwaves with the surprising hit "Cliffs of Dover." Armed with excellent chops and a clear tone, Johnson took a tired formula and made it sound fresh again. Despite his talents on the fret board, he plays with great restraint and chose to explore a variety of styles, including rock, pop, blues, country, and jazz. While his singing is not quite as interesting as his guitar playing, it is not obtrusive and is at times quite pleasing. This recording has reached near-classic proportions within the guitar community.

© Robert Taylor /TiVo

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1
Ah Via Musicom (Instrumental)
00:02:04

Bernie Grundman, Mastering Engineer, StudioPersonnel - Tommy Taylor, Drums, AssociatedPerformer - Richard Mullen, Engineer, StudioPersonnel - Michael Frondelli, Mixer, StudioPersonnel - Eric Johnson, Composer, Producer, Guitar, MainArtist, AssociatedPerformer - Stephen Barber, Composer - Roscoe Beck, Bass Guitar, AssociatedPerformer - Paul Bissell, Percussion, AssociatedPerformer - Steve Barber, Synthesizer, AssociatedPerformer

(C) 1990 Capitol Records, Inc. ℗ 1990 Capitol Records, LLC

2
Cliffs Of Dover (Instrumental)
00:04:09

Bernie Grundman, Mastering Engineer, StudioPersonnel - Tommy Taylor, Drums, AssociatedPerformer - Richard Mullen, Engineer, StudioPersonnel - Michael Frondelli, Mixer, StudioPersonnel - Eric Johnson, Composer, Producer, Guitar, MainArtist, AssociatedPerformer - Kyle Brock, AssociatedPerformer, Bass (Vocal)

(C) 1990 Capitol Records, Inc. ℗ 1990 Capitol Records, LLC

3
Desert Rose
00:04:57

Bernie Grundman, Mastering Engineer, StudioPersonnel - Tommy Taylor, Drums, AssociatedPerformer - Richard Mullen, Engineer, StudioPersonnel - Michael Frondelli, Mixer, StudioPersonnel - Eric Johnson, Composer, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Roscoe Beck, Bass Guitar, AssociatedPerformer - V. Mariani, Composer - Steve Barber, Synthesizer, AssociatedPerformer - Kyle Brock, Bass Guitar, AssociatedPerformer

(C) 1990 Capitol Records, Inc. ℗ 1990 Capitol Records, LLC

4
High Landrons
00:05:45

Bernie Grundman, Mastering Engineer, StudioPersonnel - Tommy Taylor, Drums, Percussion, AssociatedPerformer - Richard Mullen, Mixer, Engineer, StudioPersonnel - Eric Johnson, Composer, Producer, Guitar, Piano, Vocals, Sitar, Steel Guitar, MainArtist, AssociatedPerformer - Steve Barber, Synthesizer, AssociatedPerformer - Kyle Brock, Bass Guitar, AssociatedPerformer

(C) 1990 Capitol Records, Inc. ℗ 1989 Capitol Records, LLC

5
Steve's Boogie
00:01:51

Bernie Grundman, Mastering Engineer, StudioPersonnel - Tommy Taylor, Drums, AssociatedPerformer - Richard Mullen, Engineer, StudioPersonnel - Michael Frondelli, Mixer, StudioPersonnel - Eric Johnson, Composer, Producer, Guitar, Steel Guitar, MainArtist, AssociatedPerformer - Steven Hennig, Guitar, AssociatedPerformer - Kyle Brock, Bass Guitar, AssociatedPerformer

(C) 1990 Capitol Records, Inc. ℗ 1990 Capitol Records, LLC

6
Trademark (Instrumental)
00:04:44

Bernie Grundman, Mastering Engineer, StudioPersonnel - Tommy Taylor, Drums, AssociatedPerformer - Richard Mullen, Engineer, StudioPersonnel - Michael Frondelli, Mixer, StudioPersonnel - Eric Johnson, Composer, Producer, Guitar, MainArtist, AssociatedPerformer - James Fenner, Percussion, AssociatedPerformer - Steve Barber, Synthesizer, AssociatedPerformer - Kyle Brock, Bass Guitar, AssociatedPerformer

(C) 1990 Capitol Records, Inc. ℗ 1990 Capitol Records, LLC

7
Nothing Can Keep Me From You
00:04:23

Bernie Grundman, Mastering Engineer, StudioPersonnel - Tommy Taylor, Drums, Percussion, AssociatedPerformer - Richard Mullen, Mixer, Engineer, StudioPersonnel - Michael Frondelli, Mixer, StudioPersonnel - Eric Johnson, Composer, Producer, Guitar, Piano, Vocals, MainArtist, AssociatedPerformer - Roscoe Beck, Bass Guitar, AssociatedPerformer - Jody Lazo, Background Vocalist, AssociatedPerformer - Reggie Witty, Guitar, AssociatedPerformer - Steve Barber, Keyboards, AssociatedPerformer

(C) 1990 Capitol Records, Inc. ℗ 1990 Capitol Records, LLC

8
Song For George (Instrumental)
00:01:49

Bernie Grundman, Mastering Engineer, StudioPersonnel - Richard Mullen, Engineer, StudioPersonnel - Eric Johnson, Composer, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer

(C) 1990 Capitol Records, Inc. ℗ 1990 Capitol Records, LLC

9
Righteous (Instrumental)
00:03:28

Bernie Grundman, Mastering Engineer, StudioPersonnel - Tommy Taylor, Drums, AssociatedPerformer - Richard Mullen, Engineer, StudioPersonnel - Michael Frondelli, Mixer, StudioPersonnel - Eric Johnson, Composer, Producer, Guitar, MainArtist, AssociatedPerformer - Wee Willie, Harmonica, AssociatedPerformer - Roscoe Beck, Bass Guitar, AssociatedPerformer

(C) 1990 Capitol Records, Inc. ℗ 1990 Capitol Records, LLC

10
Forty Mile Town
00:04:12

Bernie Grundman, Mastering Engineer, StudioPersonnel - Tommy Taylor, Drums, Percussion, AssociatedPerformer - Richard Mullen, Mixer, Engineer, StudioPersonnel - Eric Johnson, Composer, Producer, Guitar, Vocals, Steel Guitar, MainArtist, AssociatedPerformer - Roscoe Beck, Bass Guitar, AssociatedPerformer - James Fenner, Percussion, AssociatedPerformer - Jody Lazo, Background Vocalist, AssociatedPerformer - Steve Barber, Synthesizer, AssociatedPerformer

(C) 1990 Capitol Records, Inc. ℗ 1990 Capitol Records, LLC

11
East Wes (Instrumental)
00:03:27

Bernie Grundman, Mastering Engineer, StudioPersonnel - Tommy Taylor, Drums, AssociatedPerformer - Richard Mullen, Engineer, StudioPersonnel - Michael Frondelli, Mixer, StudioPersonnel - Eric Johnson, Composer, Producer, Guitar, Steel Guitar, MainArtist, AssociatedPerformer - James Fenner, Percussion, AssociatedPerformer - Steve Barber, Keyboards, AssociatedPerformer - Kyle Brock, Bass Guitar, AssociatedPerformer

(C) 1990 Capitol Records, Inc. ℗ 1990 Capitol Records, LLC

Presentación del Álbum

After being overlooked on his debut, Tones, guitarist Eric Johnson burst onto the airwaves with the surprising hit "Cliffs of Dover." Armed with excellent chops and a clear tone, Johnson took a tired formula and made it sound fresh again. Despite his talents on the fret board, he plays with great restraint and chose to explore a variety of styles, including rock, pop, blues, country, and jazz. While his singing is not quite as interesting as his guitar playing, it is not obtrusive and is at times quite pleasing. This recording has reached near-classic proportions within the guitar community.

© Robert Taylor /TiVo

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