Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
When Niels Rosing-Schow was growing up, Danish music was adapting to the New Simplicity of Henning Christiansen, Ole Buck and Pelle Gudmundsen-Holmgreen. European ears were growing familiar with the slow, crystalline musical metamorphoses of György Ligeti. From the Paris of Gérard Grisey, Tristan Murail and Iannis Xenakis came the suggestion that sound and harmony might just be the same thing.
As a composer, Rosing-Schow was formed by all of the above, even if France handed him his most significant philosophical and aesthetic revelation. On a scholarship in Paris following studies at home in Copenhagen, he worked at Xenakis’s Ateliers UPIC and became interested in musical spectralism propagated by Grisey and Murail. After talking with Xenakis, Rosing-Schow woke to the expressive potential of his own inbuilt reluctance to separate harmony and sonority. He concluded that those things are, in fact, one and the same.
Thus Rosing-Schow started to develop a spectral style in which instrumental timbre and colour would carry as much structural import as theme and harmony. As those ideas infiltrated his music, that music began to take on its characteristic form and develop the hallmarks with which, for all its divergence and contrast, it can be identified today.
Resulting from his strict, exploitative view of his own material, many of Rosing-Schow’s scores appear to trace a process of unfolding, like blossoming flowers – a process that can expand into full-blown metamorphosis. Many of them combine a calligraphic, aerated clarity with a sense of functionalism that sees no note, timbre or colour wasted. His early interest in improvisation gives his ensemble works in particular a specific sense of interdependent, conversational reactivity.
We can add to this a certain fascination with time, perhaps inherited from Grisey. What was first heard in the 1981 work E Rigidis – which contrasts the mechanical with the fluid – has echoed through countless works from Rosing-Schow since, including those heard here. Time and memory, as much as sound and sensuality, are the composer’s building blocks. © Andrew Mellor/Dacapo Records
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Distant Calls (Songs & Moves) (Niels Rosing-schow)
Athelas Sinfonietta Copenhagen, Ensemble, MainArtist - Jean Thorel, Conductor, MainArtist - Niels Rosing-Schow, Composer
(C) 2022 Dacapo (P) 2022 Dacapo
Episodes from a Concerto (Niels Rosing-schow)
Athelas Sinfonietta Copenhagen, Ensemble, MainArtist - Jean Thorel, Conductor, MainArtist - Niels Rosing-Schow, Composer - Jeanette Balland, Artist, MainArtist
(C) 2022 Dacapo (P) 2022 Dacapo
Athelas Sinfonietta Copenhagen, Ensemble, MainArtist - Jean Thorel, Conductor, MainArtist - Niels Rosing-Schow, Composer - Jeanette Balland, Artist, MainArtist
(C) 2022 Dacapo (P) 2022 Dacapo
Athelas Sinfonietta Copenhagen, Ensemble, MainArtist - Jean Thorel, Conductor, MainArtist - Niels Rosing-Schow, Composer - Jeanette Balland, Artist, MainArtist
(C) 2022 Dacapo (P) 2022 Dacapo
All Right!? (A Talk of Our Time) (Niels Rosing-schow)
Athelas Sinfonietta Copenhagen, Ensemble, MainArtist - Jean Thorel, Conductor, MainArtist - Niels Rosing-Schow, Composer - Manuel Esperilla, Artist, MainArtist
(C) 2022 Dacapo (P) 2022 Dacapo
Athelas Sinfonietta Copenhagen, Ensemble, MainArtist - Jean Thorel, Conductor, MainArtist - Niels Rosing-Schow, Composer - Manuel Esperilla, Artist, MainArtist
(C) 2022 Dacapo (P) 2022 Dacapo
FlashNight (Niels Rosing-schow)
Athelas Sinfonietta Copenhagen, Ensemble, MainArtist - Jean Thorel, Conductor, MainArtist - Niels Rosing-Schow, Composer, Artist, MainArtist - Hélène Navasse, Artist, MainArtist
(C) 2022 Dacapo (P) 2022 Dacapo
Unspoken – Unheard (Niels Rosing-schow)
Athelas Sinfonietta Copenhagen, Ensemble, MainArtist - Jean Thorel, Conductor, MainArtist - Niels Rosing-Schow, Composer
(C) 2022 Dacapo (P) 2022 Dacapo
Presentación del Álbum
When Niels Rosing-Schow was growing up, Danish music was adapting to the New Simplicity of Henning Christiansen, Ole Buck and Pelle Gudmundsen-Holmgreen. European ears were growing familiar with the slow, crystalline musical metamorphoses of György Ligeti. From the Paris of Gérard Grisey, Tristan Murail and Iannis Xenakis came the suggestion that sound and harmony might just be the same thing.
As a composer, Rosing-Schow was formed by all of the above, even if France handed him his most significant philosophical and aesthetic revelation. On a scholarship in Paris following studies at home in Copenhagen, he worked at Xenakis’s Ateliers UPIC and became interested in musical spectralism propagated by Grisey and Murail. After talking with Xenakis, Rosing-Schow woke to the expressive potential of his own inbuilt reluctance to separate harmony and sonority. He concluded that those things are, in fact, one and the same.
Thus Rosing-Schow started to develop a spectral style in which instrumental timbre and colour would carry as much structural import as theme and harmony. As those ideas infiltrated his music, that music began to take on its characteristic form and develop the hallmarks with which, for all its divergence and contrast, it can be identified today.
Resulting from his strict, exploitative view of his own material, many of Rosing-Schow’s scores appear to trace a process of unfolding, like blossoming flowers – a process that can expand into full-blown metamorphosis. Many of them combine a calligraphic, aerated clarity with a sense of functionalism that sees no note, timbre or colour wasted. His early interest in improvisation gives his ensemble works in particular a specific sense of interdependent, conversational reactivity.
We can add to this a certain fascination with time, perhaps inherited from Grisey. What was first heard in the 1981 work E Rigidis – which contrasts the mechanical with the fluid – has echoed through countless works from Rosing-Schow since, including those heard here. Time and memory, as much as sound and sensuality, are the composer’s building blocks. © Andrew Mellor/Dacapo Records
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 01:10:51
- 1 Libreto digital
- Artistas principales: Athelas Sinfonietta Copenhagen Jeanette Balland Manuel Esperilla Helene Navasse Jean Thorel Niels Rosing-schow
- Compositor: Niels Rosing-schow
- Sello: Dacapo
- Género Clásica
(C) 2022 Dacapo (P) 2022 Dacapo
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.