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L'Amoroso|A Schubertiade with arpeggione

A Schubertiade with arpeggione

L'Amoroso - Guido Balestracci

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A short-lived instrument which has long since disappeared, the arpeggione is a weird and wonderful creation. Dreamt up with the wild imagination of the Austrian luthier Johann Georg Stauffer, who specialized in guitars, this instrument which was invented in 1823 is a kind of 6-string guitar that is played with a bow. It was rather awkward to play, the six strings and the shape of the bridge making the bowing particularly delicate. The arpeggione has long since joined the cohort of instrumental oddities forever populating dusty museum windows, testimony to the creativity of curious inventors. A guitarist himself, like many young romantic men, Schubert became so interested in this instrument that he dedicated a sonata to it. Mainly played today on the cello, it was made famous in the 20th century by the legendary recordings of Emmanuel Feuermann in 1937 and then of Rostropovitch with Benjamin Britten in the early 1960s. It is now commonly played by cellists.
Guido Balestracci has crafted a programme around this famous sonata with transcriptions of works by Schubert for rare instruments: fortepiano, terz guitar, archlute and, of course, an arpeggione reconstructed by the Italian luthier Paolo Giuseppe Rabino in 2011 based on an instrument made in Prague in the 19th century. Although this rehabilitation is not the first on record, it nevertheless allows us to recover a strange sound that we thought had been lost. © François Hudry/Qobuz

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A Schubertiade with arpeggione

L'Amoroso

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Schöne Minka (Traditional)

1
Schöne Minka
L'Amoroso
00:03:34

L'Amoroso (Caroline Pelon, soprano - Maude Gratton, fortepiano - Massimo Moscardo, terz guitar - Guido Balestracci, arpeggione - Éric Bellocq, archlute) - Guido Balestracci, direction - Traditional, after Vincenz Schuster, Anton Diabelli, Johann Nepomuk Hummel, Ludwig van Beethoven - Transcription & arrangement by Éric Bellocq

2019 Outhere 2019 Outhere

Sonatine No.1 in D Major, D. 384 (Franz Schubert)

2
I. Allegro molto
L'Amoroso
00:04:33

L'Amoroso (Guido Balestracci, arpeggione - Massimo Moscardo, terz guitar - Éric Bellocq, archlute) - Guido Balestracci, direction - Franz Schubert, Composer - Transcription & arrangement by Éric Bellocq

2019 Outhere 2019 Outhere

3
II. Andante
L'Amoroso
00:04:18

L'Amoroso (Guido Balestracci, arpeggione - Massimo Moscardo, terz guitar - Éric Bellocq, archlute) - Guido Balestracci, direction - Franz Schubert, Composer - Transcription & arrangement by Éric Bellocq

2019 Outhere 2019 Outhere

4
III. Allegro vivace
L'Amoroso
00:04:32

L'Amoroso (Guido Balestracci, arpeggione - Massimo Moscardo, terz guitar - Éric Bellocq, archlute) - Guido Balestracci, direction - Franz Schubert, Composer - Transcription & arrangement by Éric Bellocq

2019 Outhere 2019 Outhere

Schwanengesang, D. 957 (Franz Schubert)

5
Ständchen
Massimo Moscardo
00:05:42

L'Amoroso (Massimo Moscardo, terz guitar - Éric Bellocq, guitar) - Franz Schubert, Composer - Transcription & arrangement by Éric Bellocq

2019 Outhere 2019 Outhere

An die Laute, D. 905 (Franz Schubert)

6
An die Laute, D. 905
L'Amoroso
00:02:00

L'Amoroso (Caroline Pelon, soprano - Guido Balestracci, arpeggione - Éric Bellocq, archlute) - Guido Balestracci, direction - Franz Schubert, Composer - Transcription & arrangement by Éric Bellocq

2019 Outhere 2019 Outhere

Sonate für Arpeggione in A Minor, D. 821 (Franz Schubert)

7
I. Allegro moderato
Guido Balestracci
00:12:07

L'Amoroso (Guido Balestracci, arpeggione - Maude Gratton, fortepiano) - Franz Schubert, Composer

2019 Outhere 2019 Outhere

8
II. Adagio
Guido Balestracci
00:03:56

L'Amoroso (Guido Balestracci, arpeggione - Maude Gratton, fortepiano) - Franz Schubert, Composer

2019 Outhere 2019 Outhere

9
III. Allegretto
Guido Balestracci
00:09:52

L'Amoroso (Guido Balestracci, arpeggione - Maude Gratton, fortepiano) - Franz Schubert, Composer

2019 Outhere 2019 Outhere

Die schöne Müllerin, D. 795 (Franz Schubert)

10
Pause
Caroline Pelon
00:04:04

L'Amoroso (Caroline Pelon, soprano - Éric Bellocq, guitar) - Franz Schubert, Composer - Transcription & arrangement by Éric Bellocq

2019 Outhere 2019 Outhere

Schwanengesang, D. 957 (Franz Schubert)

11
Liebesbotschaft
Massimo Moscardo
00:03:04

L'Amoroso (Massimo Moscardo, terz guitar - Éric Bellocq, archlute) - Franz Schubert, Composer - Transcription & arrangement by Éric Bellocq

2019 Outhere 2019 Outhere

An die Nachtigall, D. 497 (Franz Schubert)

12
An die Nachtigall, D. 497
Caroline Pelon
00:01:46

L'Amoroso (Caroline Pelon, soprano - Guido Balestracci, arpeggione) - Franz Schubert, Composer - Transcription & arrangement by Éric Bellocq & Guido Balestracci

2019 Outhere 2019 Outhere

Valse "Le printemps", VWV 1177 (Pauline Viardot)

13
Valse "Le printemps", VWV 1177
L'Amoroso
00:04:07

L'Amoroso (Caroline Pelon, soprano - Guido Balestracci, arpeggione - Maude Gratton, fortepiano - Massimo Moscardo, terz guitar - Éric Bellocq, guitar) - Guido Balestracci, direction - Pauline Viardot, Composer after Franz Schubert's "Deutsche Tänze und Ecossaisen", D.783 n°1,7,2,11,3 - Transcription & arrangement by Éric Bellocq

2019 Outhere 2019 Outhere

Presentación del Álbum

A short-lived instrument which has long since disappeared, the arpeggione is a weird and wonderful creation. Dreamt up with the wild imagination of the Austrian luthier Johann Georg Stauffer, who specialized in guitars, this instrument which was invented in 1823 is a kind of 6-string guitar that is played with a bow. It was rather awkward to play, the six strings and the shape of the bridge making the bowing particularly delicate. The arpeggione has long since joined the cohort of instrumental oddities forever populating dusty museum windows, testimony to the creativity of curious inventors. A guitarist himself, like many young romantic men, Schubert became so interested in this instrument that he dedicated a sonata to it. Mainly played today on the cello, it was made famous in the 20th century by the legendary recordings of Emmanuel Feuermann in 1937 and then of Rostropovitch with Benjamin Britten in the early 1960s. It is now commonly played by cellists.
Guido Balestracci has crafted a programme around this famous sonata with transcriptions of works by Schubert for rare instruments: fortepiano, terz guitar, archlute and, of course, an arpeggione reconstructed by the Italian luthier Paolo Giuseppe Rabino in 2011 based on an instrument made in Prague in the 19th century. Although this rehabilitation is not the first on record, it nevertheless allows us to recover a strange sound that we thought had been lost. © François Hudry/Qobuz

Detalles de la grabación original : Recording: Abbaye de Noirlac – Centre culturel de rencontre (Cher, France), March 2019

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