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Biffy Clyro|A Celebration of Endings (Live from The Barrowland Ballroom Glasgow) (Live at Barrowland Ballroom)

A Celebration of Endings (Live from The Barrowland Ballroom Glasgow) (Live at Barrowland Ballroom)

Biffy Clyro

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Following 2019's ambitious soundtrack Balance, Not Symmetry, Scotland's Biffy Clyro return with their ninth studio album, 2020's brightly attenuated A Celebration of Endings. The album again finds them working with producer Rich Costey, who'd previously helmed 2016's Ellipsis and who has worked with similarly inventive indie rock luminaries like Muse, Fiona Apple, and Supergrass, among others. Since their emergence as a wiry post-grunge outfit in the early 2000s, Biffy Clyro have matured into a reliably consistent power trio known for their prog-inflected anthems that balance pop hooks with kinetically aggressive rock arrangements. It's a sound they brought to fruition on 2009's Only Revolutions and one which they've continued to hone. In a post-millennial streaming world of individualized tracks, Biffy Clyro are somewhat of a throwback to the album-oriented alt rock of the '80s and '90s. Which is to say that while there are stand-out songs here, not every track is meant to play like an immediately gratifying three-minute earworm. There are those kinds of cuts here, including the propulsively galloping "Weird Leisure," with its crackling guitar leads and Queen-like harmonized falsetto backing vocals. Equally compelling is the rollicking "Tiny Indoor Fireworks," with its head-rush chorus about conquering obstacles, real or imagined, in which frontman Simon Neil sings, "I fire it up then blow it out/I build it up then tear it down/Summit the ocean, scale the lake/And I'll pray for the better days." Primarily though, on tracks like "The Champ," "End Of," and "The Pink Limit," they take a more sonically circuitous route, indulging in pummeling guitar riffage, off-kilter drum grooves, and Teutonic fuzz-tone bass bombast. There are also more languid moments as they expand their sound with orchestral flourishes, as on "Space" and the acoustic ballad "Opaque." Ultimately, A Celebration of Endings fits with Biffy Clyro's long-standing knack for combining stadium-sized rock uplift with an undercurrent of wry post-punk thrills.

© Matt Collar /TiVo

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A Celebration of Endings (Live from The Barrowland Ballroom Glasgow) (Live at Barrowland Ballroom)

Biffy Clyro

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1
North of No South (Live at Barrowland Ballroom)
00:04:53

James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, Composer, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Red TX, Recorded by

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

2
The Champ (Live at Barrowland Ballroom) Explicit
00:03:36

James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, Composer, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Annemarie McGahon, Viola - Kirsty Main, Violin - Gillian Grant, Violin - Balazs Renczes, Cello - Red TX, Recorded by - Marina Sanchez Cabello, Cello - Tessa Henderson, Violin

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

3
Weird Leisure (Live at Barrowland Ballroom) Explicit
00:04:46

James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, Composer, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Red TX, Recorded by

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

4
Tiny Indoor Fireworks (Live at Barrowland Ballroom)
00:04:11

James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, Composer, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Red TX, Recorded by

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

5
Worst Type of Best Possible (Live at Barrowland Ballroom)
00:03:51

James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, Composer, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Red TX, Recorded by

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

6
Space (Live at Barrowland Ballroom)
00:04:25

Steve Mac, Composer - James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Annemarie McGahon, Viola - Kirsty Main, Violin - Gillian Grant, Violin - Balazs Renczes, Cello - Red TX, Recorded by - Marina Sanchez Cabello, Cello - Tessa Henderson, Violin

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

7
End Of (Live at Barrowland Ballroom) Explicit
00:04:30

James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, Composer, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Red TX, Recorded by

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

8
Instant History (Live at Barrowland Ballroom)
00:04:04

Steve Mac, Composer - James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Ammar Malik, Composer - Annemarie McGahon, Viola - Kirsty Main, Violin - Gillian Grant, Violin - Balazs Renczes, Cello - Red TX, Recorded by - Marina Sanchez Cabello, Cello - Tessa Henderson, Violin

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

9
The Pink Limit (Live at Barrowland Ballroom) Explicit
00:04:14

James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, Composer, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Red TX, Recorded by

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

10
Opaque (Live at Barrowland Ballroom) Explicit
00:04:14

James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, Composer, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Annemarie McGahon, Viola - Kirsty Main, Violin - Gillian Grant, Violin - Balazs Renczes, Cello - Red TX, Recorded by - Marina Sanchez Cabello, Cello - Tessa Henderson, Violin

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

11
Cop Syrup (Live at Barrowland Ballroom) Explicit
00:06:34

James Johnston, Backing Vocals, Bass - Richard Ingram, Keyboards - Mike Vennart, Guitar - Biffy Clyro, Composer, MainArtist - Ben Johnston, Drums, Backing Vocals - Simon Neil, Composer, Guitar, Lead Vocals - Adam Noble, Mixer, Additional Production, Additional Programmer - Tim Summerhayes, Recorded by - Annemarie McGahon, Viola - Kirsty Main, Violin - Gillian Grant, Violin - Balazs Renczes, Cello - Red TX, Recorded by - Marina Sanchez Cabello, Cello - Tessa Henderson, Violin

A Warner Music UK Release, © 2021 14th Floor Records Limited ℗ 2021 14th Floor Records, a Warner Music Group company

Presentación del Álbum

Following 2019's ambitious soundtrack Balance, Not Symmetry, Scotland's Biffy Clyro return with their ninth studio album, 2020's brightly attenuated A Celebration of Endings. The album again finds them working with producer Rich Costey, who'd previously helmed 2016's Ellipsis and who has worked with similarly inventive indie rock luminaries like Muse, Fiona Apple, and Supergrass, among others. Since their emergence as a wiry post-grunge outfit in the early 2000s, Biffy Clyro have matured into a reliably consistent power trio known for their prog-inflected anthems that balance pop hooks with kinetically aggressive rock arrangements. It's a sound they brought to fruition on 2009's Only Revolutions and one which they've continued to hone. In a post-millennial streaming world of individualized tracks, Biffy Clyro are somewhat of a throwback to the album-oriented alt rock of the '80s and '90s. Which is to say that while there are stand-out songs here, not every track is meant to play like an immediately gratifying three-minute earworm. There are those kinds of cuts here, including the propulsively galloping "Weird Leisure," with its crackling guitar leads and Queen-like harmonized falsetto backing vocals. Equally compelling is the rollicking "Tiny Indoor Fireworks," with its head-rush chorus about conquering obstacles, real or imagined, in which frontman Simon Neil sings, "I fire it up then blow it out/I build it up then tear it down/Summit the ocean, scale the lake/And I'll pray for the better days." Primarily though, on tracks like "The Champ," "End Of," and "The Pink Limit," they take a more sonically circuitous route, indulging in pummeling guitar riffage, off-kilter drum grooves, and Teutonic fuzz-tone bass bombast. There are also more languid moments as they expand their sound with orchestral flourishes, as on "Space" and the acoustic ballad "Opaque." Ultimately, A Celebration of Endings fits with Biffy Clyro's long-standing knack for combining stadium-sized rock uplift with an undercurrent of wry post-punk thrills.

© Matt Collar /TiVo

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