Richard Wagner
Richard Wagner was one of the most revolutionary figures in the history of music, a composer who made pivotal contributions to the development of harmony and musical drama that reverberate even today. Indeed, though Wagner occasionally produced successful music written on a relatively modest scale, opera -- the bigger, the better -- was clearly his milieu, and his aesthetic is perhaps the most grandiose that Western music has ever known.
Early in his career, Wagner learned both the elements and the practical, political realities of his craft by writing a handful of operas which were unenthusiastically, even angrily, received. Beginning with Rienzi (1838-40) and The Flying Dutchman (1841), however, he enjoyed a string of successes that propelled him to immortality and changed the face of music. His monumental Ring cycle of four operas -- Das Rheingold (1853-54), Die Walküre (1854-56), Siegfried (1856-71) and Götterdämmerung (1869-74) -- remains the most ambitious and influential contribution by any composer to the opera literature. Tristan and Isolde (1857-59) is perhaps the most representative example of Wagner's musical style, which is characterized by a high degree of chromaticism, a restless, searching tonal instability, lush harmonies, and the association of specific musical elements (known as leitmotifs, the flexible manipulation of which is one of the hallmarks of Wagner's music) with certain characters and plot points. Wagner wrote text as well as music for all his operas, which he preferred to call "music dramas."
Wagner's life matched his music for sheer drama. Born in Leipzig on May 22, 1813, he began in the early 1830s to write prolifically on music and the arts in general; over his whole career, his music would to some degree serve to demonstrate his aesthetic theories. He often worked as a conductor in his early years; a conducting engagement took him to Riga, Latvia, in 1837, but he fled the country in the middle of the night two years later to elude creditors. Wagner as a young man had some sympathy with the revolutionary movements of the middle 19th century (and even the Ring cycle contains a distinct anti-materialist and vaguely socialist drift); in the Dresden uprisings of 1849 he apparently took up arms, and he had to leave Germany when the police restored order. Settling in Zurich, Switzerland, he wrote little for some years, but evolved the intellectual framework for his towering, mature masterpieces. Wagner returned to Germany in 1864 under the protection and patronage of King Ludwig II of Bavaria; it was in Bayreuth, near Munich, that he undertook the construction of an opera house (completed in 1876) built to his personal specifications and suited to the massive fusion of music, staging, text, and scene design that his later operas entailed. Bayreuth became something of a shrine for the fanatical Wagnerites who carried the torch after his death; it remains the goal of many a pilgrimage today. His attitude toward Jews was deeply ambivalent (he believed, mistakenly, that his stepfather was Jewish), but some of his writings contain anti-Semitic elements that have aroused considerable controversy among opera lovers, especially in view of Adolf Hitler's apparent predilection for the composer's music.
© Rovi Staff /TiVo
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Wagner: Der Ring des Nibelungen
Asher Fisch, Seattle Opera Chorus
Oper - Erschienen bei Avie Records am 09.09.2014
24-Bit 96.0 kHz - Stereo -
Richard Wagner : Siegfried
Rundfunk Sinfonieorchester Berlin
Oper - Erschienen bei Pentatone am 01.09.2013
24-Bit 96.0 kHz - Stereo -
Wagner Siegfried
Oper - Erschienen bei Halle Concerts Society am 07.06.2019
Gramophone Editor's Choice24-Bit 44.1 kHz - Stereo -
Wagner: Götterdammerung
Rundfunk Sinfonieorchester Berlin
Oper - Erschienen bei Pentatone am 01.11.2013
24-Bit 96.0 kHz - Stereo -
Wagner: Die Walküre
Klassik - Erschienen bei Halle Concerts Society am 14.05.2012
24-Bit 44.1 kHz - Stereo -
Wagner: Parsifal
Oper - Erschienen bei Halle Concerts Society am 02.06.2017
24-Bit 48.0 kHz - Stereo -
Wagner: Die Meistersinger von Nürnberg
Oper - Erschienen bei Urania am 11.08.2002
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Lohengrin
Wolfgang Windgassen, Birgit Nilsson, Hermann Uhde
Oper - Erschienen bei Opera d'Oro am 17.02.1998
16-Bit CD Quality 44.1 kHz - Stereo -
Rienzi
Richard Wagner, Günther Treptow, Winfried Zillig
Klassik - Erschienen bei Zyx - Classic am 17.10.2000
16-Bit CD Quality 44.1 kHz - Stereo -
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Wagner: Tristan e Isolda - Lohengrim - El Ocaso de los Dioses - Tanhauser
Klassik - Erschienen bei Piros Comercial Digital am 07.07.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Tristan und Isolde
Oper - Erschienen bei Opera d'Oro am 01.01.1999
16-Bit CD Quality 44.1 kHz - Stereo -
Païta conducts Wagner
Klassik - Erschienen bei Lodia Music International am 24.04.2013
16-Bit CD Quality 44.1 kHz - Stereo -
100 Must-Have Opera Without Words
Klassik - Erschienen bei Cobra Entertainment LLC am 21.01.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Symphony in C Major, Tristan und Isolde, Siegfried Idyll
Edo de Waart, Netherlands Radio Philharmonic Orchestra
Klassik - Erschienen bei Challenge Classics am 25.07.2014
16-Bit CD Quality 44.1 kHz - Stereo -
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Wagner: Der Fliegende Holländer, Rienzi, Die Meistersinger von Nürnberg & Tristan und Isolde
Klassik - Erschienen bei Lodia Music International am 04.07.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Lauritz Melchior Anthology Vol. 5
Klassik - Erschienen bei Danacord Records am 25.04.2007
16-Bit CD Quality 44.1 kHz - Stereo -
Lauritz Melchior Anthology Vol. 4
Klassik - Erschienen bei Danacord Records am 01.10.1999
16-Bit CD Quality 44.1 kHz - Stereo -
Lauritz Melchior Anthology Vol. 2
Klassik - Erschienen bei Danacord Records am 01.01.1987
16-Bit CD Quality 44.1 kHz - Stereo -
Lauritz Melchior Anthology Vol. 6
Klassik - Erschienen bei Danacord Records am 01.10.1999
16-Bit CD Quality 44.1 kHz - Stereo