Max Bruch
Max Bruch was a German composer who is remembered today primarily for his concertante works, but he was well known in the 19th century for his choral works. Viewed as a promising talent in his youth with an impressive technical and artistic mastery, he was considered a leading composer working in the traditional Romantic idiom until Brahms wrote his First Symphony. Because of his steadfast opposition to the New German School of Wagner and Liszt, and later to the music of "modernists" Strauss, Wolf, and Reger, Bruch gained the reputation of a conservative, and this label still alienates many listeners who accept an evolutionary paradigm of music history. The three works by Bruch that remain in the repertoire are his popular Violin Concerto No. 1, the Scottish Fantasy for violin and orchestra, and the single movement for cello and orchestra Kol Nidrei, but most of his other compositions -- including piano pieces, operas, symphonies, and other orchestral works -- are rarely performed and recorded. He was respected in his maturity as an educator and also conducted in posts as widely separated as Liverpool and Breslau.
Bruch was born in Cologne, on January 6, 1838. He took piano lessons from his mother, a voice teacher and former professional singer. Bruch started composing as a child, displaying an extraordinary musical talent that was recognized as such by Ignaz Moscheles. In 1852, he wrote a symphony and a string quartet, the latter work bringing him a scholarship from the Frankfurt-based Mozart foundation, which enabled him to study from 1853 to 1857: the piano with Ferdinand Breunung and Carl Reinecke, and composition with Ferdinand Hiller, who would become a lifelong friend and adviser. In 1858, having embarked on a teaching career in Cologne, he produced his first work bearing an opus number: the comic opera Scherz, List und Rache, Op. 1, after Goethe. In 1861, Bruch departed for Berlin, where he would spend time making valuable contacts with luminaries of the day like von Bülow and Taubert. From 1862 to 1864, he lived in Mannheim, where he wrote his cantata Frithjof and the opera Die Loreley, both of which audiences received with great enthusiasm.
After leaving his Mannheim post, Bruch visited Paris and Brussels, eventually accepting the position of music director in Koblenz in 1865. Before leaving that post in 1867, he produced the Violin Concerto No. 1 in G minor, Op. 26, and several choral works. He moved on to Sonderhausen and achieved more success with his Symphonies Nos. 1 and 2. In 1870, Bruch moved to Berlin, where his third opera, Hermione, was produced in 1872. It was a failure, but his choral work Odysseus (1872) triumphed. Between 1873 and 1878, enjoying his reputation as an eminent German composer, Bruch worked independently in Bonn. After the glorious 1878 premiere in England of his Violin Concerto No. 2, the same work was received coldly back in Bonn, where it shared the bill with the newly composed First Symphony by Brahms, upon which critics heaped lavish praise. Thereafter, Bruch lived in the shadow of Brahms. Nevertheless, he turned out two of his most popular works in the period of 1878 to 1880: the Scottish Fantasy for violin and orchestra, and Kol Nidrei for cello and orchestra.
Bruch then accepted the position of conductor of the Liverpool Philharmonic in 1880, and married 17-year-old contralto Clara Tuczek, on January 3, 1881. In 1883 Bruch became director of the Breslau (now Wroclaw, Poland) Orchesterverein, where he stayed through the end of the season in 1890. During that period, he composed several significant choral works, including Achilleus (1885) and the cantata Das Feuerkreuz (1889). In 1891, he was appointed professor of composition at the Berlin Akademie, where he remained until his retirement in 1910; he retained his rank as a professor there until his death in 1920. Bruch declared his 1893 In Memoriam, for violin and orchestra (without strings), his best work. In his later years, the composer focused more on small-scale works, such as the 1910 Eight Pieces for clarinet, viola, and piano. Bruch died on October 20, 1920.
© TiVo Staff /TiVo
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Max Bruch: Violin Concerto No. 1 - Felix Mendelssohn: Violin Concerto in E-Minor, Op. 64 - Alexander Glazunov: Violin Concerto in A-Minor, Op. 82 & Hugo Wolf: Italian Serenade
Pittsburgh Symphony Orchestra, William Steinberg
Klassik - Erschienen bei Soundmark Records am 19.02.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Max Bruch: Violin Concerto No. 1 In G Minor, Op. 26 - Scottish Fantasy In E Flat Major, Op. 46
Klassik - Erschienen bei RHI am 09.11.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Max Bruch: Adagio - Canzone - Kol Nidrei - In Memoriam - Adagio Appassionato - Romanze
Instrumentalmusik - Erschienen bei VDE-GALLO am 16.02.2010
16-Bit CD Quality 44.1 kHz - Stereo -
Max Bruch - Great Recordings
Klassik - Erschienen bei UME - Global Clearing House am 20.06.2020
16-Bit CD Quality 44.1 kHz - Stereo -
Max Bruch - Legendary Recordings
Klassik - Erschienen bei UME - Global Clearing House am 08.08.2020
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Bruch: Kol Nidrei - Romance - Serenade on Swedish Folk - Violin Concert No. 1
Orchestre Symphonique Bienne, Alexandre da Costa, Gilad Karni
Klassik - Erschienen bei Guild GmbH am 15.01.2010
16-Bit CD Quality 44.1 kHz - Stereo -
The Best Violin Concerts
Klassik - Erschienen bei MAMANOQUIERE am 16.11.2020
16-Bit CD Quality 44.1 kHz - Stereo -
Max Bruch: 8 Pieces, Op. 83 - Paul Juon: Trio-Miniaturen, Op. 18 - Joachim Stutschewsky: Hassidic Fantasy
Klassik - Erschienen bei VDE-GALLO am 12.05.2015
16-Bit CD Quality 44.1 kHz - Stereo -
The Classical Collection, Famous Violin Music
Brezina, Jan Czerkow, Herbert Holm
Klassik - Erschienen bei JamadaClassics am 19.11.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Bruch: Violin Concerto No. 1 - Paganini: Violin Concerto No. 1
Alexandra Soumm, Staatsphilharmonie Rheinland-Pfalz, Georg Mark
Instrumentalmusik - Erschienen bei Claves Records am 01.02.2008
16-Bit CD Quality 44.1 kHz - Stereo -
Listening to Max Bruch
Klassik - Erschienen bei UME - Global Clearing House am 29.09.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Forgotten Romances
Klassik - Erschienen bei Albany Records am 01.01.2000
16-Bit CD Quality 44.1 kHz - Stereo -
Bruch: Scottish Fantasy, Berlioz: Harold In Italy
Klassik - Erschienen bei Pipeline Music am 30.11.2006
16-Bit CD Quality 44.1 kHz - Stereo -
Bruch - 4 Concerto Pieces for Violoncello & Orchestra
Klassik - Erschienen bei ClassicalPirosDigital am 13.07.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Bruch: Concierto para Violín No. 1 en Sol Menor
Klassik - Erschienen bei Piros Comercial Digital am 21.06.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Philippe Quint Plays Bruch, Mendelssohn and Beethoven
Instrumentalmusik - Erschienen bei Avanticlassic am 07.04.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Bruch: Violin Concerto No. 1 - Mendelssohn: Violin Concerto in E Minor
Instrumentalmusik - Erschienen bei Maestro am 13.03.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Bruch: Variations for Violoncello and Orchestra, Op. 47 “Kol Nidre” (Digitally Remastered)
Kamchatka Chamber Orchestra, Alexander Gilev, Sergei Sudzilovsky
Klassik - Erschienen bei EMG Classical am 29.04.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Bruch, Glazunov, Conciertos para Violín
Klassik - Erschienen bei ClassicalPirosDigital am 06.10.2015
16-Bit CD Quality 44.1 kHz - Stereo -
La Muse Romantique: Bruch, Brahms - Concertos pour violon et orchestre (Live)
Instrumentalmusik - Erschienen bei Suoni e Colori am 14.03.2023
24-Bit 48.0 kHz - Stereo -
Violin Concerto in G minor, Op. 26
Klassik - Erschienen bei Pipeline Music am 06.06.2006
16-Bit CD Quality 44.1 kHz - Stereo