Jacobus Clemens non Papa
The nickname "non Papa" seems to have been given to the Dutch composer Jacob Clemens by his publisher as a joke, to distinguish him either from the poet Jacobus Papa or from the recently deceased Pope Clement VII. In the generation following the death of Josquin Desprez, Clemens non Papa was one of the most prolific and well-published composers of both sacred and secular music, but rather little is known of his life. A small number of chansons were published early in his life in Paris; after this, his musical activities centered in modern-day Belgium and Holland. His professional appointments included positions at St. Donatian's in Bruges (where he served as Succentor from 1544 to1545), 's-Hertogenbosch (making music for a Marian confraternity in 1540), Ypres, and Leiden. Evidence also points to work in the private chapel of Philippe de Croy, one of the principal generals of Emperor Charles V, and perhaps a professional relationship to Charles himself. His death date itself may only be inferred from an uncompleted publication of 1556 and a Deploration on his death written by Jacobus Vaet in 1558.
His enormous surviving musical output -- apparently written in the span of just over 15 years -- comprises 15 "parody" masses, a requiem mass, two complete cycles of Magnificats, over 230 motets, a setting of the 150 psalms in Dutch, and nearly 90 French chansons. His musical style in the masses and motets, like that of his contemporaries Gombert and Willaert, often lacks the structural clarity for which their immediate predecessor Josquin was famous; it rather applies the techniques of pervading imitation to achieve a more uniform, seamless, and fluid surface. Clemens would often extend a musical passage beyond its opening exposition by long sequential repetitions of imitative motives. He also experimented with imitative technique by crafting motives which allow inversion, or "tonal" answers, in addition to strict imitation of the original notes. His "parody" masses demonstrate an advance in the infusion of the sections of the mass by a number of different motives from the music of his model. Clemens has also been credited with experimentation in, and propagation of, a "secret chromatic art": a kind of countercultural cryptic notational practice which could only be understood by the initiated among professional musicians (though this is obviously difficult to prove).
One outstanding late achievement of this composer is a complete polyphonic setting of the Dutch Psalter. Martin Luther's German vernacular translation of the psalms was published in Antwerp in 1534, followed in 1540 by a Dutch translation of the entire Psalter printed by Simon Cock. This volume, the Souterliedekens, listed one popular tune (love songs, drinking songs, ballads, and sacred tunes) for each psalm. Clemens set the entire set in simple, but polished, three-voiced polyphony, usually with the popular tune in the middle voice. His collection, published by Tylman Susato in 1556-1557, differs from the contemporary Geneva Psalter in context as well as musical polish: Calvin's Psalter was intended for public worship, Clemens' for private devotions and social gatherings.
© Timothy Dickey /TiVo
Ähnliche Künstler
Diskografie
20 Album, -en • Geordnet nach Bestseller
-
Messe & Motets
Klassik - Erschienen bei Signum Records am 28.09.2004
16-Bit CD Quality 44.1 kHz - Stereo -
Nulle part ailleurs
Isabelle Boulay, Jacobus Clemens non Papa
Pop - Erschienen bei (SME Canada) Audiogram am 21.09.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Le Maréographe Édition Deluxe
Folk - Erschienen bei Sphere Musique am 29.08.2011
24-Bit 44.1 kHz - Stereo -
Clemens non Papa: Requiem - Palestrina: Missa Lauda Sion
Klassik - Erschienen bei Intermusic S.A. am 13.08.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Chromatique
Alternativ und Indie - Erschienen bei Music Mansion Records am 29.09.2017
24-Bit 96.0 kHz - Stereo -
-
Indien Live Acoustique (Live)
Alternativ und Indie - Erschienen bei Music Mansion Records am 08.07.2016
24-Bit 48.0 kHz - Stereo -
Leitmotiv
Alternativ und Indie - Erschienen bei Music Mansion Records am 22.09.2017
24-Bit 96.0 kHz - Stereo -
Indien Édition Deluxe
Alternativ und Indie - Erschienen bei Music Mansion Records am 29.04.2014
24-Bit 96.0 kHz - Stereo -
Asile
Alternativ und Indie - Erschienen bei Music Mansion Records am 04.07.2017
24-Bit 96.0 kHz - Stereo -
Indien
Alternativ und Indie - Erschienen bei Music Mansion Records am 29.04.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Soleil
Alternativ und Indie - Erschienen bei Music Mansion Records am 01.09.2017
24-Bit 96.0 kHz - Stereo -
Révolveur
Alternativ und Indie - Erschienen bei Music Mansion Records am 25.08.2017
24-Bit 96.0 kHz - Stereo -
Câlisse
Alternativ und Indie - Erschienen bei Music Mansion Records am 18.08.2017
24-Bit 96.0 kHz - Stereo -
L'aura
Alternativ und Indie - Erschienen bei Music Mansion Records am 11.08.2017
24-Bit 96.0 kHz - Stereo -
Héroïne
Alternativ und Indie - Erschienen bei Music Mansion Records am 17.09.2017
24-Bit 96.0 kHz - Stereo -
Entonnoir
Alternativ und Indie - Erschienen bei Music Mansion Records am 31.03.2017
24-Bit 96.0 kHz - Stereo -
Casse-tête
Alternativ und Indie - Erschienen bei Music Mansion Records am 28.07.2017
24-Bit 96.0 kHz - Stereo -
Le Maréographe
Französischer Chanson - Erschienen bei Sphere Musique am 29.08.2011
16-Bit CD Quality 44.1 kHz - Stereo -
L'amour steady
Alternativ und Indie - Erschienen bei Music Mansion Records am 14.04.2017
16-Bit CD Quality 44.1 kHz - Stereo