Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Long before he became the standard-bearer for the "ECM sound," churning out discs with a mildly medieval or Scandinavian flavor spiced with enough new age fluff to guarantee sales, Jan Garbarek produced a string of superb albums, culminating in Witchi-Tai-To, his masterpiece. Intriguingly, with the exception of Palle Danielsson's "Kukka," all of the pieces here are cover versions, largely culled from the then burgeoning Jazz Composers Orchestra catalog or related musicians. It opens with Carla Bley's "A.I.R.," an incredibly infectious melody heard on her Escalator Over the Hill. Garbarek's soprano slithers sensuously around the theme, searching for and finding all manner of variations, while Stenson, a chameleon-like pianist who shows aspects of Jarrett, Tyner, and Alice Coltrane, makes all the right choices in support. Charlie Haden used the Carlos Puebla composition "Hasta Siempre" as a cornerstone for his Liberation Music Orchestra, and Garbarek rips into it with total romantic gusto; his tenor playing has never sounded more robust, muscular, or inspired. The title track by Jim Pepper is given a short but lovely reading, Garbarek withholding its gorgeous theme until the end of the piece, leaving the listener dying to hear more. Which is exactly what Don Cherry did on his Relativity Suite, where his supremely beautiful song "Desireless" lasted barely a minute. Here, it's stretched out over the 20-minute mark, Garbarek summoning the spirit of John Coltrane and offering a stunning amount of indefatigable creativity. He might never have reached similar heights since, but Witchi-Tai-To, along with Dave Holland's Conference of the Birds, is one of the two finest jazz albums that ECM ever released, and simply one of the very top jazz albums of the '70s.
© Brian Olewnick /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - CARLA BLEY, Composer - Palle Danielsson, AssociatedPerformer, Bass (Vocal) - Bobo Stenson, Piano, AssociatedPerformer - Jon Christensen, Drums, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Soprano Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Bobo Stenson Quartet, MainArtist
℗ 1974 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Palle Danielsson, Composer, AssociatedPerformer, Bass (Vocal) - Bobo Stenson, Piano, AssociatedPerformer - Jon Christensen, Drums, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Soprano Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Bobo Stenson Quartet, MainArtist
℗ 1974 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Carlos Puebla, Composer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Palle Danielsson, AssociatedPerformer, Bass (Vocal) - Bobo Stenson, Piano, AssociatedPerformer - Jon Christensen, Drums, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Soprano Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Bobo Stenson Quartet, MainArtist
℗ 1974 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Jim Pepper, ComposerLyricist - Palle Danielsson, AssociatedPerformer, Bass (Vocal) - Bobo Stenson, Piano, AssociatedPerformer - Jon Christensen, Drums, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Soprano Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Bobo Stenson Quartet, MainArtist
℗ 1974 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Don Cherry, Composer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Palle Danielsson, AssociatedPerformer, Bass (Vocal) - Bobo Stenson, Piano, AssociatedPerformer - Jon Christensen, Drums, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Soprano Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Bobo Stenson Quartet, MainArtist
℗ 1974 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Albumbeschreibung
Long before he became the standard-bearer for the "ECM sound," churning out discs with a mildly medieval or Scandinavian flavor spiced with enough new age fluff to guarantee sales, Jan Garbarek produced a string of superb albums, culminating in Witchi-Tai-To, his masterpiece. Intriguingly, with the exception of Palle Danielsson's "Kukka," all of the pieces here are cover versions, largely culled from the then burgeoning Jazz Composers Orchestra catalog or related musicians. It opens with Carla Bley's "A.I.R.," an incredibly infectious melody heard on her Escalator Over the Hill. Garbarek's soprano slithers sensuously around the theme, searching for and finding all manner of variations, while Stenson, a chameleon-like pianist who shows aspects of Jarrett, Tyner, and Alice Coltrane, makes all the right choices in support. Charlie Haden used the Carlos Puebla composition "Hasta Siempre" as a cornerstone for his Liberation Music Orchestra, and Garbarek rips into it with total romantic gusto; his tenor playing has never sounded more robust, muscular, or inspired. The title track by Jim Pepper is given a short but lovely reading, Garbarek withholding its gorgeous theme until the end of the piece, leaving the listener dying to hear more. Which is exactly what Don Cherry did on his Relativity Suite, where his supremely beautiful song "Desireless" lasted barely a minute. Here, it's stretched out over the 20-minute mark, Garbarek summoning the spirit of John Coltrane and offering a stunning amount of indefatigable creativity. He might never have reached similar heights since, but Witchi-Tai-To, along with Dave Holland's Conference of the Birds, is one of the two finest jazz albums that ECM ever released, and simply one of the very top jazz albums of the '70s.
© Brian Olewnick /TiVo
Informationen zu dem Album
- 1 Disc(s) - 5 Track(s)
- Gesamte Laufzeit: 00:45:45
- Künstler: Jan Garbarek Bobo Stenson Quartet
- Komponist: Various Composers
- Label: ECM Records
- Genre: Jazz
© 1974 ECM Records GmbH ℗ 1974 ECM Records GmbH
Auszeichnungen:
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.