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Dean Martin|The Hit Sound of Dean Martin

The Hit Sound of Dean Martin

Dean Martin

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Dean Martin's career turnaround in 1964 came as a result of his hit recording of "Everybody Loves Somebody." It led to a higher profile on television and in the movies, which may have given the entertainer less time to make records. Nevertheless, the demand for them remained constant, and Reprise, his record label, satisfied that demand by mixing the new sides he managed to cut with previously issued ones. The Hit Sound of Dean Martin, like the previous year's Dean Martin Hits Again, had a title that implied it was a hits compilation. In fact, it was a combination of Martin's two most recent Top 40 pop and Top Five easy listening hits, "Come Running Back" and "A Million and One," with six newly recorded songs, the B-side of "A Million and One" (Lee Hazlewood's "Shades"), and two tracks, "Any Time" and "Ain't Gonna Try Anymore," that had been released originally on Country Style in 1963. ("Any Time," in fact, was making its third LP appearance, also having been used on Somewhere There's a Someone only four and a half months earlier.) The new songs, as usual arranged in a style that would define them as country music if they had been recorded in Nashville by a singer with more of a twang in his voice, were no great shakes. (The chart for "A Million and One" was a dead ringer for the Ray Charles version of "I Can't Stop Loving You.") And there was evidence that Reprise's blatant exploitation was starting to hurt Martin with record buyers. Previously, his albums had been reliable Top 20 entries and gold-sellers. The Hit Sound of Dean Martin only made the Top 40 and became his first LP since "Everybody Loves Somebody" hit not to go gold.

© William Ruhlmann /TiVo

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The Hit Sound of Dean Martin

Dean Martin

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1
A Million and One
00:02:55

ERNIE FREEMAN, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer - Y. Devaney, Composer, Lyricist

Originally released 1966. All rights reserved by Dean Martin Family Trust

2
Don't Let the Blues Make You Bad
00:02:07

Billy Mize, Composer, Lyricist - Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer

Originally released 1966. All rights reserved by Dean Martin Family Trust

3
Any Time
00:02:21

Herbert Lawson, Composer, Lyricist - Chuck Sagle, Producer - Dean Martin, MainArtist, AssociatedPerformer - DON COSTA, Conductor, Arranger

Originally released 1962. All rights reserved by Dean Martin Family Trust

4
One Lonely Boy
00:02:23

Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer - BAKER KNIGHT, Composer, Lyricist

Originally released 1966. All rights reserved by Dean Martin Family Trust

5
I'm Living in Two Worlds
00:02:41

Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer - Jan Crutchfield, Composer, Lyricist

Originally released 1966. All rights reserved by Dean Martin Family Trust

6
Come Running Back
00:02:07

D. GLASSER, Composer, Lyricist - ERNIE FREEMAN, Arranger - Billy Strange, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer

Originally released 1966. All rights reserved by Dean Martin Family Trust

7
Shades
00:02:25

Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer - Lee Hazlewood, Composer, Lyricist

Originally released 1966. All rights reserved by Dean Martin Family Trust

8
Today Is Not the Day
00:02:05

Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Mary Taylor, Composer, Lyricist - Jimmy Bowen, Producer

Originally released 1966. All rights reserved by Dean Martin Family Trust

9
Terrible, Tangled Web
00:02:12

Billy Mize, Composer, Lyricist - Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer

Originally released 1966. All rights reserved by Dean Martin Family Trust

10
Nobody but a Fool (Would Love You)
00:02:11

Bill Anderson, Composer, Lyricist - Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer

Originally released 1966. All rights reserved by Dean Martin Family Trust

11
Ain't Gonna Try Anymore
00:02:18

Clint Ballard, Composer, Lyricist - Chuck Sagle, Producer - Dean Martin, MainArtist, AssociatedPerformer - DON COSTA, Arranger

Originally released 1963. All rights reserved by Dean Martin Family Trust

Albumbeschreibung

Dean Martin's career turnaround in 1964 came as a result of his hit recording of "Everybody Loves Somebody." It led to a higher profile on television and in the movies, which may have given the entertainer less time to make records. Nevertheless, the demand for them remained constant, and Reprise, his record label, satisfied that demand by mixing the new sides he managed to cut with previously issued ones. The Hit Sound of Dean Martin, like the previous year's Dean Martin Hits Again, had a title that implied it was a hits compilation. In fact, it was a combination of Martin's two most recent Top 40 pop and Top Five easy listening hits, "Come Running Back" and "A Million and One," with six newly recorded songs, the B-side of "A Million and One" (Lee Hazlewood's "Shades"), and two tracks, "Any Time" and "Ain't Gonna Try Anymore," that had been released originally on Country Style in 1963. ("Any Time," in fact, was making its third LP appearance, also having been used on Somewhere There's a Someone only four and a half months earlier.) The new songs, as usual arranged in a style that would define them as country music if they had been recorded in Nashville by a singer with more of a twang in his voice, were no great shakes. (The chart for "A Million and One" was a dead ringer for the Ray Charles version of "I Can't Stop Loving You.") And there was evidence that Reprise's blatant exploitation was starting to hurt Martin with record buyers. Previously, his albums had been reliable Top 20 entries and gold-sellers. The Hit Sound of Dean Martin only made the Top 40 and became his first LP since "Everybody Loves Somebody" hit not to go gold.

© William Ruhlmann /TiVo

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