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Babylon Zoo|The Boy With The X-Ray Eyes

The Boy With The X-Ray Eyes

Babylon Zoo

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Text in englischer Sprache verfügbar

For some reason -- perhaps it was because it was used in a television commercial -- Babylon Zoo's "Spaceman" became the biggest British single of the first quarter of 1996. A bizarre, tuneless collage of hip-hop rhythms, techno keyboards and alternative guitars, the song sounded distinctive, but it didn't have any tangible hook to make it memorable. And Babylon Zoo's debut album, The Boy With the X-Ray Eyes, suffers from the same problem. Throughout the album, Jas Mann -- who, for all intents and purposes, is Babylon Zoo -- tries a vast array of modern rock styles, attempting to fuse them together into a daring, progressive whole. However, none of his songs ever gel and Mann only sounds pretentious, not ambitious.

© Stephen Thomas Erlewine /TiVo

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The Boy With The X-Ray Eyes

Babylon Zoo

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1
Animal Army
00:05:55

Mike 'Spike' Drake, Mixer - Jas Mann, Composer, Producer - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Parlophone Records Ltd, a Warner Music Group Company

2
Spaceman
00:05:40

Mike 'Spike' Drake, Mixer - Steve Power, Producer, Produced by - Jas Mann, Composer, Producer, Produced by - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Parlophone Records Ltd, a Warner Music Group Company

3
Zodiac Sign
00:04:57

Mike 'Spike' Drake, Mixer - Steve Power, Producer - Jas Mann, Composer, Producer - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Parlophone Records Ltd, a Warner Music Group Company

4
Paris Green
00:04:42

Mike 'Spike' Drake, Mixer - Steve Power, Producer - Jas Mann, Composer, Producer - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Parlophone Records Ltd, a Warner Music Group Company

5
Confused Art
00:04:31

Mike 'Spike' Drake, Mixer - Steve Power, Producer - Jas Mann, Composer, Producer - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1994 Parlophone Records Ltd, a Warner Music Group Company

6
Caffeine
00:06:34

Mike 'Spike' Drake, Mixer - Steve Power, Producer - Jas Mann, Composer, Producer - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Parlophone Records Ltd, a Warner Music Group Company

7
The Boy with the X-Ray Eyes
00:04:26

Mike 'Spike' Drake, Mixer - Jas Mann, Composer, Producer - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Parlophone Records Ltd, a Warner Music Group Company

8
Don't Feed the Animals
00:01:37

Mike 'Spike' Drake, Mixer - Steve Power, Producer - Jas Mann, Composer, Producer - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1994 Parlophone Records Ltd, a Warner Music Group Company

9
Fire Guided Light
00:06:42

Mike 'Spike' Drake, Mixer - Steve Power, Producer - Jas Mann, Composer, Producer - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1994 Parlophone Records Ltd, a Warner Music Group Company

10
Is Your Soul for Sale?
00:05:52

Mike 'Spike' Drake, Mixer - Jas Mann, Composer, Producer - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Parlophone Records Ltd, a Warner Music Group Company

11
I'm Cracking up I Need a Pill
00:03:46

Mike 'Spike' Drake, Mixer - Steve Power, Producer - Jas Mann, Composer, Producer - Babylon Zoo, MainArtist - Clive Black , Mixer

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1996 Parlophone Records Ltd, a Warner Music Group Company

Albumbeschreibung

For some reason -- perhaps it was because it was used in a television commercial -- Babylon Zoo's "Spaceman" became the biggest British single of the first quarter of 1996. A bizarre, tuneless collage of hip-hop rhythms, techno keyboards and alternative guitars, the song sounded distinctive, but it didn't have any tangible hook to make it memorable. And Babylon Zoo's debut album, The Boy With the X-Ray Eyes, suffers from the same problem. Throughout the album, Jas Mann -- who, for all intents and purposes, is Babylon Zoo -- tries a vast array of modern rock styles, attempting to fuse them together into a daring, progressive whole. However, none of his songs ever gel and Mann only sounds pretentious, not ambitious.

© Stephen Thomas Erlewine /TiVo

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