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Stone the Crows|Teenage Licks

Teenage Licks

Stone the Crows

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This third album from Scotland's Stone the Crows was as close to hitting on all cylinders as they ever came in the studio. With some personnel changes following Ode to John Law (a new bassist and keyboard player), they powered through the disc, with "Big Jim Salter," "I May Be Right I May Be Wrong," and their version of Dylan's "Don't Think Twice" being the absolute standouts. The figureheads of vocalist Maggie Bell and guitarist Les Harvey had never sounded better as they worked in a pure rock vein, abandoning the blues aspect of their sound (Indeed, "Aileen Mochree" took them into Gaelic, a pleasant, brief side track) -- check "Mr. Wizard" to get a good picture of where they were really headed. Of course, it wasn't a one-dimensional sound; the keyboard-dominated "Seven Lakes" was full of pseudo-classical portentousness, almost de rigeur for the period. But it was when they rocked that Stone the Crows were at their best, and with this album they seemed truly poised to move up to the big time.

© Chris Nickson /TiVo

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Teenage Licks

Stone the Crows

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1
Big Jim Salter
00:04:34

Mark London, Producer - Colin Allen, Composer - Universal/Island Music Ltd, MusicPublisher - Maggie Bell, Composer - Stone the Crows, MainArtist - Les Harvey, Composer

(C) 2020 Repertoire Records (UK) Limited (P) 2020 Repertoire Records (UK) Ltd

2
Faces
00:04:42

Mark London, Producer - Steve Thompson, Composer - Ronnie Leahy, Composer - Colin Allen, Composer - Universal/Island Music Ltd, MusicPublisher - Maggie Bell, Composer - Stone the Crows, MainArtist - Les Harvey, Composer

(C) 2020 Repertoire Records (UK) Limited (P) 2020 Repertoire Records (UK) Ltd

3
Mr Wizard
00:05:29

Mark London, Producer - Colin Allen, Composer - Universal/Island Music Ltd, MusicPublisher - Maggie Bell, Composer - Stone the Crows, MainArtist - Les Harvey, Composer

(C) 2020 Repertoire Records (UK) Limited (P) 2020 Repertoire Records (UK) Ltd

4
Don't Think Twice, It's Alright
00:05:01

Mark London, Producer - Bob Dylan, Composer - Sony/ATV Music Pub (UK) Ltd, MusicPublisher - Stone the Crows, MainArtist

(C) 2020 Repertoire Records (UK) Limited (P) 2020 Repertoire Records (UK) Ltd

5
Keep on Rollin'
00:03:49

Mark London, Producer - Colin Allen, Composer - Universal/Island Music Ltd, MusicPublisher - Maggie Bell, Composer - Stone the Crows, MainArtist - Les Harvey, Composer

(C) 2020 Repertoire Records (UK) Limited (P) 2020 Repertoire Records (UK) Ltd

6
Ailen Mochree
00:00:25

Mark London, Producer - trad, Composer - Copyright Control, MusicPublisher - Stone the Crows, MainArtist - Arr Maggie Bell, Composer

(C) 2020 Repertoire Records (UK) Limited (P) 2020 Repertoire Records (UK) Ltd

7
One Five Eight
00:06:28

Mark London, Producer - Universal/Island Music Ltd, MusicPublisher - Stone the Crows, MainArtist - John Mcginnis, Composer

(C) 2020 Repertoire Records (UK) Limited (P) 2020 Repertoire Records (UK) Ltd

8
I May Be Right I May Be Wrong
00:05:03

Mark London, Producer - Ronnie Leahy, Composer - Colin Allen, Composer - Universal/Island Music Ltd, MusicPublisher - Maggie Bell, Composer - Stone the Crows, MainArtist - Les Harvey, Composer

(C) 2020 Repertoire Records (UK) Limited (P) 2020 Repertoire Records (UK) Ltd

9
Seven Lakes
00:03:02

Mark London, Producer - Steve Thompson, Composer - Ronnie Leahy, Composer - Colin Allen, Composer - Maggie Bell, Composer - Stone the Crows, MainArtist - Les Harvey, Composer - What's In It For Me Music Ltd, MusicPublisher

(C) 2020 Repertoire Records (UK) Limited (P) 2020 Repertoire Records (UK) Ltd

Albumbeschreibung

This third album from Scotland's Stone the Crows was as close to hitting on all cylinders as they ever came in the studio. With some personnel changes following Ode to John Law (a new bassist and keyboard player), they powered through the disc, with "Big Jim Salter," "I May Be Right I May Be Wrong," and their version of Dylan's "Don't Think Twice" being the absolute standouts. The figureheads of vocalist Maggie Bell and guitarist Les Harvey had never sounded better as they worked in a pure rock vein, abandoning the blues aspect of their sound (Indeed, "Aileen Mochree" took them into Gaelic, a pleasant, brief side track) -- check "Mr. Wizard" to get a good picture of where they were really headed. Of course, it wasn't a one-dimensional sound; the keyboard-dominated "Seven Lakes" was full of pseudo-classical portentousness, almost de rigeur for the period. But it was when they rocked that Stone the Crows were at their best, and with this album they seemed truly poised to move up to the big time.

© Chris Nickson /TiVo

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