Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
This is a specialist recording of works that are still in need of general-listener coverage. It harks back in a way to a time, four decades ago or so, when most recordings of music before Bach were made by ensembles associated with academic institutions. The liner notes seethe with scholarly score-settling, and the average listener wanting to learn basic facts about the music heard on the disc might as well be reading ancient Greek. An editor could have slashed it by at least half and made something useful out of it.
So, for the record, Schütz published his first collection of Symphoniae Sacrae in 1629, after making his second musical pilgrimage from central Germany to Venice. He named them after a collection of works by Giovanni Gabrieli, but the music shows the fruits of his efforts to familiarize himself with new Italian music -- most significantly that of Claudio Monteverdi, whom he met during his stay. These Latin-language motets are for one to three solo voices, plus small groups of instruments (with continuo) that might include not only strings but also some of the horns of the time. Several are powerful dramatizations of biblical scenes, and in Fili mi, Absalon the bass voice gets one of its first great moments in the spotlight. Schütz's second collection of Symphoniae Sacrae was compiled in 1647; it again features solos and small vocal groups, with simpler instrumental accompaniment. A third volume includes choral compositions. The present disc is a Super Audio CD excerpted from earlier Schütz recordings by the same performers.
Bologna musicologist Matteo Messori is a better ensemble leader and organist than annotator, and the performances by his Cappella Augustana are listenable. Under his direction, the music comes out sounding more like Monteverdi than Gabrieli -- expressive and vocally agile rather than sober and monumental. The vocal soloists, many of them Eastern European, don't have quite the power that this style demands, but they're crisp and intonationally on target. The chief attraction of this disc is its instrumental sound: chances to hear Schütz played on carefully researched authentic instruments of the time are rare. The natural trumpets, cornetts, violette, and fiffare heard here fill out the textures of these pieces in ways that will seem unusual to those who've heard the modern equivalents. Ultimately, one wonders why this magnificent corner of the early Baroque repertory has remained so little explored by ensembles that place music ahead of scholarly pecking order.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Heinrich Schütz, Composer - Krzysztof Szmyt, Soloist, MainArtist - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Brilliant Classics, MusicPublisher - Anna Mikolajczyk, Soloist, MainArtist - Bodgan Makal, Soloist, MainArtist
2014 Brilliant Classics 2006 Brilliant Classics
Harry van der Kamp, Soloist, MainArtist - Heinrich Schütz, Composer - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Brilliant Classics, MusicPublisher
2014 Brilliant Classics 2006 Brilliant Classics
Heinrich Schütz, Composer - Krzysztof Szmyt, Soloist, MainArtist - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Marzena Lubaszka, Soloist, MainArtist - Robert Pozarski, Soloist, MainArtist - Brilliant Classics, MusicPublisher - Anna Mikolajczyk, Soloist, MainArtist
2014 Brilliant Classics 2006 Brilliant Classics
Heinrich Schütz, Composer - Krzysztof Szmyt, Soloist, MainArtist - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Robert Pozarski, Soloist, MainArtist - Brilliant Classics, MusicPublisher - Bodgan Makal, Soloist, MainArtist
2014 Brilliant Classics 2006 Brilliant Classics
Heinrich Schütz, Composer - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Marzena Lubaszka, Soloist, MainArtist - Brilliant Classics, MusicPublisher - Anna Mikolajczyk, Soloist, MainArtist
2014 Brilliant Classics 2006 Brilliant Classics
Heinrich Schütz, Composer - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Brilliant Classics, MusicPublisher - Anna Mikolajczyk, Soloist, MainArtist
2014 Brilliant Classics 2006 Brilliant Classics
Heinrich Schütz, Composer - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Marzena Lubaszka, Soloist, MainArtist - Brilliant Classics, MusicPublisher
2014 Brilliant Classics 2006 Brilliant Classics
Piotr Lykowski, Soloist, MainArtist - Heinrich Schütz, Composer - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Brilliant Classics, MusicPublisher
2014 Brilliant Classics 2006 Brilliant Classics
Heinrich Schütz, Composer - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Marzena Lubaszka, Soloist, MainArtist - Brilliant Classics, MusicPublisher - Anna Mikolajczyk, Soloist, MainArtist
2014 Brilliant Classics 2006 Brilliant Classics
Harry van der Kamp, Soloist, MainArtist - Heinrich Schütz, Composer - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Brilliant Classics, MusicPublisher
2014 Brilliant Classics 2006 Brilliant Classics
Heinrich Schütz, Composer - Krzysztof Szmyt, Soloist, MainArtist - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Brilliant Classics, MusicPublisher
2014 Brilliant Classics 2006 Brilliant Classics
Harry van der Kamp, Soloist, MainArtist - Piotr Lykowski, Soloist, MainArtist - Heinrich Schütz, Composer - Matteo Messori, Conductor, MainArtist - Cappella Augustana, Ensemble, MainArtist - Robert Pozarski, Soloist, MainArtist - Brilliant Classics, MusicPublisher
2014 Brilliant Classics 2006 Brilliant Classics
Albumbeschreibung
This is a specialist recording of works that are still in need of general-listener coverage. It harks back in a way to a time, four decades ago or so, when most recordings of music before Bach were made by ensembles associated with academic institutions. The liner notes seethe with scholarly score-settling, and the average listener wanting to learn basic facts about the music heard on the disc might as well be reading ancient Greek. An editor could have slashed it by at least half and made something useful out of it.
So, for the record, Schütz published his first collection of Symphoniae Sacrae in 1629, after making his second musical pilgrimage from central Germany to Venice. He named them after a collection of works by Giovanni Gabrieli, but the music shows the fruits of his efforts to familiarize himself with new Italian music -- most significantly that of Claudio Monteverdi, whom he met during his stay. These Latin-language motets are for one to three solo voices, plus small groups of instruments (with continuo) that might include not only strings but also some of the horns of the time. Several are powerful dramatizations of biblical scenes, and in Fili mi, Absalon the bass voice gets one of its first great moments in the spotlight. Schütz's second collection of Symphoniae Sacrae was compiled in 1647; it again features solos and small vocal groups, with simpler instrumental accompaniment. A third volume includes choral compositions. The present disc is a Super Audio CD excerpted from earlier Schütz recordings by the same performers.
Bologna musicologist Matteo Messori is a better ensemble leader and organist than annotator, and the performances by his Cappella Augustana are listenable. Under his direction, the music comes out sounding more like Monteverdi than Gabrieli -- expressive and vocally agile rather than sober and monumental. The vocal soloists, many of them Eastern European, don't have quite the power that this style demands, but they're crisp and intonationally on target. The chief attraction of this disc is its instrumental sound: chances to hear Schütz played on carefully researched authentic instruments of the time are rare. The natural trumpets, cornetts, violette, and fiffare heard here fill out the textures of these pieces in ways that will seem unusual to those who've heard the modern equivalents. Ultimately, one wonders why this magnificent corner of the early Baroque repertory has remained so little explored by ensembles that place music ahead of scholarly pecking order.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 01:06:10
- Künstler: Cappella Augustana Matteo Messori
- Komponist: Heinrich Schütz
- Label: Brilliant Classics
- Genre: Klassik
2014 Brilliant Classics 2006 Brilliant Classics
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.