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Ashan Pillai|Schubert: Arpeggione Sonata / Schwanengesang (Arr. for Viola and Piano) / Kalliwoda: 6 Nocturnes

Schubert: Arpeggione Sonata / Schwanengesang (Arr. for Viola and Piano) / Kalliwoda: 6 Nocturnes

Franz Schubert - Johan Wenzel Kalliwoda - Ashan Pillai

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Text in englischer Sprache verfügbar

This Oehms Classics disc by violist Ashan Pillai, who is British by way of Sri Lanka, might seem to some as an example of left-field programming at its most extreme -- Schubert's beloved Arpeggione Sonata and five viola transcriptions of his familiar Schwanengesang combined with Six Nocturnes by totally unfamiliar Bohemian Johann Wenzel Kalliwoda. In reality, the combination of the two into the same program is not that far off the mark; Kalliwoda was one of the most distinguished of Schubert's contemporaries and far better known during his lifetime than Schubert in his. Whereas Kalliwoda's numerous symphonies and overtures are among the most criminally overlooked major works of the early nineteenth centuries, these Six Nocturnes Op. 186 do not show them at his best. Not very nocturnal in mood, they aren't very serious as compositions and betray more than just a whiff of the salon with their bathetic longuers and pretensions toward silent movie-style drama.
Of the pieces here, the best are Pillai's own transcriptions of the Schwanengesang. His viola playing is full-throated and sufficiently vocal to project these lieder as instrumental pieces and not to do damage to Schubert through depriving him of his texts. On the other hand, there does seem to be a problem with pacing throughout the disc -- adagios are not very slow and allegrettos are presented as on the lukewarm side of fast. Michael Endres' accompaniments are crisp and dutiful; Pillai certainly has a tone on the viola that is warm, rich, and sometimes beauteous, but there seems to be little in this recording overall that lifts it out of the routine -- it is pleasant sounding, yet a little dull.

© TiVo

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Schubert: Arpeggione Sonata / Schwanengesang (Arr. for Viola and Piano) / Kalliwoda: 6 Nocturnes

Ashan Pillai

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Arpeggione Sonata in A Minor, D. 821 (Franz Schubert)

1
I. Allegro moderato (Arr. For Viola & Piano)
00:10:19

Franz Schubert, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

2
II. Adagio (Arr. For Viola & Piano)
00:03:41

Franz Schubert, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

3
III. Allegretto (Arr. For Viola & Piano)
00:08:34

Franz Schubert, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

6 Nocturnes, Op. 186

4
Nocturne No. 1: Larghetto
00:04:44

Johann Wenzel Kalliwoda, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

5
Nocturne No. 2: Allegretto ma un poco vivo
00:03:14

Johann Wenzel Kalliwoda, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

6
Nocturne No. 3: Poco adagio
00:03:48

Johann Wenzel Kalliwoda, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

7
Nocturne No. 4: Allegretto ma un poco vivo
00:03:36

Johann Wenzel Kalliwoda, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

8
Nocturne No. 5: Adagio con molta espressione
00:05:01

Johann Wenzel Kalliwoda, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

9
Nocturne No. 6: Allegro moderato
00:03:57

Johann Wenzel Kalliwoda, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

Schwanengesang, D. 957 (Franz Schubert)

10
No. 1, Liebesbotschaft (Arr. A. Pillai)
00:02:46

Franz Schubert, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

11
No. 4, Standchen (Arr. A. Pillai)
00:03:31

Franz Schubert, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

12
No. 7, Abschied (Arr. A. Pillai)
00:02:51

Franz Schubert, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

13
No. 12, Am Meer (Arr. A. Pillai)
00:04:28

Franz Schubert, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

14
No. 14, Die Taubenpost (Arr. A. Pillai)
00:03:36

Franz Schubert, Composer - Michael Endres, Artist - Ashan Pillai, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

Albumbeschreibung

This Oehms Classics disc by violist Ashan Pillai, who is British by way of Sri Lanka, might seem to some as an example of left-field programming at its most extreme -- Schubert's beloved Arpeggione Sonata and five viola transcriptions of his familiar Schwanengesang combined with Six Nocturnes by totally unfamiliar Bohemian Johann Wenzel Kalliwoda. In reality, the combination of the two into the same program is not that far off the mark; Kalliwoda was one of the most distinguished of Schubert's contemporaries and far better known during his lifetime than Schubert in his. Whereas Kalliwoda's numerous symphonies and overtures are among the most criminally overlooked major works of the early nineteenth centuries, these Six Nocturnes Op. 186 do not show them at his best. Not very nocturnal in mood, they aren't very serious as compositions and betray more than just a whiff of the salon with their bathetic longuers and pretensions toward silent movie-style drama.
Of the pieces here, the best are Pillai's own transcriptions of the Schwanengesang. His viola playing is full-throated and sufficiently vocal to project these lieder as instrumental pieces and not to do damage to Schubert through depriving him of his texts. On the other hand, there does seem to be a problem with pacing throughout the disc -- adagios are not very slow and allegrettos are presented as on the lukewarm side of fast. Michael Endres' accompaniments are crisp and dutiful; Pillai certainly has a tone on the viola that is warm, rich, and sometimes beauteous, but there seems to be little in this recording overall that lifts it out of the routine -- it is pleasant sounding, yet a little dull.

© TiVo

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