Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Power Spot opens with the surging, polyrhythmic title track featuring Hassell's sinuous trumpet lines and dense electronic percussion from one of the album's most significant collaborators, J.A. Deane. Ambient keyboard textures drone in the background and, together with the percussion, form a mesmerizing tapestry over which Hassell's trumpet glides and soars. Images of the African continent emerge from the cyclic rhythms and harmonic stasis; a meditative calm hovers behind the swirling surfaces. The opening title track clearly sets the stage for what is to follow. During the murky, down-tempo "Passage D.E.," Hassell conjures stillness from his horn, breathy clouds laced with echo. In "Solaire," the trumpet weaves through watery, transparent textures and pulsing percussion. "Miracle Steps" opens with brazen trumpet declamations accompanied only by irregular rhythmic patterns from the percussion. An evocative blend of quasi-elephant calls and train whistles, the solo trumpet eventually winds its way downward until it is quietly submerged. "Wing Melodies" recalls the surging motion and dense fabric of the title track. Multiple keyboard parts interlock with aggressive percussion while Brian Eno's stuttering bassline remains fixed. Hassell's exuberant trumpet solo is possibly his finest on the album. "The Elephant and the Orchid" recalls the slower tempo and darker shades of "Passage D.E," but lingers there for a rather long time. Ambient keyboard drones and weary percussion provide the accompaniment for Hassell's remarkably flute-like sound. The shimmering flutes of Miguel Frasconi are a welcomed addition to the gently concluding "Air." Throughout Power Spot, Hassell's distinctive "raga" trumpet sound is breathy and vocal. He accomplished this by singing into the trumpet rather than the traditional method of blowing into it. Furthermore, Hassell often harmonized his principal trumpet line in real time, creating chords from just one note. At the time, he accomplished this real-time harmonization by using "tuned" tape loops to create parallel harmonies in fourths and major chords. Released in 1986, Power Spot marks Hassell's only release on Manfred Eicher's ECM label. Recorded in Hamilton, Ontario, in 1983-1984, the co-production and engineering team of Eno and Daniel Lanois faithfully captured Hassell's musical vision while remaining unobtrusive. The larger ensemble sound of Power Spot expanded on Hassell's pan-global "Fourth World" music, which he began with Eno on the groundbreaking Fourth World, Vol. 1: Possible Musics album of 1980. While not as stunning as Possible Musics, Power Spot is nonetheless one of the most significant recordings from this utterly unique musician.
© Mark Kirschenmann /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Jean-Philippe Rykiel, Keyboards, AssociatedPerformer - Daniel Lanois, Producer, Recording Engineer, StudioPersonnel - Brian Eno, Producer, Recording Engineer, StudioPersonnel - Richard Horowitz, Keyboards, AssociatedPerformer - Michael Brook, Guitar, AssociatedPerformer - Jon Hassell, Composer, Trumpet, MainArtist, AssociatedPerformer - J.A. Deane, Percussion, AssociatedPerformer
℗ 1986 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Jean-Philippe Rykiel, Keyboards, AssociatedPerformer - Daniel Lanois, Producer, Recording Engineer, StudioPersonnel - Brian Eno, Producer, Recording Engineer, StudioPersonnel - Richard Horowitz, Keyboards, AssociatedPerformer - Michael Brook, Guitar, AssociatedPerformer - Jon Hassell, Composer, Trumpet, MainArtist, AssociatedPerformer - Richard Armin, Unknown, Other - J.A. Deane, Percussion, AssociatedPerformer - Paul Armin, Unknown, Other
℗ 1986 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Jean-Philippe Rykiel, Keyboards, AssociatedPerformer - Daniel Lanois, Producer, Recording Engineer, StudioPersonnel - Brian Eno, Producer, Recording Engineer, Electric Bass, AssociatedPerformer, StudioPersonnel - Jon Hassell, Composer, Trumpet, MainArtist, AssociatedPerformer - J.A. Deane, Percussion, AssociatedPerformer
℗ 1986 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Jean-Philippe Rykiel, Keyboards, AssociatedPerformer - Daniel Lanois, Producer, Recording Engineer, StudioPersonnel - Brian Eno, Producer, Recording Engineer, StudioPersonnel - Jon Hassell, Composer, Trumpet, MainArtist, AssociatedPerformer - Richard Armin, Unknown, Other - J.A. Deane, Percussion, AssociatedPerformer - Paul Armin, Unknown, Other
℗ 1986 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Jean-Philippe Rykiel, Keyboards, AssociatedPerformer - Daniel Lanois, Producer, Recording Engineer, StudioPersonnel - Brian Eno, Producer, Recording Engineer, Electric Bass, AssociatedPerformer, StudioPersonnel - Jon Hassell, Composer, Trumpet, MainArtist, AssociatedPerformer - J.A. Deane, Percussion, AssociatedPerformer
℗ 1986 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Jean-Philippe Rykiel, Keyboards, AssociatedPerformer - Daniel Lanois, Producer, Recording Engineer, StudioPersonnel - Brian Eno, Producer, Recording Engineer, StudioPersonnel - Michael Brook, Guitar, AssociatedPerformer - Jon Hassell, Composer, Trumpet, MainArtist, AssociatedPerformer - J.A. Deane, Percussion, AssociatedPerformer
℗ 1986 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Jean-Philippe Rykiel, Keyboards, AssociatedPerformer - Daniel Lanois, Producer, Recording Engineer, StudioPersonnel - Brian Eno, Producer, Recording Engineer, StudioPersonnel - Jon Hassell, Composer, Trumpet, MainArtist, AssociatedPerformer - J.A. Deane, Percussion, AssociatedPerformer - Miguel Frasconi, Flute, AssociatedPerformer
℗ 1986 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Albumbeschreibung
Power Spot opens with the surging, polyrhythmic title track featuring Hassell's sinuous trumpet lines and dense electronic percussion from one of the album's most significant collaborators, J.A. Deane. Ambient keyboard textures drone in the background and, together with the percussion, form a mesmerizing tapestry over which Hassell's trumpet glides and soars. Images of the African continent emerge from the cyclic rhythms and harmonic stasis; a meditative calm hovers behind the swirling surfaces. The opening title track clearly sets the stage for what is to follow. During the murky, down-tempo "Passage D.E.," Hassell conjures stillness from his horn, breathy clouds laced with echo. In "Solaire," the trumpet weaves through watery, transparent textures and pulsing percussion. "Miracle Steps" opens with brazen trumpet declamations accompanied only by irregular rhythmic patterns from the percussion. An evocative blend of quasi-elephant calls and train whistles, the solo trumpet eventually winds its way downward until it is quietly submerged. "Wing Melodies" recalls the surging motion and dense fabric of the title track. Multiple keyboard parts interlock with aggressive percussion while Brian Eno's stuttering bassline remains fixed. Hassell's exuberant trumpet solo is possibly his finest on the album. "The Elephant and the Orchid" recalls the slower tempo and darker shades of "Passage D.E," but lingers there for a rather long time. Ambient keyboard drones and weary percussion provide the accompaniment for Hassell's remarkably flute-like sound. The shimmering flutes of Miguel Frasconi are a welcomed addition to the gently concluding "Air." Throughout Power Spot, Hassell's distinctive "raga" trumpet sound is breathy and vocal. He accomplished this by singing into the trumpet rather than the traditional method of blowing into it. Furthermore, Hassell often harmonized his principal trumpet line in real time, creating chords from just one note. At the time, he accomplished this real-time harmonization by using "tuned" tape loops to create parallel harmonies in fourths and major chords. Released in 1986, Power Spot marks Hassell's only release on Manfred Eicher's ECM label. Recorded in Hamilton, Ontario, in 1983-1984, the co-production and engineering team of Eno and Daniel Lanois faithfully captured Hassell's musical vision while remaining unobtrusive. The larger ensemble sound of Power Spot expanded on Hassell's pan-global "Fourth World" music, which he began with Eno on the groundbreaking Fourth World, Vol. 1: Possible Musics album of 1980. While not as stunning as Possible Musics, Power Spot is nonetheless one of the most significant recordings from this utterly unique musician.
© Mark Kirschenmann /TiVo
Informationen zu dem Album
- 1 Disc(s) - 7 Track(s)
- Gesamte Laufzeit: 00:47:38
- Künstler: Jon Hassell
- Komponist: Jon Hassell
- Label: ECM Records
- Genre: Jazz
- Kollektion: none
© 1986 ECM Records GmbH ℗ 1986 ECM Records GmbH
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.