Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
From its very onset, the rollicking opening " "Vai in Africa, Celestino" and the bluesy " "Numeri da Scaricare," De Gregori seems bent on making Pezzi his most rock-oriented album to date. Indeed, most of Pezzi is a strictly guitar-bass-drums affair over familiar three- or four-chord progressions. Thematically, the album is ostensibly apocalyptic. In this sense, it feels akin to Canzoni d'Amore, albeit on a larger scale. While the 1992 release was mostly concerned with the current state of affairs in Italy (apparently a lost cause at this point, if one is to believe "Tempo Reale"), ten years later De Gregori has gone global -- pretty much in the way the world has, too. War, most obviously in the Middle East, is clearly Pezzi's main preoccupation, particularly in terms of its consequences, such as the proliferation of direct or indirect victims, as well as the increase of immigration fluxes. For all of its electric outbursts -- which can get a bit tiring -- the album improves significantly in its second half, as it slows down and approaches a sonic territory where de Gregori has always sounded more comfortable. Indeed, the best tracks, such as the remorseful "Parole a Memoria" and the hypnotic "La Testa Nel Secchio" seem lifted from his comeback masterpiece, Amore Nel Pomeriggio. Another highlight is the oblique character study "Gambadilegno a Parigi," a piano-led midtempo ballad reminiscent of classic de Gregori. While Pezzi may have been slightly overrated upon its release in Italy (it did extremely well on the charts as well), it is nevertheless a fine album that certainly confirms de Gregori's creative renaissance in the 2000s.
© Mariano Prunes /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Francesco De Gregori, MainArtist - Edizioni Serraglio, MusicPublisher
Caravan Caravan
Francesco De Gregori, MainArtist - Edizioni Serraglio, MusicPublisher
Caravan Caravan
Francesco De Gregori, MainArtist - Edizioni Serraglio, MusicPublisher
Caravan Caravan
Francesco De Gregori, MainArtist - Edizioni Serraglio, MusicPublisher
Caravan Caravan
Francesco De Gregori, MainArtist - Edizioni Serraglio, MusicPublisher
Caravan Caravan
Francesco De Gregori, MainArtist - Edizioni Serraglio, MusicPublisher
Caravan Caravan
Francesco De Gregori, MainArtist - Edizioni Serraglio, MusicPublisher
Caravan Caravan
Francesco De Gregori, MainArtist - Edizioni Serraglio, MusicPublisher
Caravan Caravan
Francesco De Gregori, MainArtist - Edizioni Serraglio, MusicPublisher
Caravan Caravan
Francesco De Gregori, MainArtist - Edizioni Serraglio, MusicPublisher
Caravan Caravan
Albumbeschreibung
From its very onset, the rollicking opening " "Vai in Africa, Celestino" and the bluesy " "Numeri da Scaricare," De Gregori seems bent on making Pezzi his most rock-oriented album to date. Indeed, most of Pezzi is a strictly guitar-bass-drums affair over familiar three- or four-chord progressions. Thematically, the album is ostensibly apocalyptic. In this sense, it feels akin to Canzoni d'Amore, albeit on a larger scale. While the 1992 release was mostly concerned with the current state of affairs in Italy (apparently a lost cause at this point, if one is to believe "Tempo Reale"), ten years later De Gregori has gone global -- pretty much in the way the world has, too. War, most obviously in the Middle East, is clearly Pezzi's main preoccupation, particularly in terms of its consequences, such as the proliferation of direct or indirect victims, as well as the increase of immigration fluxes. For all of its electric outbursts -- which can get a bit tiring -- the album improves significantly in its second half, as it slows down and approaches a sonic territory where de Gregori has always sounded more comfortable. Indeed, the best tracks, such as the remorseful "Parole a Memoria" and the hypnotic "La Testa Nel Secchio" seem lifted from his comeback masterpiece, Amore Nel Pomeriggio. Another highlight is the oblique character study "Gambadilegno a Parigi," a piano-led midtempo ballad reminiscent of classic de Gregori. While Pezzi may have been slightly overrated upon its release in Italy (it did extremely well on the charts as well), it is nevertheless a fine album that certainly confirms de Gregori's creative renaissance in the 2000s.
© Mariano Prunes /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:49:59
- Künstler: Francesco De Gregori
- Label: Caravan
- Genre: Pop/Rock Pop
Caravan Caravan
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.