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The Choir of Royal Holloway|Peter Philips: Cantiones sacrae octonis vocibus – 8-Part Motets

Peter Philips: Cantiones sacrae octonis vocibus – 8-Part Motets

The Choir of Royal Holloway, Rupert Gough, The English Cornett & Sackbut Ensemble

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Peter Philips was an English composer who spent his career outside of England: he traveled to Italy, where he absorbed both the pure Counter Reformation style of Palestrina and, apparently, the polychoral style of Venice. By the time he planned to return, the situation of English Catholics was dire, so he fled to the Low Countries and apparently spent the rest of his life there, harassed occasionally by English agents but managing, in Dutch, to talk his way out of trouble. He has never fit neatly into the categories of music history, and he is known mostly for keyboard music. These eight-part motets of 1613, separated from the mainstream of musical and liturgical history, are not often performed, and their mere presence is really the main attraction here. They lie right in between Philips' Italian models, with the sober, text-centered approach of Palestrina applied to a variety of big antiphonal structures. These in turn are treated with great variety here by conductor Rupert Gough and the Choir of Royal Holloway (Royal Holloway is one of the colleges of the University of London), including the use of cornetts and sackbuts on some pieces. Here the musicians rely on evidence from Dutch images of the period, and the realization is really quite nice, with a spacious sound that drowns out neither the choir nor the instruments. There are cleaner choirs than the young Choir of Royal Holloway, but few that seem to enter so instinctively into the spirit of the music. The engineers, working in London's St. Alban's church, have done a fine job in difficult circumstances, and this is all around an interesting offbeat find for devotees of English polyphony.

© TiVo

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Peter Philips: Cantiones sacrae octonis vocibus – 8-Part Motets

The Choir of Royal Holloway

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1
Benedictus Deus noster
The Choir of Royal Holloway
00:03:33

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - The Choir of Royal Holloway, Choir, MainArtist - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2013 Hyperion Records Limited

2
O quam suavis est a 8 (II)
The Choir of Royal Holloway
00:04:57

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - The Choir of Royal Holloway, Choir, MainArtist

℗ 2013 Hyperion Records Limited

3
Jubilate Deo omnis terra
The Choir of Royal Holloway
00:03:34

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - The Choir of Royal Holloway, Choir, MainArtist - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2013 Hyperion Records Limited

4
Benedictus Dominus
The Choir of Royal Holloway
00:03:49

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - Amon-Ra Twilley, AssociatedPerformer, Bass (Vocal) - The Choir of Royal Holloway, Choir, MainArtist - Cecily Beer, Alto, AssociatedPerformer - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer - Ewan Stockwell, Tenor, AssociatedPerformer

℗ 2013 Hyperion Records Limited

5
Veni Sancte Spiritus
The Choir of Royal Holloway
00:04:38

Anonymous, ComposerLyricist - Rupert Gough, Conductor, Organ, MainArtist, AssociatedPerformer - The Choir of Royal Holloway, Choir, MainArtist - Gawain Glenton, Cornett, MainArtist, AssociatedPerformer

℗ 2013 Hyperion Records Limited

6
Beati estis
Rupert Gough
00:03:09

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - The Choir of Royal Holloway, Choir, MainArtist - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2013 Hyperion Records Limited

7
Ecce panis Angelorum a 8
The English Cornett & Sackbut Ensemble
00:04:49

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - The Choir of Royal Holloway, Choir, MainArtist - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2013 Hyperion Records Limited

8
Salve Regina
The Choir of Royal Holloway
00:06:01

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - The Choir of Royal Holloway, Choir, MainArtist - Gillian Franklin, Soprano, MainArtist, AssociatedPerformer

℗ 2013 Hyperion Records Limited

9
Regina caeli a 8
The Choir of Royal Holloway
00:04:01

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - The Choir of Royal Holloway, Choir, MainArtist - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2013 Hyperion Records Limited

10
Panis sancte, panis vive
Louise Laprun
00:03:57

Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - Louise Laprun, Alto, MainArtist, AssociatedPerformer - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer - Felicity Turner, Alto, MainArtist, AssociatedPerformer - Ambrose Of Milan, Author

℗ 2013 Hyperion Records Limited

11
Caecilia virgo
Rupert Gough
00:07:33

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - The Choir of Royal Holloway, Choir, MainArtist - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2013 Hyperion Records Limited

12
Veni Sancte Spiritus
Rupert Gough
00:05:31

Peter Philips, Composer - Rupert Gough, Organ, MainArtist, AssociatedPerformer

℗ 2013 Hyperion Records Limited

13
Gaudens gaudebo
The English Cornett & Sackbut Ensemble
00:03:09

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - James Goddard, AssociatedPerformer, Bass (Vocal) - The Choir of Royal Holloway, Choir, MainArtist - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer - Kate Telfer, Soprano, AssociatedPerformer - Hilary Cronin, Soprano, AssociatedPerformer

℗ 2013 Hyperion Records Limited

14
Beata Dei genitrix a 8
The Choir of Royal Holloway
00:03:42

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - Amon-Ra Twilley, AssociatedPerformer, Bass (Vocal) - The Choir of Royal Holloway, Choir, MainArtist - Cecily Beer, Alto, AssociatedPerformer - Louise Laprun, Alto, AssociatedPerformer - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer - Ewan Stockwell, Tenor, AssociatedPerformer - Samantha Cobb, Soprano, AssociatedPerformer - Gillian Franklin, Soprano, AssociatedPerformer

℗ 2013 Hyperion Records Limited

15
Alma redemptoris mater a 8
The Choir of Royal Holloway
00:04:17

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - The Choir of Royal Holloway, Choir, MainArtist

℗ 2013 Hyperion Records Limited

16
Hodie nobis de caelo
Rupert Gough
00:05:09

Anonymous, Author - Peter Philips, Composer - Rupert Gough, Conductor, MainArtist - The Choir of Royal Holloway, Choir, MainArtist - The English Cornett & Sackbut Ensemble, Chamber Ensemble, MainArtist, AssociatedPerformer

℗ 2013 Hyperion Records Limited

Albumbeschreibung

Peter Philips was an English composer who spent his career outside of England: he traveled to Italy, where he absorbed both the pure Counter Reformation style of Palestrina and, apparently, the polychoral style of Venice. By the time he planned to return, the situation of English Catholics was dire, so he fled to the Low Countries and apparently spent the rest of his life there, harassed occasionally by English agents but managing, in Dutch, to talk his way out of trouble. He has never fit neatly into the categories of music history, and he is known mostly for keyboard music. These eight-part motets of 1613, separated from the mainstream of musical and liturgical history, are not often performed, and their mere presence is really the main attraction here. They lie right in between Philips' Italian models, with the sober, text-centered approach of Palestrina applied to a variety of big antiphonal structures. These in turn are treated with great variety here by conductor Rupert Gough and the Choir of Royal Holloway (Royal Holloway is one of the colleges of the University of London), including the use of cornetts and sackbuts on some pieces. Here the musicians rely on evidence from Dutch images of the period, and the realization is really quite nice, with a spacious sound that drowns out neither the choir nor the instruments. There are cleaner choirs than the young Choir of Royal Holloway, but few that seem to enter so instinctively into the spirit of the music. The engineers, working in London's St. Alban's church, have done a fine job in difficult circumstances, and this is all around an interesting offbeat find for devotees of English polyphony.

© TiVo

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