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Swayzak|Loops From The Bergerie

Loops From The Bergerie

Swayzak

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Retired to a chateau in the French Alps (the Grande Bergerie of the title), Swayzak peered down from their high perch and presently gave the world a record that sounds much less dirty than Dirty Dancing, much less detailed than Himawari, and much less sublime than their debut classic, Snowboarding in Argentina. Encompassing several vocal collaborations with Richard Davis of the band's 240 Volts label (as well as two vocals from Swayzak's own David Brown), Loops From the Bergerie includes little of substance, only a few straight-ahead dance-vocal productions with a bare few hooks. Davis reveals a small talent for post-millennial songwriting, but unfortunately there is little for his voice -- influenced by Robert Wyatt and David Bowie -- to cling to on his first two features, "Another Way" and "My House." (The third, "Speak Easy," wears a threadbare coat apparently tailored by Marilyn Manson.) The ineffable production sense that Brown and James Taylor have brought to all of their Swayzak releases is only occasionally visible, and only on an instrumental such as "Bergerie." Oddly, it's not the vocals themselves that are the problem; Swayzak haven't gone pop in a mad bid for commercial stardom. The problem on Loops From the Bergerie is essentially the unneeded tempering of Swayzak's production finesse to facilitate those vocals.
© John Bush /TiVo

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Loops From The Bergerie

Swayzak

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1
Keep It Coming
00:05:14

Swayzak, Main Artist - james s taylor; david n brown; kenny paterson, Composer, Lyricist - Westbury; Copyright Control

2017 240 Volts Recordings 2017 240 VOLTS

2
Another Way
00:05:33

Swayzak, Main Artist - david n brown; kenny paterson, Composer - james s taylor; david n brown; paul richard davis; kenny paterson, Lyricist - Westbury; Copyright Control

2017 240 Volts Recordings 2017 240 VOLTS

3
Bergerie
00:07:45

Swayzak, Main Artist - james s taylor; david n brown; kenny paterson, Composer, Lyricist - Westbury; Copyright Control

2017 240 Volts Recordings 2017 240 VOLTS

4
My House
00:04:22

Swayzak, Main Artist - james s taylor; david n brown; kenny paterson, Composer - james s taylor; david n brown; paul richard davis; kenny paterson, Lyricist - Westbury; Copyright Control

2017 240 Volts Recordings 2017 240 VOLTS

5
Jeune Loup
00:05:57

Swayzak, Main Artist - kenny paterson; david n brown, Composer, Lyricist - Westbury; Copyright Control

2017 240 Volts Recordings 2017 240 VOLTS

6
Snowblind
00:05:04

Swayzak, Main Artist - james s taylor; david n brown; kenny paterson, Composer, Lyricist - Westbury; Copyright Control

2017 240 Volts Recordings 2017 240 VOLTS

7
Then There's Her
00:05:38

Swayzak, Main Artist - kenny paterson; david n brown, Composer - kenny paterson; david n brown; clair dietrich, Lyricist - Westbury

2017 240 Volts Recordings 2017 240 VOLTS

8
8080
00:07:33

Swayzak, Main Artist - kenny paterson; david n brown, Composer, Lyricist - Westbury

2017 240 Volts Recordings 2017 240 VOLTS

9
Speak Easy
00:04:11

Swayzak, Main Artist - kenny paterson; david n brown, Composer - james s taylor; david n brown; paul richard davis; kenny paterson, Lyricist - Westbury

2017 240 Volts Recordings 2017 240 VOLTS

10
The Long Night
00:05:07

Swayzak, Main Artist - james s taylor; david n brown, Composer - kenny paterson; david n brown; mathilde mallen, Lyricist - Westbury

2017 240 Volts Recordings 2017 240 VOLTS

Albumbeschreibung

Retired to a chateau in the French Alps (the Grande Bergerie of the title), Swayzak peered down from their high perch and presently gave the world a record that sounds much less dirty than Dirty Dancing, much less detailed than Himawari, and much less sublime than their debut classic, Snowboarding in Argentina. Encompassing several vocal collaborations with Richard Davis of the band's 240 Volts label (as well as two vocals from Swayzak's own David Brown), Loops From the Bergerie includes little of substance, only a few straight-ahead dance-vocal productions with a bare few hooks. Davis reveals a small talent for post-millennial songwriting, but unfortunately there is little for his voice -- influenced by Robert Wyatt and David Bowie -- to cling to on his first two features, "Another Way" and "My House." (The third, "Speak Easy," wears a threadbare coat apparently tailored by Marilyn Manson.) The ineffable production sense that Brown and James Taylor have brought to all of their Swayzak releases is only occasionally visible, and only on an instrumental such as "Bergerie." Oddly, it's not the vocals themselves that are the problem; Swayzak haven't gone pop in a mad bid for commercial stardom. The problem on Loops From the Bergerie is essentially the unneeded tempering of Swayzak's production finesse to facilitate those vocals.
© John Bush /TiVo

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