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Typical of most Liberty products of the era, Latin Fever features a gorgeous, if perfectly lewd, jacket, which of course has no particular relevance to the musicians. Costanzo gets to reprise "The Peanut Vendor" ("El Manisero"), which was one of his three big spotlight numbers under Stan Kenton. Better are the five originals, however, including a deadly hip bass spotlight, "Bajo Numero Uno." (Sounds like a precursor to Perez Prado's seven-minute funk version of something that turns out in the last half-minute to be "Tequila.") Eddie Cano enjoys playing standards by Noro Morales and the Lecuonas in this group. While "Taboo" loses some of its exoticism with the bongos, it regains it with Alcaraz' flute. And "Malaguena" here is an excuse for a nearly eight-minute jam! Finally, "Drum-A-Mania" is a Mr. Bongo solo. Costanzo's enormous talent (or perhaps just the in-your-face mix of his bongos) is largely wasted on anything less than the beatnik jive of "Googie." Latin music requires much more subtlety, more sparseness than this. Of course, this is really just a bongo showcase; it is feverish, though. Playing Latinate Hollywood jazz (glued to the chart, commercial, and often cheesy) and promoting both bongos and stereo, Costanzo is perfectly suited to Liberty. Indeed, there are few others of his caliber on the parent label. Note that seven of the Latin Fever tracks are available on the ten-track LP Bongo Fever on Liberty's reissue-compilation label, Sunset.
© Tony Wilds /TiVo
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Ron McMaster, Mastering Engineer, StudioPersonnel - Ray Stanley, Producer - Jack Costanzo, Composer, MainArtist - E. Cano, Composer
(C) 2003 Blue Note Records ℗ 2002 Blue Note Records
Ron McMaster, Mastering Engineer, StudioPersonnel - Ray Stanley, Producer - Moises Simons, ComposerLyricist - Jack Costanzo, MainArtist
(C) 2003 Blue Note Records ℗ 2003 Blue Note Records
Tony Reyes, Composer - Ron McMaster, Mastering Engineer, StudioPersonnel - Ray Stanley, Producer - Jack Costanzo, Composer, MainArtist
(C) 2003 Blue Note Records ℗ 2002 Blue Note Records
Russell, ComposerLyricist - Al Stillman, ComposerLyricist - Ron McMaster, Mastering Engineer, StudioPersonnel - Ernesto Lecuona, ComposerLyricist - Ray Stanley, Producer - Jack Costanzo, MainArtist
(C) 2003 Blue Note Records ℗ 2003 Blue Note Records
Ron McMaster, Mastering Engineer, StudioPersonnel - Ernesto Lecuona, Composer - Ray Stanley, Producer - Jack Costanzo, MainArtist
(C) 2003 Blue Note Records ℗ 2003 Blue Note Records
Robert Norberg, Mastering Engineer, StudioPersonnel - Eddie Cano, Composer, Piano, AssociatedPerformer - Tony Reyes, AssociatedPerformer, Bass (Vocal) - Ray Stanley, Producer - Jack Costanzo, Composer, Bongos, Orchestra Leader, MainArtist, AssociatedPerformer - Ray Rivera, Drums, AssociatedPerformer - Jay Corre, Tenor Saxophone, AssociatedPerformer
(C) 2003 Blue Note Records ℗ 1997 Blue Note Records
Rafael Hernandez, Composer - Ron McMaster, Mastering Engineer, StudioPersonnel - Ray Stanley, Producer - Jack Costanzo, MainArtist
(C) 2003 Blue Note Records ℗ 2003 Blue Note Records
Ron McMaster, Mastering Engineer, StudioPersonnel - Ray Stanley, Producer - Jack Costanzo, Composer, MainArtist - Jay Corre, Composer
(C) 2003 Blue Note Records ℗ 2003 Blue Note Records
Ron McMaster, Mastering Engineer, StudioPersonnel - Ray Stanley, Producer - Sebastian De Yradier, Composer - Jack Costanzo, MainArtist
(C) 2003 Blue Note Records ℗ 2003 Blue Note Records
Ron McMaster, Mastering Engineer, StudioPersonnel - Ray Stanley, Producer - Jack Costanzo, MainArtist - Noro Morales, Composer - John Camacho, Composer
(C) 2003 Blue Note Records ℗ 2003 Blue Note Records
Al Stillman, Composer - Ron McMaster, Mastering Engineer, StudioPersonnel - Ray Stanley, Producer - Vicente Paiva, Composer - Jack Costanzo, MainArtist - Emilio Garcia Torre, Composer - Jose Luiz Rodrigues Calazans, Composer
(C) 2003 Blue Note Records ℗ 2003 Blue Note Records
Ron McMaster, Mastering Engineer, StudioPersonnel - Ray Stanley, Producer - Jack Costanzo, Composer, MainArtist
(C) 2003 Blue Note Records ℗ 2003 Blue Note Records
Albumbeschreibung
Typical of most Liberty products of the era, Latin Fever features a gorgeous, if perfectly lewd, jacket, which of course has no particular relevance to the musicians. Costanzo gets to reprise "The Peanut Vendor" ("El Manisero"), which was one of his three big spotlight numbers under Stan Kenton. Better are the five originals, however, including a deadly hip bass spotlight, "Bajo Numero Uno." (Sounds like a precursor to Perez Prado's seven-minute funk version of something that turns out in the last half-minute to be "Tequila.") Eddie Cano enjoys playing standards by Noro Morales and the Lecuonas in this group. While "Taboo" loses some of its exoticism with the bongos, it regains it with Alcaraz' flute. And "Malaguena" here is an excuse for a nearly eight-minute jam! Finally, "Drum-A-Mania" is a Mr. Bongo solo. Costanzo's enormous talent (or perhaps just the in-your-face mix of his bongos) is largely wasted on anything less than the beatnik jive of "Googie." Latin music requires much more subtlety, more sparseness than this. Of course, this is really just a bongo showcase; it is feverish, though. Playing Latinate Hollywood jazz (glued to the chart, commercial, and often cheesy) and promoting both bongos and stereo, Costanzo is perfectly suited to Liberty. Indeed, there are few others of his caliber on the parent label. Note that seven of the Latin Fever tracks are available on the ten-track LP Bongo Fever on Liberty's reissue-compilation label, Sunset.
© Tony Wilds /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:34:55
- Künstler: Jack Costanzo
- Komponist: Various Composers
- Label: Blue Note Records
- Genre: Jazz
© 2003 Blue Note Records ℗ 2003 Blue Note Records
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