Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
"Love Is Won" starts with soft but clear singing, sometimes in harmony, nice punchy drums, piano, and keyboard; something about it feels like it's from a much less fusty 1972, with a guitar part sounding like nothing so much as a horn blast. With that as a tone setter, Grown Unknown explores a kind of lost elegance: it's half drowned-in-gorgeous-reverb country of the kind Gram Parsons could nod sagely at, half stately post-'60s rock & roll as elegant mood music via the Band rather than Roxy Music. When moments like the guitar snarls and bigger drums kick in on "Daphne" the feeling is almost like that of orchestral shading, something that lends heft without being central. What is central is the singing, Ices' leads and backing parts creating lovely moments, with songs like "After Is Always Before" sounding like showstoppers without being overbearing as one might expect (call it a sign of her experimental theater background at work). The tradeoff between guitar parts and singing on "Bag of Wind," with the vocals above an arrangement mostly defined both by piano, space, and silence; meanwhile, the stately then swooning strings on "Ice Wine" are all lovely, with appropriately fragile elegance. Perhaps the most straightforward song throughout, "Lilac" uses its acoustic guitar/brushed drum backing to make it the penultimate song it is, a quiet drawing of breath before the sonorous horns that introduce "New Myth." This all makes the sudden handclapping on the title track even more inviting -- if not Beyoncé, say -- and the impact is almost like that of Sinéad O'Connor's "I Am Stretched on Your Grave" 20 years prior, using a then-common hip-hop signifier as the bed of something else, in this case, Ices' singing and an upfront acoustic guitar.
© Ned Raggett /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Lia Ices, Artist, MainArtist
2011 Jagjaguwar 2011 Jagjaguwar
Lia Ices, Artist - Justin Vernon, Artist - Lia Ices feat. Justin Vernon, MainArtist
2011 Jagjaguwar 2011 Jagjaguwar
Lia Ices, Artist, MainArtist
2011 Jagjaguwar 2011 Jagjaguwar
Lia Ices, Artist, MainArtist
2011 Jagjaguwar 2011 Jagjaguwar
Lia Ices, Artist, MainArtist
2011 Jagjaguwar 2011 Jagjaguwar
Lia Ices, Artist, MainArtist
2011 Jagjaguwar 2011 Jagjaguwar
Lia Ices, Artist, MainArtist
2011 Jagjaguwar 2011 Jagjaguwar
Lia Ices, Artist, MainArtist
2011 Jagjaguwar 2011 Jagjaguwar
Lia Ices, Artist, MainArtist
2011 Jagjaguwar 2011 Jagjaguwar
Albumbeschreibung
"Love Is Won" starts with soft but clear singing, sometimes in harmony, nice punchy drums, piano, and keyboard; something about it feels like it's from a much less fusty 1972, with a guitar part sounding like nothing so much as a horn blast. With that as a tone setter, Grown Unknown explores a kind of lost elegance: it's half drowned-in-gorgeous-reverb country of the kind Gram Parsons could nod sagely at, half stately post-'60s rock & roll as elegant mood music via the Band rather than Roxy Music. When moments like the guitar snarls and bigger drums kick in on "Daphne" the feeling is almost like that of orchestral shading, something that lends heft without being central. What is central is the singing, Ices' leads and backing parts creating lovely moments, with songs like "After Is Always Before" sounding like showstoppers without being overbearing as one might expect (call it a sign of her experimental theater background at work). The tradeoff between guitar parts and singing on "Bag of Wind," with the vocals above an arrangement mostly defined both by piano, space, and silence; meanwhile, the stately then swooning strings on "Ice Wine" are all lovely, with appropriately fragile elegance. Perhaps the most straightforward song throughout, "Lilac" uses its acoustic guitar/brushed drum backing to make it the penultimate song it is, a quiet drawing of breath before the sonorous horns that introduce "New Myth." This all makes the sudden handclapping on the title track even more inviting -- if not Beyoncé, say -- and the impact is almost like that of Sinéad O'Connor's "I Am Stretched on Your Grave" 20 years prior, using a then-common hip-hop signifier as the bed of something else, in this case, Ices' singing and an upfront acoustic guitar.
© Ned Raggett /TiVo
Informationen zu dem Album
- 1 Disc(s) - 9 Track(s)
- Gesamte Laufzeit: 00:38:44
- 1 digitales Booklet
- Künstler: Lia Ices
- Label: Jagjaguwar
- Genre: Pop/Rock Pop
2011 Jagjaguwar 2011 Jagjaguwar
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.