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Kurt Elling|Flirting With Twilight

Flirting With Twilight

Kurt Elling

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Who but Kurt Elling would open a ballads album by singing a Charlie Haden bass solo? It's a typically ambitious move, transforming "Moonlight Serenade," Glenn Miller's perennial slow-dance favorite, into a hip, smoky ode. Elling is a distinctive vocalist, endowed with true musicianship: Listen as he sticks to his band like glue on the very slow tempo of "Lil' Darlin'." That's not easy. Laurence Hobgood, Elling's longtime musical partner, plays outstanding piano throughout and crafts subtle horn arrangements on several tracks. Bassist Marc Johnson and drummer Peter Erskine illuminate the session as well. The horn section -- trumpeter Clay Jenkins, alto saxophonist Jeff Clayton, and tenor saxophonist Bob Sheppard -- is heard to greatest effect on the closing "While You Are Mine" and the beginning of "Detour Ahead." Some of the songs, like Stephen Sondheim's "Not While I'm Around" (from Sweeney Todd), come out sounding a bit bland. But among the best is "Orange Blossoms in Summertime," based on a Curtis Lundy tune, during which Elling executes a harmonized ensemble passage with the horns and holds a climactic long note at the end. Other highlights include the bouncy 6/8 take on "Easy Living" and the drum-and-vocal opening of "I'm Through With Love." While Flirting With Twilight lacks the breadth of a record like The Messenger, it's still a worthy statement from Elling, who shows yet again that vocal jazz can be more than just easy listening. (The U.S. release contains a hidden track, the old Marlene Dietrich vehicle "Je Tire Ma Révérence," which Elling sings in French, backed only by Marc Johnson.)

© David R. Adler /TiVo

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Flirting With Twilight

Kurt Elling

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1
Moonlight Serenade
00:04:21

Mitchell Parish, Composer - Doug Sax, Mastering Engineer, StudioPersonnel - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Producer, Vocals, MainArtist, AssociatedPerformer - John Hendrickson, Recording Engineer, StudioPersonnel - Glenn Miller, Composer - Robert Hadley, Mastering Engineer, StudioPersonnel - Bill Traut, Producer

℗ 2001 Blue Note Records

2
Detour Ahead
00:05:34

Doug Sax, Mastering Engineer, StudioPersonnel - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Producer, Vocals, MainArtist, AssociatedPerformer - Herb Ellis, ComposerLyricist - John Frigo, ComposerLyricist - Lou Carter, ComposerLyricist - John Hendrickson, Recording Engineer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Bill Traut, Producer

℗ 2001 Blue Note Records

3
You Don't Know What Love Is
00:05:36

Doug Sax, Mastering Engineer, StudioPersonnel - Gene DePaul, Composer - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Producer, Vocals, MainArtist, AssociatedPerformer - Don Raye, Composer - John Hendrickson, Recording Engineer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Bill Traut, Producer

℗ 2001 Blue Note Records

4
Orange Blossoms In Summertime
00:06:33

Doug Sax, Mastering Engineer, StudioPersonnel - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Composer, Producer, Vocals, MainArtist, AssociatedPerformer - John Hendrickson, Recording Engineer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Curtis Lundy, Composer - Bill Traut, Producer

℗ 2001 Blue Note Records

5
Not While I'm Around
00:06:26

Stephen Sondheim, Composer - Doug Sax, Mastering Engineer, StudioPersonnel - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Producer, Vocals, MainArtist, AssociatedPerformer - John Hendrickson, Recording Engineer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Bill Traut, Producer

℗ 2001 Blue Note Records

6
Easy Living
00:05:22

Doug Sax, Mastering Engineer, StudioPersonnel - Leo Robin, Author - Ralph Rainger, Composer - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Producer, Vocals, MainArtist, AssociatedPerformer - John Hendrickson, Recording Engineer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Bill Traut, Producer

℗ 2001 Blue Note Records

7
Lil' Darlin'
00:05:40

Doug Sax, Mastering Engineer, StudioPersonnel - Neal Hefti, Composer - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Producer, Vocals, MainArtist, AssociatedPerformer - John Hendrickson, Recording Engineer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Bill Traut, Producer

℗ 2001 Blue Note Records

8
I Get Along Without You Very Well
00:03:37

HOAGY CARMICHAEL, ComposerLyricist - Doug Sax, Mastering Engineer, StudioPersonnel - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Producer, Vocals, MainArtist, AssociatedPerformer - John Hendrickson, Recording Engineer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Bill Traut, Producer

℗ 2001 Blue Note Records

9
Blame It On My Youth
00:03:27

Edward Heyman, Author - Doug Sax, Mastering Engineer, StudioPersonnel - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Producer, Vocals, MainArtist, AssociatedPerformer - John Hendrickson, Recording Engineer, StudioPersonnel - OSCAR LEVANT, Composer - Robert Hadley, Mastering Engineer, StudioPersonnel - Bill Traut, Producer

℗ 2001 Blue Note Records

10
I'm Thru With Love
00:04:57

Doug Sax, Mastering Engineer, StudioPersonnel - Gus Kahn, Composer - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Producer, Vocals, MainArtist, AssociatedPerformer - John Hendrickson, Recording Engineer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Matty Malneck, Composer - Joseph A. Livingston, Composer - Bill Traut, Producer

℗ 2001 Blue Note Records

11
Say It
00:04:56

Doug Sax, Mastering Engineer, StudioPersonnel - FRANK LOESSER, Composer - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Producer, Vocals, MainArtist, AssociatedPerformer - Jimmy McHugh, Composer - John Hendrickson, Recording Engineer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Bill Traut, Producer

℗ 2001 Blue Note Records

12
While You Are Mine
00:07:46

F. Simon, Composer - Doug Sax, Mastering Engineer, StudioPersonnel - Al Schmitt, Mixer, Recording Engineer, StudioPersonnel - Laurence Hobgood , Producer - Kurt Elling, Composer, Producer, Vocals, MainArtist, AssociatedPerformer - John Hendrickson, Recording Engineer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Bill Traut, Producer

℗ 2001 Capitol Records LLC

Albumbeschreibung

Who but Kurt Elling would open a ballads album by singing a Charlie Haden bass solo? It's a typically ambitious move, transforming "Moonlight Serenade," Glenn Miller's perennial slow-dance favorite, into a hip, smoky ode. Elling is a distinctive vocalist, endowed with true musicianship: Listen as he sticks to his band like glue on the very slow tempo of "Lil' Darlin'." That's not easy. Laurence Hobgood, Elling's longtime musical partner, plays outstanding piano throughout and crafts subtle horn arrangements on several tracks. Bassist Marc Johnson and drummer Peter Erskine illuminate the session as well. The horn section -- trumpeter Clay Jenkins, alto saxophonist Jeff Clayton, and tenor saxophonist Bob Sheppard -- is heard to greatest effect on the closing "While You Are Mine" and the beginning of "Detour Ahead." Some of the songs, like Stephen Sondheim's "Not While I'm Around" (from Sweeney Todd), come out sounding a bit bland. But among the best is "Orange Blossoms in Summertime," based on a Curtis Lundy tune, during which Elling executes a harmonized ensemble passage with the horns and holds a climactic long note at the end. Other highlights include the bouncy 6/8 take on "Easy Living" and the drum-and-vocal opening of "I'm Through With Love." While Flirting With Twilight lacks the breadth of a record like The Messenger, it's still a worthy statement from Elling, who shows yet again that vocal jazz can be more than just easy listening. (The U.S. release contains a hidden track, the old Marlene Dietrich vehicle "Je Tire Ma Révérence," which Elling sings in French, backed only by Marc Johnson.)

© David R. Adler /TiVo

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