Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
For some it was the pinnacle of his career, for others one of a continued string of triumphs (others doubtless cared not at all, thinking somehow that synth and dancebeats equalled musical insincerity, but such is life). Regardless of how one takes it, Everything Is Wrong shows Moby at a definite high point, and if some tracks are much more memorable and involved than others, those successes alone justify the attention and hype he received in his earliest days. Even more noteworthy is that for all that the album is a definite product of time and place, namely 1994-1995, it stands up to further listens for all the further changes in dance since. Having already made his mark with tracks like "Go," "Next Is the E," and "Move," on Everything Is Wrong Moby attempted to balance out the creation of an album in a complete, single-unit sense with his knack for immediately catchy singles. On the latter point he succeeds perfectly, with the frenetic, jungle-inspired anthemic diva showcase "Feeling So Real" (punctuated just so with English-inspired MC breaks) and the giddily sweet pop-minded house of "Everytime You Touch Me" utterly irresistible. Hints of future changes crop up with the speed metal-via-Ministry reworking of Move EP's "All That I Need Is to Be Loved," but the similarly minded blues/thrash of "What Love" forecasts the ham-handed slogs of Animal Rights all too well. Meanwhile, the string-touched "God Moving Over the Face of the Waters" is a self-consciously beautiful, cinematic meditation on spiritual power that in lesser hands might be cheese but comes across here as truly affecting. If there's an ace in the hole, it's the inspired recruiting of former Hugo Largo vocalist Mimi Goese, who had spent the early '90s well out of the public eye. Her turns on "Into the Blue" and especially the haunting, evocative album-closer "When It's Cold I'd Like to Die" bring out in the best in both musicians.
© Ned Raggett /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Moby, MainArtist - RICHARD HALL, Composer
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, Performance, MainArtist
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, MainArtist - RICHARD HALL, Composer
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, MainArtist
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, MainArtist - RICHARD HALL, Composer
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, MainArtist - RICHARD HALL, Composer
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, MainArtist
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, Composer, Lyricist, MainArtist
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, MainArtist - RICHARD HALL, Composer
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, Composer, Lyricist, MainArtist - RICHARD MELVILLE HALL, Writer
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, MainArtist
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, Performance, MainArtist - RICHARD HALL, Writer
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Moby, MainArtist - Moby and Mimi Goese, Composer, Lyricist
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Albumbeschreibung
For some it was the pinnacle of his career, for others one of a continued string of triumphs (others doubtless cared not at all, thinking somehow that synth and dancebeats equalled musical insincerity, but such is life). Regardless of how one takes it, Everything Is Wrong shows Moby at a definite high point, and if some tracks are much more memorable and involved than others, those successes alone justify the attention and hype he received in his earliest days. Even more noteworthy is that for all that the album is a definite product of time and place, namely 1994-1995, it stands up to further listens for all the further changes in dance since. Having already made his mark with tracks like "Go," "Next Is the E," and "Move," on Everything Is Wrong Moby attempted to balance out the creation of an album in a complete, single-unit sense with his knack for immediately catchy singles. On the latter point he succeeds perfectly, with the frenetic, jungle-inspired anthemic diva showcase "Feeling So Real" (punctuated just so with English-inspired MC breaks) and the giddily sweet pop-minded house of "Everytime You Touch Me" utterly irresistible. Hints of future changes crop up with the speed metal-via-Ministry reworking of Move EP's "All That I Need Is to Be Loved," but the similarly minded blues/thrash of "What Love" forecasts the ham-handed slogs of Animal Rights all too well. Meanwhile, the string-touched "God Moving Over the Face of the Waters" is a self-consciously beautiful, cinematic meditation on spiritual power that in lesser hands might be cheese but comes across here as truly affecting. If there's an ace in the hole, it's the inspired recruiting of former Hugo Largo vocalist Mimi Goese, who had spent the early '90s well out of the public eye. Her turns on "Into the Blue" and especially the haunting, evocative album-closer "When It's Cold I'd Like to Die" bring out in the best in both musicians.
© Ned Raggett /TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 00:46:54
- Künstler: Moby
- Komponist: Various Composers
- Label: Mute, a BMG Company
- Genre: Pop/Rock Pop
© 1995 Mute Records Ltd., a BMG Company ℗ 1995 Mute Records Ltd., a BMG Company
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.