Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
When MSR Classics' East West Encounter II was issued, pianist Susan Chan was a professor of piano at Portland State University in Oregon, though she maintains a steady stream of appearances as a concert pianist; her Weill Hall recital in September 2007 was very kindly reviewed, as she was tagged as "a thoughtful musician and a sensitive player." Those very qualities are strongly apparent in this MSR disc, intended as a follow-up to Chan's first MSR Classics disc, East West Encounter II. What both discs have in common is that each program is half made up of Asian classics and the other half standard Western concert fare. In the Asian portion of this disc, she performs Hong Kong-based Chinese composer Doming Lam's suite Moonlight Over Spring River, part of the massive piano literature created by Chinese composers based on traditional songs and written mostly between the 1950s and '70s; this piece was composed in 1971 and heretofore has been available in the West on an impossible-to-find Thorofon recording by pianist Tsai Chai-Hsio. It has some very striking imitations of traditional instruments such as the chin and the pipa and the movement "The Returning Waves" is, in part, a very effective tone cluster piece reminiscent of things like Henry Cowell's The Snows of Fuji-Yama. Somei Satoh's thundering Incarnation II has been recorded before, perhaps most notably by Margaret Leng Tan; this rendition is well-balanced, straightforward, and Chan pays close attention to the dynamics of the piece, though Leng Tan's version is longer by some seven minutes and more gradual in its development. Canadian composer Alexina Louie's Scenes from a Jade Terrace is strongly atmospheric, and its tarter harmonic profile adds a bit of welcome bite to the program.
The other half consists of a selection from Chopin's Op. 28 Preludes and various piano transcriptions of Bach; the famous Busoni rendering of the Chaconne in D minor, Egon Petri's take on Sheep May Safely Graze, Alexander Siloti's gloss on the brief Prelude in B minor, BWV 855a, and Wilhelm Kempff's arrangement of Jesu, Joy of a Man's Desiring. It's all good, with the Petri transcription being a particularly strong performance, though the Chopin items seem a little out of place and -- one hates to say this -- in performing them, Chan plays a little more like a teacher than a concert artist; Chopin's Preludes are played "right," but are a little lacking in that spark of individuality. The Asian pieces on the program are the real hook anyway and perhaps the next time around Susan Chan can take us across the Pacific for a vacation in the Orient for a whole disc's course and leave the old longhairs in Europe; this side of the "encounter" appears to be her strongest suit.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Susan Chan, MainArtist - Doming Lam, Composer - Composers and Authors Society of Hong Kong Ltd., MusicPublisher
(C) 2008 Susan Chan (P) 2008 Susan Chan
Susan Chan, MainArtist - Doming Lam, Composer - Composers and Authors Society of Hong Kong Ltd., MusicPublisher
(C) 2008 Susan Chan (P) 2008 Susan Chan
Susan Chan, MainArtist - Doming Lam, Composer - Composers and Authors Society of Hong Kong Ltd., MusicPublisher
(C) 2008 Susan Chan (P) 2008 Susan Chan
Susan Chan, MainArtist - Doming Lam, Composer - Composers and Authors Society of Hong Kong Ltd., MusicPublisher
(C) 2008 Susan Chan (P) 2008 Susan Chan
Susan Chan, MainArtist - Doming Lam, Composer - Composers and Authors Society of Hong Kong Ltd., MusicPublisher
(C) 2008 Susan Chan (P) 2008 Susan Chan
Susan Chan, MainArtist - Doming Lam, Composer - Composers and Authors Society of Hong Kong Ltd., MusicPublisher
(C) 2008 Susan Chan (P) 2008 Susan Chan
Somei Satoh, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Alexina Louie, Composer - Susan Chan, MainArtist - Alfred Music, MusicPublisher
(C) 2008 Susan Chan (P) 2008 Susan Chan
Johann Sebastian Bach, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Johann Sebastian Bach, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Johann Sebastian Bach, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Frederic Chopin, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Frederic Chopin, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Frederic Chopin, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Frederic Chopin, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Frederic Chopin, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Frederic Chopin, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Johann Sebastian Bach, Composer - Susan Chan, MainArtist
(C) 2008 Susan Chan (P) 2008 Susan Chan
Albumbeschreibung
When MSR Classics' East West Encounter II was issued, pianist Susan Chan was a professor of piano at Portland State University in Oregon, though she maintains a steady stream of appearances as a concert pianist; her Weill Hall recital in September 2007 was very kindly reviewed, as she was tagged as "a thoughtful musician and a sensitive player." Those very qualities are strongly apparent in this MSR disc, intended as a follow-up to Chan's first MSR Classics disc, East West Encounter II. What both discs have in common is that each program is half made up of Asian classics and the other half standard Western concert fare. In the Asian portion of this disc, she performs Hong Kong-based Chinese composer Doming Lam's suite Moonlight Over Spring River, part of the massive piano literature created by Chinese composers based on traditional songs and written mostly between the 1950s and '70s; this piece was composed in 1971 and heretofore has been available in the West on an impossible-to-find Thorofon recording by pianist Tsai Chai-Hsio. It has some very striking imitations of traditional instruments such as the chin and the pipa and the movement "The Returning Waves" is, in part, a very effective tone cluster piece reminiscent of things like Henry Cowell's The Snows of Fuji-Yama. Somei Satoh's thundering Incarnation II has been recorded before, perhaps most notably by Margaret Leng Tan; this rendition is well-balanced, straightforward, and Chan pays close attention to the dynamics of the piece, though Leng Tan's version is longer by some seven minutes and more gradual in its development. Canadian composer Alexina Louie's Scenes from a Jade Terrace is strongly atmospheric, and its tarter harmonic profile adds a bit of welcome bite to the program.
The other half consists of a selection from Chopin's Op. 28 Preludes and various piano transcriptions of Bach; the famous Busoni rendering of the Chaconne in D minor, Egon Petri's take on Sheep May Safely Graze, Alexander Siloti's gloss on the brief Prelude in B minor, BWV 855a, and Wilhelm Kempff's arrangement of Jesu, Joy of a Man's Desiring. It's all good, with the Petri transcription being a particularly strong performance, though the Chopin items seem a little out of place and -- one hates to say this -- in performing them, Chan plays a little more like a teacher than a concert artist; Chopin's Preludes are played "right," but are a little lacking in that spark of individuality. The Asian pieces on the program are the real hook anyway and perhaps the next time around Susan Chan can take us across the Pacific for a vacation in the Orient for a whole disc's course and leave the old longhairs in Europe; this side of the "encounter" appears to be her strongest suit.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 18 Track(s)
- Gesamte Laufzeit: 01:07:03
- Künstler: Susan Chan
- Komponist: Various Composers
- Label: MSR Classics
- Genre: Klassik
(C) 2008 Susan Chan (P) 2008 Susan Chan
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.