Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download nicht verfügbar
Text in englischer Sprache verfügbar
Alphaville's 2010 comeback album sets the time at defiance, playing as if the last two decades never existed, but the band's return to its prime form is so flawless the record sounds almost timeless. Thirteen years since their last commercial studio album, they pick up where synth pop left off: midtempo beats impossible not to tap to, romantic and nervous keyboard textures that take that space ambience of Kraftwerk and Tangerine Dream and put it to work, and dramatic vocals with a weepy edge, like Erasure is still the hottest new thing in town. This is supposed to sound plastic, but it doesn't, the hooks are too good, the melodies too convincing, and the mood is pinned down perfectly, as if the band spent all the time since 1997's Salvation working full-time to polish their stuff (though, as Axl Rose demonstrated, that's not necessarily a good thing). Besides, good dance-pop music hasn't really changed much since Alphaville's heyday, and there's since been plenty of synth pop aficionados keeping the flame alive and making Catching Rays on Giant relevant, but even if the style had been buried and forgotten after "Forever Young," this record would still shine through simply on the strength of its songwriting. Only on slower songs does it show that the band is no bunch of bright-eyed youngsters anymore; there are plenty of ballads, and Alphaville come across tired on those. But they also sound content, as if after a hard day's good work, they have the right to rest on their laurels. Of European pop heroes of the ‘80s, only a-ha have so far showed such longevity and the ability to mature without losing their best qualities, but Catching Rays on Giant adds another group to that singular list.
© Alexey Eremenko /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Alphaville, MainArtist - JEO, Mixer, StudioPersonnel - David Goodes, Composer - Martin Lister, ComposerLyricist
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Alphaville, MainArtist - JEO, Mixer, StudioPersonnel - Martin Lister, Composer - The Outsider, Author
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Alphaville, MainArtist - Michael Ilbert, Mixer, StudioPersonnel - Martin Lister, Composer
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Rainer Bloss, Composer - Alphaville, MainArtist - JEO, Mixer, StudioPersonnel - Ingmar Kappel, Composer - Martin Lister, Author
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Alphaville, MainArtist - JEO, Mixer, StudioPersonnel - Martin Lister, Composer
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Alphaville, MainArtist - JEO, Mixer, StudioPersonnel - Martin Lister, Composer
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Alphaville, MainArtist - JEO, Mixer, StudioPersonnel - Martin Lister, Composer
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Rainer Bloss, Composer - Alphaville, MainArtist - Michael Ilbert, Mixer, StudioPersonnel - Ingmar Kappel, Composer
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Rainer Bloss, Composer - Alphaville, MainArtist - Michael Ilbert, Mixer, StudioPersonnel
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Alphaville, MainArtist - Michael Ilbert, Mixer, StudioPersonnel - David Goodes, ComposerLyricist - Martin Lister, ComposerLyricist - David McNamee, Author
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Alphaville, MainArtist - Michael Ilbert, Mixer, StudioPersonnel - David Goodes, Composer - Martin Lister, ComposerLyricist
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Jochen Schmalbach, Producer - Thorsten Brötzmann, Producer - Rainer Bloss, Composer - Alphaville, MainArtist - Michael Ilbert, Mixer, StudioPersonnel
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Alphaville, MainArtist - David Goodes, Producer - Martin Lister, Composer, Producer - The Outsider, Author - Windmill Studios, Mixer, StudioPersonnel
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Alphaville, MainArtist - Martin Lister, Composer
℗ 2010 Marian Gold
Marian Gold, ComposerLyricist - Frank Mertens, Composer - Alphaville, MainArtist - B. Lloyd, Composer
℗ 2010 Marian Gold
Albumbeschreibung
Alphaville's 2010 comeback album sets the time at defiance, playing as if the last two decades never existed, but the band's return to its prime form is so flawless the record sounds almost timeless. Thirteen years since their last commercial studio album, they pick up where synth pop left off: midtempo beats impossible not to tap to, romantic and nervous keyboard textures that take that space ambience of Kraftwerk and Tangerine Dream and put it to work, and dramatic vocals with a weepy edge, like Erasure is still the hottest new thing in town. This is supposed to sound plastic, but it doesn't, the hooks are too good, the melodies too convincing, and the mood is pinned down perfectly, as if the band spent all the time since 1997's Salvation working full-time to polish their stuff (though, as Axl Rose demonstrated, that's not necessarily a good thing). Besides, good dance-pop music hasn't really changed much since Alphaville's heyday, and there's since been plenty of synth pop aficionados keeping the flame alive and making Catching Rays on Giant relevant, but even if the style had been buried and forgotten after "Forever Young," this record would still shine through simply on the strength of its songwriting. Only on slower songs does it show that the band is no bunch of bright-eyed youngsters anymore; there are plenty of ballads, and Alphaville come across tired on those. But they also sound content, as if after a hard day's good work, they have the right to rest on their laurels. Of European pop heroes of the ‘80s, only a-ha have so far showed such longevity and the ability to mature without losing their best qualities, but Catching Rays on Giant adds another group to that singular list.
© Alexey Eremenko /TiVo
Informationen zu dem Album
- 1 Disc(s) - 16 Track(s)
- Gesamte Laufzeit: 01:05:45
- Künstler: Alphaville
- Komponist: Various Composers
- Label: WE LOVE MUSIC
- Genre: Pop/Rock Pop
© 2010 Universal Music Domestic Pop, a division of Universal Music GmbH ℗ 2010 Marian Gold
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.