Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
With about seven years of downtime on the recording front, Isaac Hayes burst to life again in 1995 with not one but two albums, released simultaneously with cover art that merges together when placed side by side. One was a collection of old demos and new instrumental tracks (Raw and Refined), but the other -- the disc at hand -- was a brand-new package hearkening back to Hayes' old extravagant ways. In a major attempt to restart his commercial engines, Hayes goes so far as to record in his original headquarters, Memphis, gathering around him many old cronies -- most notably his old writing partner from the Sam & Dave days, David Porter, and guitarists Michael Toles and Skip Pitts from the Stax period. Once again, Hayes attempts to transform well-known pop hits into wide-screen spectaculars, and he revisits tunes and ideas from his heyday. In a blatant imitation of the fold-out jacket of the original Black Moses LPs, the CD booklet even folds out in the shape of a cross. Yet there is a noticeable change in emphasis right at the start. "Fragile" begins with a rap that deals not with the usual Hayes topic of love gained or lost, but with a message about preserving the planet, and his treatment of Sting's song has a conga-driven momentum that ranks with many of Hayes' better extended rap/songs of the past. John Sebastian's "Summer in the City" is a tense amalgam of '70s funk and '90s digital synthesizers, a really effective update of the Hayes formula. But Hayes gets down to serious lovemaking business soon enough with new material like "Let Me Love You" and "I'll Do Anything (To Turn You On)." The Porter collaboration, "Thanks to the Fool," is a fine, humorous rap/song that picks up where "I Stand Accused" left off (this time, Ike gets the girl, albeit 25 years later!). The two golden oldies are handled in pointedly different ways. "Soulsville" (from the Shaft soundtrack) is almost unchanged from the original -- itself a comment that little has changed in the ghetto since 1971 -- while Chuck D. grafts a contemporary rap onto "Hyperbolicsyllabicsesquedalymistic" -- which doesn't do much for the tune, but doesn't hurt either. Though it came too late for his heyday, and a bit soon for his comeback on the wings of the cable series South Park, this is actually one of Hayes' best albums -- and it holds up under repeated plays.
© Richard S. Ginell /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Isaac Hayes, Composer, MainArtist
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Brenda Jones Williams, Background Vocalist, AssociatedPerformer - Michael Toles, Guitar, AssociatedPerformer - Bernie Grundman, Mastering Engineer, StudioPersonnel - Isaac Hayes, Composer, Producer, Keyboards, Vocalist, MainArtist, AssociatedPerformer - Ron Christopher, Mixer, Recording Engineer, StudioPersonnel - Lester Snell, Keyboards, AssociatedPerformer - Malcolm Springer, Asst. Recording Engineer, StudioPersonnel - Myra Walker, Background Vocalist, AssociatedPerformer - Charles "Skip" Pitts, Guitar, AssociatedPerformer - James "Chuckie" Burke, Drums, AssociatedPerformer - Jimmy Kinard, Bass Guitar, AssociatedPerformer - Kevin Harwood, Asst. Recording Engineer, StudioPersonnel - Milton Comeaux, Percussion, AssociatedPerformer
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Brenda Jones Williams, Background Vocalist, AssociatedPerformer - Michael Toles, Guitar, AssociatedPerformer - Bernie Grundman, Mastering Engineer, StudioPersonnel - Isaac Hayes, Producer, Keyboards, Vocalist, MainArtist, AssociatedPerformer - Sting, Composer - Ron Christopher, Mixer, Recording Engineer, Samples, AssociatedPerformer, StudioPersonnel - Lester Snell, Keyboards, AssociatedPerformer - Malcolm Springer, Asst. Recording Engineer, StudioPersonnel - Myra Walker, Background Vocalist, AssociatedPerformer - Charles "Skip" Pitts, Guitar, AssociatedPerformer - Donald O'Conner, Background Vocalist, AssociatedPerformer - James "Chuckie" Burke, Drums, AssociatedPerformer - Jimmy Kinard, Bass Guitar, AssociatedPerformer - Kevin Harwood, Asst. Recording Engineer, StudioPersonnel - Milton Comeaux, Percussion, AssociatedPerformer - Watoto de Afrika, Background Vocalist, AssociatedPerformer
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Isaac Hayes, Composer, MainArtist
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Steve Boone, Composer - Isaac Hayes, MainArtist - John Sebastian, Composer - Mark Sebastian, Composer
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Isaac Hayes, Composer, MainArtist
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Isaac Hayes, Composer, MainArtist
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Isaac Hayes, Composer, MainArtist - David Porter, Composer
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Brenda Jones Williams, Background Vocalist, AssociatedPerformer - Michael Toles, Guitar, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Bernie Grundman, Mastering Engineer, StudioPersonnel - Isaac Hayes, Composer, Producer, Keyboards, Vocalist, MainArtist, AssociatedPerformer - Ron Christopher, Mixer, Recording Engineer, StudioPersonnel - Lester Snell, Keyboards, AssociatedPerformer - Malcolm Springer, Asst. Recording Engineer, StudioPersonnel - Myra Walker, Background Vocalist, AssociatedPerformer - Charles "Skip" Pitts, Guitar, AssociatedPerformer - James "Chuckie" Burke, Drums, AssociatedPerformer - Jimmy Kinard, Bass Guitar, AssociatedPerformer - Kevin Harwood, Asst. Recording Engineer, StudioPersonnel - Milton Comeaux, Percussion, AssociatedPerformer
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Isaac Hayes, Composer, MainArtist
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Alvertis Isbell, Composer - Isaac Hayes, Composer, MainArtist
(C) 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Albumbeschreibung
With about seven years of downtime on the recording front, Isaac Hayes burst to life again in 1995 with not one but two albums, released simultaneously with cover art that merges together when placed side by side. One was a collection of old demos and new instrumental tracks (Raw and Refined), but the other -- the disc at hand -- was a brand-new package hearkening back to Hayes' old extravagant ways. In a major attempt to restart his commercial engines, Hayes goes so far as to record in his original headquarters, Memphis, gathering around him many old cronies -- most notably his old writing partner from the Sam & Dave days, David Porter, and guitarists Michael Toles and Skip Pitts from the Stax period. Once again, Hayes attempts to transform well-known pop hits into wide-screen spectaculars, and he revisits tunes and ideas from his heyday. In a blatant imitation of the fold-out jacket of the original Black Moses LPs, the CD booklet even folds out in the shape of a cross. Yet there is a noticeable change in emphasis right at the start. "Fragile" begins with a rap that deals not with the usual Hayes topic of love gained or lost, but with a message about preserving the planet, and his treatment of Sting's song has a conga-driven momentum that ranks with many of Hayes' better extended rap/songs of the past. John Sebastian's "Summer in the City" is a tense amalgam of '70s funk and '90s digital synthesizers, a really effective update of the Hayes formula. But Hayes gets down to serious lovemaking business soon enough with new material like "Let Me Love You" and "I'll Do Anything (To Turn You On)." The Porter collaboration, "Thanks to the Fool," is a fine, humorous rap/song that picks up where "I Stand Accused" left off (this time, Ike gets the girl, albeit 25 years later!). The two golden oldies are handled in pointedly different ways. "Soulsville" (from the Shaft soundtrack) is almost unchanged from the original -- itself a comment that little has changed in the ghetto since 1971 -- while Chuck D. grafts a contemporary rap onto "Hyperbolicsyllabicsesquedalymistic" -- which doesn't do much for the tune, but doesn't hurt either. Though it came too late for his heyday, and a bit soon for his comeback on the wings of the cable series South Park, this is actually one of Hayes' best albums -- and it holds up under repeated plays.
© Richard S. Ginell /TiVo
Informationen zu dem Album
- 1 Disc(s) - 11 Track(s)
- Gesamte Laufzeit: 01:04:07
- Künstler: Isaac Hayes
- Komponist: Various Composers
- Label: Virgin Records
- Genre: Soul/Funk/R&B Soul
© 1995 Virgin Records America, Inc. ℗ 1995 Virgin Records America, Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.