Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Issued just after his landmark two-week June 1998 gig at the Village Vanguard and subsequent U.S./Canada tour, Chucho Valdés' first album for Blue Note bears out a lot of the hype surrounding this hugely gifted Cuban pianist. Unlike many of today's younger Cuban keyboard hotshots, Valdés not only has great technical chops and musical erudition, he manages to stay closely tied to his Cuban rhythmic roots. Thus, he employs a Cuban percussionist Roberto Vizcaino Guillot along with the standard bass (Alain Pérez Rodriguez) and drums (Raúl Píñeda Roque), which dramatically increases the possibilities for rhythmic experiments. Valdés more often than not is all over the keyboard, comfortable with everything from Ravel-ian classical complexity to Bill Evans' introspection to Cecil Taylor-like crunches. But there are surprisingly few wasted motions; all of the notes fit. He creates tremendous excitement on "Con Poco Loco" (which ends with a sly steal from "Giant Steps"), and suddenly breaks into a cornucopia of European stream-of-consciousness fireworks before returning to Cuba on "Son Montuno." However, the best moments on Bele Bele en La Habana come when Valdés hooks his fire-eating technique into the groove and doesn't let go. "El Cumbanchero" contains some sudden rhythmic shifts that will have you leaping out of your chair, and "Tres Lindas Cubanas" gradually builds a great head of steam. This CD will give you a much better idea of Valdés' pianistic capabilities than any of his records with Irakere. On a political level, it is interesting and disheartening to note that Valdés recorded this album in Toronto under the auspices of EMI Music Canada; a direct signing with Blue Note would have exposed the American company to charges of trading with the enemy. Obviously, as of 1998, the Cold War was not completely over.
© Richard S. Ginell /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Bruce Lundvall, Producer, Executive Producer - Rene Lopez, Producer, Mixer, StudioPersonnel - Chucho Valdes, Composer, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jon Fausty, Recording Engineer, Mix Engineer, StudioPersonnel - Leon Zervos, Mastering Engineer, StudioPersonnel - John Biondich, Asst. Recording Engineer, StudioPersonnel
(C) 1998 EMI Music Canada ℗ 1998 EMI Music Canada
Bruce Lundvall, Producer, Executive Producer - Rene Lopez, Producer, Mixer, StudioPersonnel - Chucho Valdes, Composer, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jon Fausty, Recording Engineer, Mix Engineer, StudioPersonnel - Leon Zervos, Mastering Engineer, StudioPersonnel - John Biondich, Asst. Recording Engineer, StudioPersonnel
(C) 1998 EMI Music Canada ℗ 1998 EMI Music Canada
George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Bruce Lundvall, Producer, Executive Producer - Rene Lopez, Producer, Mixer, StudioPersonnel - Chucho Valdes, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jon Fausty, Recording Engineer, Mix Engineer, StudioPersonnel - Leon Zervos, Mastering Engineer, StudioPersonnel - John Biondich, Asst. Recording Engineer, StudioPersonnel
(C) 1998 EMI Music Canada ℗ 1998 EMI Music Canada
Bruce Lundvall, Producer, Executive Producer - Rene Lopez, Producer, Mixer, StudioPersonnel - Chucho Valdes, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jon Fausty, Recording Engineer, Mix Engineer, StudioPersonnel - Leon Zervos, Mastering Engineer, StudioPersonnel - John Biondich, Asst. Recording Engineer, StudioPersonnel - Ramon "Bebe" Valdes, Composer
(C) 1998 EMI Music Canada ℗ 1998 EMI Music Canada
Rafael Hernandez, Composer - Bruce Lundvall, Producer, Executive Producer - Rene Lopez, Producer, Mixer, StudioPersonnel - Chucho Valdes, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jon Fausty, Recording Engineer, Mix Engineer, StudioPersonnel - Leon Zervos, Mastering Engineer, StudioPersonnel - John Biondich, Asst. Recording Engineer, StudioPersonnel
(C) 1998 EMI Music Canada ℗ 1998 EMI Music Canada
Bruce Lundvall, Producer, Executive Producer - Rene Lopez, Producer, Mixer, StudioPersonnel - Chucho Valdes, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jon Fausty, Recording Engineer, Mix Engineer, StudioPersonnel - Leon Zervos, Mastering Engineer, StudioPersonnel - John Biondich, Asst. Recording Engineer, StudioPersonnel - Guillermo Castillo, Composer
(C) 1998 EMI Music Canada ℗ 1998 EMI Music Canada
Rafael López, Composer - Bruce Lundvall, Producer, Executive Producer - Rene Lopez, Producer, Mixer, StudioPersonnel - Chucho Valdes, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jon Fausty, Recording Engineer, Mix Engineer, StudioPersonnel - Leon Zervos, Mastering Engineer, StudioPersonnel - John Biondich, Asst. Recording Engineer, StudioPersonnel
(C) 1998 EMI Music Canada ℗ 1998 EMI Music Canada
Bruce Lundvall, Producer, Executive Producer - Rene Lopez, Producer, Mixer, StudioPersonnel - Chucho Valdes, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jon Fausty, Recording Engineer, Mix Engineer, StudioPersonnel - Leon Zervos, Mastering Engineer, StudioPersonnel - Pablo Milanés, Composer - John Biondich, Asst. Recording Engineer, StudioPersonnel
(C) 1998 EMI Music Canada ℗ 1998 EMI Music Canada
Albumbeschreibung
Issued just after his landmark two-week June 1998 gig at the Village Vanguard and subsequent U.S./Canada tour, Chucho Valdés' first album for Blue Note bears out a lot of the hype surrounding this hugely gifted Cuban pianist. Unlike many of today's younger Cuban keyboard hotshots, Valdés not only has great technical chops and musical erudition, he manages to stay closely tied to his Cuban rhythmic roots. Thus, he employs a Cuban percussionist Roberto Vizcaino Guillot along with the standard bass (Alain Pérez Rodriguez) and drums (Raúl Píñeda Roque), which dramatically increases the possibilities for rhythmic experiments. Valdés more often than not is all over the keyboard, comfortable with everything from Ravel-ian classical complexity to Bill Evans' introspection to Cecil Taylor-like crunches. But there are surprisingly few wasted motions; all of the notes fit. He creates tremendous excitement on "Con Poco Loco" (which ends with a sly steal from "Giant Steps"), and suddenly breaks into a cornucopia of European stream-of-consciousness fireworks before returning to Cuba on "Son Montuno." However, the best moments on Bele Bele en La Habana come when Valdés hooks his fire-eating technique into the groove and doesn't let go. "El Cumbanchero" contains some sudden rhythmic shifts that will have you leaping out of your chair, and "Tres Lindas Cubanas" gradually builds a great head of steam. This CD will give you a much better idea of Valdés' pianistic capabilities than any of his records with Irakere. On a political level, it is interesting and disheartening to note that Valdés recorded this album in Toronto under the auspices of EMI Music Canada; a direct signing with Blue Note would have exposed the American company to charges of trading with the enemy. Obviously, as of 1998, the Cold War was not completely over.
© Richard S. Ginell /TiVo
Informationen zu dem Album
- 1 Disc(s) - 8 Track(s)
- Gesamte Laufzeit: 00:56:05
- Künstler: Chucho Valdés
- Komponist: Various Composers
- Label: EMI
- Genre: Jazz
© 1998 EMI Music Canada ℗ 1998 EMI Music Canada
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.