Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Jennifer Warnes|Another Time, Another Place

Another Time, Another Place

Jennifer Warnes

Verfügbar in
16-Bit CD Quality 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

Singer/songwriter Jennifer Warnes celebrates her 50th anniversary as a recording artist with Another Time, Another Place, her first recording since 2001's The Well. Since the 1990s, Warnes has worked only when she's wanted to -- a decade passed between The Well and its predecessor, The Hunter. In this century, she has lent her voice to recordings by Sonny Landreth, Chris Hillman, Leonard Cohen, and his son Adam Cohen. Warnes and longtime collaborator Roscoe Beck (Cohen's bassist and music director and her own producer on Famous Blue Raincoat and The Hunter), began working in Austin and Los Angeles in 2015. But a string of profound losses -- a niece, two sisters, a longtime manager, ex-boyfriend, her dog and Cohen -- sidetracked the sessions several times. Aside from or perhaps because of all that tragedy, Another Time, Another Place offers a stellar reflection of Warnes the interpretive singer. She co-wrote only one tune here, the lilting, Americana road song "The Boys and Me" with Michael Smotherman. The rest are covers that range from country to jazz to pop, all delivered with her sensual, expressive contralto. She opens with a completely revisioned version of Pearl Jam's "Just Breathe." Amid a weave of strings, upright bass, acoustic and electric guitars, and poignantly played B-3 and French horn, she offers the song's melody with bittersweet knowledge and its projective lyric as if singing into a mirror for reassurance. A breezy and bluesy read of the jazz standard "Tomorrow Night" -- cut by everyone from Lonnie Johnson to Bob Dylan to the Texas Hill Country's own Johnny Nicholas -- features Beck's strolling upright bassline atop drums (Vinnie Colaiuta), percussion (Lenny Castro), and Jim Cox's subtly swelling Hammond as she leans hard into the tune's elegant swing. Mickey Newbury's "So Sad" is delivered with warm, rounded edges as Greg Leisz's pedal steel winds around the grain in her smoky vocal to underscore each moment of loneliness and pain in the wake of a lover's departure, and those of friends who've shuffled off this mortal coil. Warnes convincingly weds jazz, cabaret, and musette in her version of "I See Your Face Before Me." Landreth appears on resonator and electric slide guitar on a swampy yet altogether cinematic take on Ray Bonneville's "I Am the Big Easy," complete with a laid-back second-line rhythm. Two tracks later she offers "Back Where I Started," another country-esque soul number by the Tedeschi-Trucks Band. The tension between emotional conviction and sweetness in its lyric is a perfect match for Warnes' unflinching honesty and vulnerability. While Marcus Hummon's "Freedom" wasn't written for Warnes, it could have been. Backed by an all-star choir that numbers Ruthie Foster and Blondie Chaplin in its quintet, it relays the notion of freedom as both a state of abundance and an illustration of loss. As a result of these intimate performances, Another Time, Another Place is return to the world after a prolonged period of solitude and grief. Warnes offers these songs with the same aplomb, grace, discipline, passion, and dignity that she has displayed her entire career, and imbues these songs with new shades of meaning in the process.
© Thom Jurek /TiVo

Weitere Informationen

Another Time, Another Place

Jennifer Warnes

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 70 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 70 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
Just Breathe
00:03:53

Mitch Watkins, Acoustic Guitar - Lenny Castro, Percussion - Vinnie Colaiuta, Drums - Jim Cox, Organ - Jennifer Warnes, MainArtist - Eddie Vedder, Composer - Roscoe Beck, Bass Guitar, Keyboards - Javier Chaparro, Violin - Sara Nelson, Cello - Daran DeShazo, Electric Guitar - Tom Hale, French Horn

© 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC

2
Tomorrow Night
00:03:06

Lenny Castro, Percussion - Sam Coslow, Composer - Vinnie Colaiuta, Drums - Jim Cox, Organ - Jennifer Warnes, MainArtist - Roscoe Beck, Bass Guitar - Grosz Will, Composer

© 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC

3
Once I Was Loved
00:04:05

Marcus Hummon, Composer - Mitch Watkins, Acoustic Guitar - Lenny Castro, Percussion - Jim Cox, Piano - John Legend, Composer - Jennifer Warnes, MainArtist - Roscoe Beck, Bass Guitar - Ames Asbell, Viola - Leigh Mahoney, Violin - Sara Nelson, Cello - Tracy Seeger, Violin

© 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC

4
So Sad
00:06:13

Dean Parks, Acoustic Guitar, Mandolin - Abraham Laboriel, Bass Guitar - Greg Leisz, Pedal Steel Guitar - Jim Cox, Organ - Jennifer Warnes, MainArtist - Mickey Newbury, Composer - John Ferraro, Drums

© 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC

5
I See Your Face Before Me
00:03:48

Joel Guzman, Accordion - Lenny Castro, Percussion - Vinnie Colaiuta, Drums - Howard Dietz, Composer - Arthur Schwartz, Composer - Eric Darken, Percussion - Jim Cox, Piano - Jennifer Warnes, MainArtist - Roscoe Beck, Bass Guitar - Javier Chaparro, Violin - Leigh Mahoney, Violin - Gabriel Santiago, Guitar

© 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC

6
I Am The Big Easy
00:04:37

Lenny Castro, Percussion - Vinnie Colaiuta, Drums - Jim Cox, Organ - Ray Bonneville, Composer - Jennifer Warnes, MainArtist - Roscoe Beck, Synth Bass - Sonny Landreth, Electric Guitar

© 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC

7
The Boys And Me
00:04:28

Mitch Watkins, Acoustic Guitar - Joel Guzman, Accordion - Lenny Castro, Percussion - Vinnie Colaiuta, Drums - Jim Cox, Organ - Jennifer Warnes, Composer, MainArtist - Roscoe Beck, Bass Guitar - Javier Chaparro, Violin - Micheal Smotherman, Composer - Jeff Plankenhorn, Guitar - Red Young, Keyboards - Daran DeShazo, Electric Guitar

© 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC

8
Back Where I Started
00:04:51

Warren Haynes, Composer - Dean Parks, Guitar - Derek Trucks, Composer - Abraham Laboriel, Bass Guitar - Greg Leisz, Guitar - Jim Cox, Organ - Jennifer Warnes, MainArtist - John Ferraro, Drums

© 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC

9
Freedom
00:04:08

James Robinson, Choir - Marcus Hummon, Composer - Mike Cross, Choir - Lenny Castro, Percussion - Vinnie Colaiuta, Drums - Jim Cox, Organ - Jennifer Warnes, MainArtist - Blondie Chaplin, Choir - Ruthie Foster, Choir - Roscoe Beck, Bass Guitar - Roderick Sanford, Choir - Gabriel Santiago, Guitar - Daran DeShazo, Electric Guitar

© 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC

10
Why Worry
00:03:42

Mike Cross, Guest Vocals - Mitch Watkins, Electric Guitar - Lenny Castro, Percussion - Vinnie Colaiuta, Drums - Mark Knopfler, Composer - Jim Cox, Organ - Stefano Intelisano, Keyboards - Stephen Barber, Keyboards - Jennifer Warnes, MainArtist - Roscoe Beck, Bass Guitar - Jeff Plankenhorn, Guitar - Gabriel Santiago, Guitar - Daran DeShazo, Electric Guitar

© 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2017 Porch Light LLC under exclusive license to BMG Rights Management (US) LLC

Albumbeschreibung

Singer/songwriter Jennifer Warnes celebrates her 50th anniversary as a recording artist with Another Time, Another Place, her first recording since 2001's The Well. Since the 1990s, Warnes has worked only when she's wanted to -- a decade passed between The Well and its predecessor, The Hunter. In this century, she has lent her voice to recordings by Sonny Landreth, Chris Hillman, Leonard Cohen, and his son Adam Cohen. Warnes and longtime collaborator Roscoe Beck (Cohen's bassist and music director and her own producer on Famous Blue Raincoat and The Hunter), began working in Austin and Los Angeles in 2015. But a string of profound losses -- a niece, two sisters, a longtime manager, ex-boyfriend, her dog and Cohen -- sidetracked the sessions several times. Aside from or perhaps because of all that tragedy, Another Time, Another Place offers a stellar reflection of Warnes the interpretive singer. She co-wrote only one tune here, the lilting, Americana road song "The Boys and Me" with Michael Smotherman. The rest are covers that range from country to jazz to pop, all delivered with her sensual, expressive contralto. She opens with a completely revisioned version of Pearl Jam's "Just Breathe." Amid a weave of strings, upright bass, acoustic and electric guitars, and poignantly played B-3 and French horn, she offers the song's melody with bittersweet knowledge and its projective lyric as if singing into a mirror for reassurance. A breezy and bluesy read of the jazz standard "Tomorrow Night" -- cut by everyone from Lonnie Johnson to Bob Dylan to the Texas Hill Country's own Johnny Nicholas -- features Beck's strolling upright bassline atop drums (Vinnie Colaiuta), percussion (Lenny Castro), and Jim Cox's subtly swelling Hammond as she leans hard into the tune's elegant swing. Mickey Newbury's "So Sad" is delivered with warm, rounded edges as Greg Leisz's pedal steel winds around the grain in her smoky vocal to underscore each moment of loneliness and pain in the wake of a lover's departure, and those of friends who've shuffled off this mortal coil. Warnes convincingly weds jazz, cabaret, and musette in her version of "I See Your Face Before Me." Landreth appears on resonator and electric slide guitar on a swampy yet altogether cinematic take on Ray Bonneville's "I Am the Big Easy," complete with a laid-back second-line rhythm. Two tracks later she offers "Back Where I Started," another country-esque soul number by the Tedeschi-Trucks Band. The tension between emotional conviction and sweetness in its lyric is a perfect match for Warnes' unflinching honesty and vulnerability. While Marcus Hummon's "Freedom" wasn't written for Warnes, it could have been. Backed by an all-star choir that numbers Ruthie Foster and Blondie Chaplin in its quintet, it relays the notion of freedom as both a state of abundance and an illustration of loss. As a result of these intimate performances, Another Time, Another Place is return to the world after a prolonged period of solitude and grief. Warnes offers these songs with the same aplomb, grace, discipline, passion, and dignity that she has displayed her entire career, and imbues these songs with new shades of meaning in the process.
© Thom Jurek /TiVo

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Girls Like Us

Zoe Wees

Girls Like Us Zoe Wees

Dominion

Hammerfall

Dominion Hammerfall

Weihnachten 2021

Various Artists

Weihnachten 2021 Various Artists

Girls Like Us

Zoe Wees

Girls Like Us Zoe Wees
Mehr auf Qobuz
Von Jennifer Warnes

Let the sunshine in

Jennifer Warnes

Let the sunshine in Jennifer Warnes

Famous Blue Raincoat. Songs of Leonard Cohen

Jennifer Warnes

The Hunter

Jennifer Warnes

The Hunter Jennifer Warnes

The Hunter

Jennifer Warnes

The Hunter Jennifer Warnes

The Well

Jennifer Warnes

The Well Jennifer Warnes
Das könnte Ihnen auch gefallen...

Marc-Antoine Charpentier, Philippe Hersant

Maîtrise de Radio France

Marc-Antoine Charpentier, Philippe Hersant Maîtrise de Radio France

Pergolesi : Stabat Mater - Laudate pueri - Confitebor

Philippe Jaroussky

Scarlatti: Stabat Mater

The Zurich Chamber Singers

Scarlatti: Stabat Mater The Zurich Chamber Singers

Bing-His Legendary Years 1931-1957

Bing Crosby

The Complete Songs of Fauré, Vol. 4

Malcolm Martineau

Panorama-Artikel...
Jordi Savall – Musik, Leben, Tonaufnahmen

Es regnete in Strömen in jener Oktobernacht im französischen Bugey, was zu dieser Jahreszeit dort häufig vorkommt. Es war Mitternacht. Wir waren ungefähr fünfzig Musikliebhaber, die beim Festival d’Ambronay schweigend in der Feuchtigkeit und in der Kälte warteten. Dann erschien auf einmal Jordi Savall, lautlos, in einen weißen, nassen Trenchcoat gehüllt, wie Humphrey Bogart in Casablanca, einen Kasten in Form eines menschliche Körpers an sich gedrückt. Mit langsamen Bewegungen holte er, nein, kein Maschinengewehr, sondern eine Viola da Gamba hervor, die er mit größter Umsicht behandelte, und begann, sie zu stimmen. Dann geschah im Publikum das Wunder.

Bruno Walter, Erinnerungen an ein Genie

Die großartigen Remastering-Versionen der Aufnahmen von Bruno Walter anzuhören, die bei Sony Classical erschienen sind, bedeutet in humanistischer Kultur zu schwelgen. Für den überragenden Dirigenten war Musik ein heiliges Amt, Lebenskunst, Philosophie. Die Aufnahmen bezeugen seine Kunst der Kantilene, ausdrucksstark aber nie sentimental, dank klarer Linien und geschmeidiger Rhythmen voll Klarheit, Kohärenz und Vitalität.

Aktuelles...