Alberto Erede
Conductor Alberto Erede was well known for his opera performances in Europe and the United Sates, especially from the 1930s until the 1960s. He began his musical studies on the piano and cello. He studied composition at the Milan Conservatory before deciding to devote his energies to conducting. He went to Basle to study conducting with Felix Weingartner, then trained under Fritz Busch at Dresden. In 1930, he made his professional conducting debut with the Accademia di St. Cecilia at Rome. In 1934, he was hired to serve on the conducting staff at the opening season of the Glyndebourne Festival, where he conducted until 1939. During this period, he was also musical director of the Salzburg Opera Guild, with whom he toured the United States in 1937. That same year, he made his debut conducting an American ensemble, with Toscanini's NBC Symphony Orchestra. This led to further engagements with NBC and in 1939, Erede conducted the broadcast premiere of Menotti's The Old Maid and the Thief. Erede returned to Italy during World War II, conducting operatic and symphonic performances. He was chief conductor of the RAI Symphony Orchestra, Turin, from 1945 to 1946. Following the war, Erede was especially active in Britain and Germany. In 1946, he was appointed musical director of the New London Opera Company at the Cambridge Theatre, a post he held for two seasons. From 1950 to 1955, he regularly conducted at the Metropolitan Opera (he was on the podium when Kirsten Flagstad gave her farewell performance in 1952 in Gluck's Alceste), and he was named general music director of the Deutsche Oper am Rhein in 1958 (the first Italian to hold this post). During the 1950s and '60s, Erede was in demand as a guest conductor, especially at Covent Garden and the Edinburgh Festival. In 1968, he led a performance of Wagner's Lohengrin at Bayreuth, making him the third Italian (after Toscanini and de Sabata) to conduct at that festival. In 1961, he took the position of chief conductor of the Gothenburg Symphony Orchestra. As late as 1988, he was still conducting at the Rome Opera. Erede's recorded legacy includes 14 complete operas, as well as discs of operatic arias by singers such as Tebaldi and Gobbi.
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Puccini: La Boheme
Staatskapelle Berlin, Alberto Erede, Chor der Berliner Staatsoper
Oper - Erschienen bei Cantus Classics am 01.01.1960
16-Bit CD Quality 44.1 kHz - Stereo -
Rigoletto
Oper - Erschienen bei Myto Historical am 01.01.1954
16-Bit CD Quality 44.1 kHz - Stereo -
Vocal Recital: Tebaldi, Renata / Del Monaco, Mario - Verdi, G / Puccini, G. (1952, 1954)
Renata Tebaldi, Mario del Monaco, Orchestra dell'Accademia Nazionale Di Santa Cecilia, Alberto Erede, Francesco Molinari-Pradelli
Oper - Erschienen bei Naxos Classical Archives am 01.01.2000
16-Bit CD Quality 44.1 kHz - Stereo -
Opera Arias (Tenor): Del Monaco, Mario - Verdi, G. / Giordano, U. / Zandonai, R. / Massenet, J. / Bizet, G. / Catalani, A. / Donizetti, G. (1956)
Mario del Monaco, The New Symphony Orchestra of London, Alberto Erede
Oper - Erschienen bei Naxos Classical Archives am 01.01.2000
16-Bit CD Quality 44.1 kHz - Stereo -
Opera Arias (Bass): Arie, Raphael - Rimsky-Korsakov, N. / Glinka, M.I. / Tchaikovsky, P.I. / Borodin, A. (Russian Operatic Arias) (1953)
Raffaele Arié, Orchestre de la Société des Concerts du Conservatoire, Alberto Erede
Oper - Erschienen bei Naxos Classical Archives am 01.01.1953
16-Bit CD Quality 44.1 kHz - Stereo -
Vocal Recital: Del Monaco, Mario - Leoncavallo, R. / Verdi, G. / Puccini, G. / Halevy, J.E. (1953-1954)
Mario del Monaco, Orchestra dell'Accademia Nazionale Di Santa Cecilia, Orchestra del Teatro della Scala di Milano, Alberto Erede, Franco Ghione
Oper - Erschienen bei Naxos Classical Archives am 01.01.2000
16-Bit CD Quality 44.1 kHz - Stereo -
Vocal Recital: Tebaldi, Renata - Mozart, W.A. / Cilea, F. / Catalani, A. / Mascagni, P. / Rossini, G. / Refice, L. (1955)
Renata Tebaldi, Orchestra dell'Accademia Nazionale Di Santa Cecilia, Alberto Erede
Vokalmusik (weltlich und geistlich) - Erschienen bei Naxos Classical Archives am 01.01.2000
16-Bit CD Quality 44.1 kHz - Stereo -
Rossini: Le barbier de Séville, extraits (Mono Version)
Giulietta Simionato, Fernando Corena, Orchestre du Mai Musical Florentin , Alberto Erede
Verschiedenes - Erschienen bei BNF Collection am 01.01.1960
24-Bit 96.0 kHz - Stereo -
Guiseppe Verdi: Il Trovatore
Coro Del Maggio Musicale Fiorentino, Orchestre Du Grand Theatre De Geneve, Alberto Erede
Klassik - Erschienen bei Cantus Classics am 10.06.1997
16-Bit CD Quality 44.1 kHz - Stereo -
Giuseppe Verdi: La Traviata
Orchester der Metropolitan Opera, Chor der Metropolitan Opera, Alberto Erede
Klassik - Erschienen bei Cantus Classics am 14.05.2010
16-Bit CD Quality 44.1 kHz - Stereo -
Gaetano Donizetti: Don Pasquale
Coro Di Milano Della Rai, Orchestra Di Milano Della Rai, Alberto Erede
Klassik - Erschienen bei Cantus Classics am 29.11.2005
16-Bit CD Quality 44.1 kHz - Stereo -
Gaetano Donizetti: La Favorita
Coro Del Maggio Musicale Fiorentino, Orchestre du Mai Musical Florentin , Alberto Erede
Klassik - Erschienen bei Cantus Classics am 01.01.1996
16-Bit CD Quality 44.1 kHz - Stereo -
Giacomo Puccini: La Boheme
Chor der Metropolitan Opera, Orchester der Metropolitan Opera, Alberto Erede
Klassik - Erschienen bei Cantus Classics am 16.04.2010
16-Bit CD Quality 44.1 kHz - Stereo -
Aldo Protti - Fernando Corena: Operatic Recitals (Album of 1953)
Aldo Protti, Fernando Corena, Ernest Ansermet, Orchestre de la Suisse Romande, Alberto Erede
Klassik - Erschienen bei Casta Diva am 31.08.2023
16-Bit CD Quality 44.1 kHz - Stereo