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Kid Ory's Creole Jazz Band|This Kid's The Greatest

This Kid's The Greatest

Kid Ory's Creole Jazz Band

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These lively and spirited sessions from 1953, 1954, and 1956 show that Ory still had plenty of gas left in the tank and could play tailgate 'bone in the New Orleans style better than anyone. Bouncy and lively, Ory leads three different configurations, pulling in players from all different musical strata (modern jazzers like Barney Kessel and jump blues pianist Lloyd Glenn work comfortably with old-timers like Minor Hall and Wellman Braud), making it all work seamlessly. Highlights include nice takes on old warhorses like "South Rampart Street Parade," "Bill Bailey," "Creole Love Call," "Milenberg Joys," "Ballin' the Jack," and "Four or Five Times," but the real treat is the Kid's vocal on his own "The Girls Go Crazy." Highly recommended.

© Cub Koda /TiVo

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This Kid's The Greatest

Kid Ory's Creole Jazz Band

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1
South Rampart Street Parade
00:03:27

Minor Hall, Drums, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Bob Haggart, ComposerLyricist - Kid Ory, Trombone, AssociatedPerformer - Kid Ory's Creole Jazz Band, MainArtist - Ray Bauduc, ComposerLyricist - Lloyd Glenn, Piano, AssociatedPerformer - John Palladino, Recording Engineer, StudioPersonnel - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

2
The Girls Go Crazy
00:03:05

Minor Hall, Drums, AssociatedPerformer - Traditional, ComposerLyricist - Barney Kessel, Guitar, AssociatedPerformer - Kid Ory, Trombone, AssociatedPerformer, ComposerLyricist - Kid Ory's Creole Jazz Band, MainArtist - Lloyd Glenn, Piano, AssociatedPerformer - John Palladino, Recording Engineer, StudioPersonnel - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

3
How Come You Do Me Like You Do
00:03:21

Minor Hall, Drums, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Gene Austin, ComposerLyricist - Kid Ory, Trombone, AssociatedPerformer - Kid Ory's Creole Jazz Band, MainArtist - Lloyd Glenn, Piano, AssociatedPerformer - John Palladino, Recording Engineer, StudioPersonnel - Morty Corb, Upright Bass, AssociatedPerformer - Roy Bergere, ComposerLyricist - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

4
Four Or Five Times
00:03:12

Minor Hall, Drums, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Kid Ory, Trombone, AssociatedPerformer - Kid Ory's Creole Jazz Band, MainArtist - Lloyd Glenn, Piano, AssociatedPerformer - John Palladino, Recording Engineer, StudioPersonnel - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Byron Gay, Composer - Wellman Braud, Upright Bass, AssociatedPerformer - Marco Hellman, Composer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

5
St. James Infirmary
00:03:17

Minor Hall, Drums, AssociatedPerformer - Traditional, ComposerLyricist - Barney Kessel, Guitar, AssociatedPerformer - Irving Mills, ComposerLyricist - Kid Ory, Trombone, AssociatedPerformer - Joe Primrose, ComposerLyricist - Kid Ory's Creole Jazz Band, MainArtist - Lloyd Glenn, Piano, AssociatedPerformer - John Palladino, Recording Engineer, StudioPersonnel - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

6
Bill Bailey, Won't You Please Come
00:03:08

Minor Hall, Drums, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Kid Ory, Trombone, AssociatedPerformer - Kid Ory's Creole Jazz Band, MainArtist - Lloyd Glenn, Piano, AssociatedPerformer - John Palladino, Recording Engineer, StudioPersonnel - Hughie Cannon, ComposerLyricist - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel - Charles Russell Shipton, ComposerLyricist

℗ 1992 Good Time Jazz

7
Milenberg Joys
00:03:11

Minor Hall, Drums, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jelly Roll Morton, ComposerLyricist - Kid Ory, Trombone, AssociatedPerformer - Kid Ory's Creole Jazz Band, MainArtist - Walter Melrose, ComposerLyricist - Lloyd Glenn, Piano, AssociatedPerformer - Paul Mares, ComposerLyricist - John Palladino, Recording Engineer, StudioPersonnel - Leon Rappolo, ComposerLyricist - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

8
Creole Song
00:03:20

Minor Hall, Drums, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Kid Ory, Trombone, AssociatedPerformer, ComposerLyricist - Kid Ory's Creole Jazz Band, MainArtist - Lloyd Glenn, Piano, AssociatedPerformer - John Palladino, Recording Engineer, StudioPersonnel - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

9
Bucket's Got A Hole In It
00:02:48

Minor Hall, Drums, AssociatedPerformer - Traditional, ComposerLyricist - Barney Kessel, Guitar, AssociatedPerformer - Kid Ory, Trombone, AssociatedPerformer - Kid Ory's Creole Jazz Band, MainArtist - Lloyd Glenn, Piano, AssociatedPerformer - John Palladino, Recording Engineer, StudioPersonnel - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

10
The Creole Love Call
00:03:24

Minor Hall, Drums, AssociatedPerformer - Duke Ellington, ComposerLyricist - Barney Kessel, Guitar, AssociatedPerformer - Milt Jackson, ComposerLyricist - Kid Ory, Trombone, AssociatedPerformer - Kid Ory's Creole Jazz Band, MainArtist - Lloyd Glenn, Piano, AssociatedPerformer - Bubber Miley, ComposerLyricist - John Palladino, Recording Engineer, StudioPersonnel - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

11
Ballin' The Jack
00:03:13

Minor Hall, Drums, AssociatedPerformer - Duke Ellington, ComposerLyricist - Barney Kessel, Guitar, AssociatedPerformer - Milt Jackson, ComposerLyricist - Kid Ory, Trombone, AssociatedPerformer - Kid Ory's Creole Jazz Band, MainArtist - Lloyd Glenn, Piano, AssociatedPerformer - Bubber Miley, ComposerLyricist - John Palladino, Recording Engineer, StudioPersonnel - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

12
Aunt Hagar's Blues
00:02:57

Minor Hall, Drums, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Kid Ory, Trombone, AssociatedPerformer - W.C. Handy, ComposerLyricist - Kid Ory's Creole Jazz Band, MainArtist - Lloyd Glenn, Piano, AssociatedPerformer - John Palladino, Recording Engineer, StudioPersonnel - Morty Corb, Upright Bass, AssociatedPerformer - Julian Davidson, Guitar, AssociatedPerformer - Wellman Braud, Upright Bass, AssociatedPerformer - Teddy Buckner, Cornet, AssociatedPerformer - Don Ewell, Piano, AssociatedPerformer - Cedric Haywood, Piano, AssociatedPerformer - Alvin Alcorn, Trumpet, AssociatedPerformer - Phil Gomez, Clarinet, AssociatedPerformer - George Probert, Clarinet, AssociatedPerformer - Bob McCracken, Clarinet, AssociatedPerformer - Ed Garland, Upright Bass, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Pud Brown, Clarinet, AssociatedPerformer - Roy DuNann, Recording Engineer, StudioPersonnel - Kirk Felton, Mastering Engineer, StudioPersonnel

℗ 1992 Good Time Jazz

Albumbeschreibung

These lively and spirited sessions from 1953, 1954, and 1956 show that Ory still had plenty of gas left in the tank and could play tailgate 'bone in the New Orleans style better than anyone. Bouncy and lively, Ory leads three different configurations, pulling in players from all different musical strata (modern jazzers like Barney Kessel and jump blues pianist Lloyd Glenn work comfortably with old-timers like Minor Hall and Wellman Braud), making it all work seamlessly. Highlights include nice takes on old warhorses like "South Rampart Street Parade," "Bill Bailey," "Creole Love Call," "Milenberg Joys," "Ballin' the Jack," and "Four or Five Times," but the real treat is the Kid's vocal on his own "The Girls Go Crazy." Highly recommended.

© Cub Koda /TiVo

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