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Black Oak Arkansas|The Wild Bunch

The Wild Bunch

Black Oak Arkansas

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Boy, talk about a return to form. Black Oak Arkansas' first new album in over ten years is easily the best thing they've done since their '70s heyday. This record reunites the men who formed the band way back in 1963, frontman extraordinaire Jim Dandy (prime exponent of "Dandyism"), rhythm guitarist Rickie Lee Reynolds, and bassman Dirty Daugherty. The chemistry that is still there is amazing. Now augmented by Rocky Athas (one of the country's most underrated guitarists -- he was a hero of Stevie Ray Vaughan's when they were kids in Oak Cliff) and drummer Johnnie Bolin (kid brother of guitar hero Tommy Bolin), the band is in ripping form. The material is top-notch -- a far cry from the work the band did in the '80s. The lead-off track, "Forgive and Forget," sets the pace with crunching guitar riffs and a great chorus where the Dandyman lets you know that "I never forget, and I ain't that forgiving." There is more serious heaviness to follow, particularly the two Tommy Bolin covers the band whips out. "Post Toastie" is one of the great tales of rock & roll excess: "I don't know what went wrong, it seems like nothing is right, I don't know what went wrong, I hope I get me some sleep tonight." Also, Tommy Bolin's "Shake the Devil" gets a hard rock treatment. Both renditions are a fine tribute to the departed axeman. "Talk to the Hand" is another fine original and a great title to boot: Picture Dandy (or yourself) with an arm outstretched and hand in STOP position. BOA has also redone five of their most classic tunes for this album. The remakes have strengths and weaknesses when compared to the originals. Rocky Athas is definitely the best guitarist Black Oak has ever had. His leads make the remakes soar. Johnnie Bolin, on the other hand, is a very solid drummer, but he is cursed with the fact that Tommy Aldridge used to sit in his seat. Aldridge's drumming with Black Oak set the standard for arena rock in the '70s. His parts are simply not do-able for a normal human. Fortunately, Johnnie Bolin doesn't try to re-do the old parts, but there is something missing (mega-fills). All in all, this is more than could've reasonably been expected from a band that hadn't released a good album since 1976. The band and the disc are both loaded with charm, humor, and hard rock. Just when things were looking bad -- Dandy to the rescue.

© Geoff Ginsberg /TiVo

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The Wild Bunch

Black Oak Arkansas

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1
Forgive and Forget
00:03:54

Black Oak Arkansas, MainArtist - Rickie Lee Reynolds, Composer - Find and Dandy Publishing ASCAP, MusicPublisher

(C) 1999 Deadline Music (P) 1999 Deadline Music

2
Post Toastee
00:06:51

Black Oak Arkansas, MainArtist - Equestrian Music, MusicPublisher - Thomas Richard Michael Bolin, Composer - DOWNTOWN DLJ SONGS LLC OBO BOFE MUSIC, MusicPublisher

(C) 1999 Deadline Music (P) 1999 Deadline Music

3
Dark Purple Blues
00:04:18

Black Oak Arkansas, MainArtist - ASCAP, MusicPublisher - BMI, MusicPublisher - Ronnie Thompson, Composer - Rocky Dino Athas, Composer - Phillip Ward, Composer - James Leslie Mangrum, Composer

(C) 1999 Deadline Music (P) 1999 Deadline Music

4
Shake the Devil
00:03:42

Tommy Bolin, Composer - Black Oak Arkansas, MainArtist - Copyright Control, MusicPublisher - Equestrian Music, MusicPublisher - Jeffery Cook, Composer - DOWNTOWN DLJ SONGS LLC OBO BOFE MUSIC, MusicPublisher

(C) 1999 Deadline Music (P) 1999 Deadline Music

5
Jim Dandy to the Rescue 1999
00:03:36

LINCOLN CHASE, Composer - Black Oak Arkansas, MainArtist - Embassy Music Corporation, MusicPublisher

(C) 1999 Deadline Music (P) 1999 Deadline Music

6
Truth Be Known
00:03:54

Black Oak Arkansas, MainArtist - James Mangrum, Composer - ASCAP, MusicPublisher - Rickie Lee Reynolds, Composer

(C) 1999 Deadline Music (P) 1999 Deadline Music

7
Mutants of the Monster '99
00:04:58

Black Oak Arkansas, MainArtist - Harvey Jett, Composer - Rick Reynolds, Composer - Stanley Knight, Composer - Tommy Aldridge, Composer - James Mangrum, Composer - Pat Dauherty, Composer - Bluewater Music Corp OBO Far Fetched Music Co, MusicPublisher

(C) 1999 Deadline Music (P) 1999 Deadline Music

8
This is Our Time
00:03:24

Black Oak Arkansas, MainArtist - ASCAP, MusicPublisher - BMI, MusicPublisher - Ronnie Thompson, Composer - Rocky Dino Athas, Composer - James Leslie Mangrum, Composer - Robert E Ware Jr, Composer

(C) 1999 Deadline Music (P) 1999 Deadline Music

9
Hot Rod '99
00:03:21

Black Oak Arkansas, MainArtist - Harvey Jett, Composer - Pat Daugherty, Composer - Rick Reynolds, Composer - Stanley Knight, Composer - Tommy Aldridge, Composer - James Mangrum, Composer - Bluewater Music Corp obo Pond Tunes, MusicPublisher

(C) 1999 Deadline Music (P) 1999 Deadline Music

10
No Time
00:03:33

Black Oak Arkansas, MainArtist - BMI, MusicPublisher - Rocky Dino Athas, Composer - Don Zercher, Composer - Larry Wayne Samford, Composer

(C) 1999 Deadline Music (P) 1999 Deadline Music

11
Happy Hooker '99
00:04:41

Black Oak Arkansas, MainArtist - Harvey Jett, Composer - James Mangrum, Composer - Rickie Lee Reynolds, Composer - Bluewater Music Corp OBO Far Fetched Music Co, MusicPublisher

(C) 1999 Deadline Music (P) 1999 Deadline Music

12
Top Heavy Dallas
00:03:38

Black Oak Arkansas, MainArtist - ASCAP, MusicPublisher - BMI, MusicPublisher - Rocky Dino Athas, Composer - James Leslie Mangrum, Composer - Robert E Ware Jr, Composer

(C) 1999 Deadline Music (P) 1999 Deadline Music

13
Hot 'n' Nasty '99
00:03:47

Black Oak Arkansas, MainArtist - Harvey Jett, Composer - Rick Reynolds, Composer - Stanley Knight, Composer - Tommy Aldridge, Composer - James Mangrum, Composer - Pat Dauherty, Composer - Bluewater Music Corp OBO Far Fetched Music Co, MusicPublisher

(C) 1999 Deadline Music (P) 1999 Deadline Music

14
The Wild Bunch
00:05:48

Black Oak Arkansas, MainArtist - Rickie Lee Reynolds, Composer - James Leslie Mangrum, Composer - Find and Dandy Publishing ASCAP, MusicPublisher

(C) 1999 Deadline Music (P) 1999 Deadline Music

15
Talk to the Hand (Bonus Track)
00:03:27

Black Oak Arkansas, MainArtist - Glen Miller, Composer - BMI, MusicPublisher - Rocky Dino Athas, Composer

(C) 1999 Deadline Music (P) 1999 Deadline Music

Albumbeschreibung

Boy, talk about a return to form. Black Oak Arkansas' first new album in over ten years is easily the best thing they've done since their '70s heyday. This record reunites the men who formed the band way back in 1963, frontman extraordinaire Jim Dandy (prime exponent of "Dandyism"), rhythm guitarist Rickie Lee Reynolds, and bassman Dirty Daugherty. The chemistry that is still there is amazing. Now augmented by Rocky Athas (one of the country's most underrated guitarists -- he was a hero of Stevie Ray Vaughan's when they were kids in Oak Cliff) and drummer Johnnie Bolin (kid brother of guitar hero Tommy Bolin), the band is in ripping form. The material is top-notch -- a far cry from the work the band did in the '80s. The lead-off track, "Forgive and Forget," sets the pace with crunching guitar riffs and a great chorus where the Dandyman lets you know that "I never forget, and I ain't that forgiving." There is more serious heaviness to follow, particularly the two Tommy Bolin covers the band whips out. "Post Toastie" is one of the great tales of rock & roll excess: "I don't know what went wrong, it seems like nothing is right, I don't know what went wrong, I hope I get me some sleep tonight." Also, Tommy Bolin's "Shake the Devil" gets a hard rock treatment. Both renditions are a fine tribute to the departed axeman. "Talk to the Hand" is another fine original and a great title to boot: Picture Dandy (or yourself) with an arm outstretched and hand in STOP position. BOA has also redone five of their most classic tunes for this album. The remakes have strengths and weaknesses when compared to the originals. Rocky Athas is definitely the best guitarist Black Oak has ever had. His leads make the remakes soar. Johnnie Bolin, on the other hand, is a very solid drummer, but he is cursed with the fact that Tommy Aldridge used to sit in his seat. Aldridge's drumming with Black Oak set the standard for arena rock in the '70s. His parts are simply not do-able for a normal human. Fortunately, Johnnie Bolin doesn't try to re-do the old parts, but there is something missing (mega-fills). All in all, this is more than could've reasonably been expected from a band that hadn't released a good album since 1976. The band and the disc are both loaded with charm, humor, and hard rock. Just when things were looking bad -- Dandy to the rescue.

© Geoff Ginsberg /TiVo

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