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The Band|The Last Waltz

The Last Waltz

The Band

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As a film, The Last Waltz was a triumph -- one of the first (and still one of the few) rock concert documentaries that was directed by a filmmaker who understood both the look and the sound of rock & roll, and executed with enough technical craft to capture all the nooks and crannies of a great live show. But as an album, The Last Waltz soundtrack had to compete with the Band's earlier live album, Rock of Ages, with which it bears a certain superficial resemblance -- both found the group trying to create something grander than the standard-issue live double, and both featured the group beefed up by additional musicians. While Rock of Ages found the Band swinging along with the help of a horn section arranged by Allen Toussaint, The Last Waltz boasts a horn section (using Toussaint's earlier arrangements on a few cuts) and more than a baker's dozen guest stars, ranging from old cohorts Ronnie Hawkins and Bob Dylan to contemporaries Joni Mitchell, Neil Young, and Van Morrison. The Band are in fine if not exceptional form here; on most cuts, they don't sound quite as fiery as they did on Rock of Ages, though their performances are never less than expert, and the high points are dazzling, especially an impassioned version of "It Makes No Difference" and blazing readings of "Up on Cripple Creek" and "The Night They Drove Old Dixie Down" (Levon Helm has made no secret that he felt breaking up the Band was a bad idea, and here it sounds if he was determined to prove how much they still had to offer). Ultimately, it's the Band's "special guests" who really make this set stand out -- Muddy Waters' ferocious version of "Mannish Boy" would have been a wonder from a man half his age, Van Morrison sounds positively joyous on "Caravan," Neil Young and Joni Mitchell do well for their Canadian brethren, and Bob Dylan's closing set finds him in admirably loose and rollicking form. (One question remains -- what exactly is Neil Diamond doing here?) And while the closing studio-recorded "Last Waltz Suite" sounds like padding, the contributions from Emmylou Harris and the Staple Singers are beautiful indeed. It could be argued that you're better off watching The Last Waltz on video than listening to it on CD, but either way it's a show well worth checking out.

© Mark Deming /TiVo

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The Last Waltz

The Band

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1
Theme From The Last Waltz (Concert Version)
The Band
00:03:54
2
Up On Cripple Creek (Concert Version)
The Band
00:05:31
3
Who Do You Love (feat. Ronnie Hawkins) (Concert Version)
The Band
00:04:51
4
Helpless (feat. Neil Young) (Concert Version)
The Band
00:05:53
5
Stagefright (Concert Version)
The Band
00:04:31
6
Coyote (feat. Joni Mitchell) (Concert Version)
The Band
00:05:28
7
Dry Your Eyes (feat. Neil Diamond) (Concert Version)
The Band
00:04:16
8
It Makes No Difference (Concert Version)
The Band
00:06:51
9
Such a Night (feat. Dr. John) (Concert Version)
The Band
00:04:42
10
The Night They Drove Old Dixie Down (Concert Version)
Rick Danko
00:04:37
11
Mystery Train (feat. Paul Butterfield) (Concert Version)
The Band
00:05:04
12
Mannish Boy (feat. Muddy Waters) (Concert Version)
The Band
00:06:41
13
Further on up the Road (feat. Eric Clapton) (Concert Version)
The Band
00:05:30

DISC 2

1
The Shape I'm In (Concert Version)
The Band
00:04:10
2
Down South in New Orleans (feat. Bobby Charles) (Concert Version)
The Band
00:03:11
3
Ophelia (Concert Version)
The Band
00:03:46
4
Tura Lura Lural (That's an Irish Lullaby) [feat. Van Morrison] (Concert Version)
The Band
00:04:11
5
Caravan (feat. Van Morrison) (Concert Version)
The Band
00:06:12
6
Life Is A Carnival (Concert Version)
The Band
00:04:26
7
Baby Let Me Follow You Down (feat. Bob Dylan) (Concert Version)
The Band
00:02:56
8
I Don't Believe You (She Acts Like We Never Have Met) [feat. Bob Dylan] (Concert Version)
The Band
00:03:29
9
Forever Young (feat. Bob Dylan) (Concert Version)
The Band
00:05:51
10
Baby Let Me Follow You Down (Reprise) [feat. Bob Dylan] (Concert Version)
The Band
00:02:59
11
I Shall Be Released (Finale) [Ensemble] (Concert Version)
The Band
00:04:50
12
The Last Waltz Suite: The Well
The Band
00:03:35
13
The Last Waltz Suite: Evangeline (feat. Emmylou Harris)
The Band
00:03:10
14
The Last Waltz Suite: Out of the Blue
The Band
00:03:20
15
The Last Waltz Suite: The Weight (feat. The Staples)
The Band
00:04:36
16
The Last Waltz Suite: The Last Waltz Refrain
The Band
00:01:32
17
The Last Waltz Suite: Theme From the Last Waltz (feat. Orchestra)
The Band
00:03:27

Albumbeschreibung

As a film, The Last Waltz was a triumph -- one of the first (and still one of the few) rock concert documentaries that was directed by a filmmaker who understood both the look and the sound of rock & roll, and executed with enough technical craft to capture all the nooks and crannies of a great live show. But as an album, The Last Waltz soundtrack had to compete with the Band's earlier live album, Rock of Ages, with which it bears a certain superficial resemblance -- both found the group trying to create something grander than the standard-issue live double, and both featured the group beefed up by additional musicians. While Rock of Ages found the Band swinging along with the help of a horn section arranged by Allen Toussaint, The Last Waltz boasts a horn section (using Toussaint's earlier arrangements on a few cuts) and more than a baker's dozen guest stars, ranging from old cohorts Ronnie Hawkins and Bob Dylan to contemporaries Joni Mitchell, Neil Young, and Van Morrison. The Band are in fine if not exceptional form here; on most cuts, they don't sound quite as fiery as they did on Rock of Ages, though their performances are never less than expert, and the high points are dazzling, especially an impassioned version of "It Makes No Difference" and blazing readings of "Up on Cripple Creek" and "The Night They Drove Old Dixie Down" (Levon Helm has made no secret that he felt breaking up the Band was a bad idea, and here it sounds if he was determined to prove how much they still had to offer). Ultimately, it's the Band's "special guests" who really make this set stand out -- Muddy Waters' ferocious version of "Mannish Boy" would have been a wonder from a man half his age, Van Morrison sounds positively joyous on "Caravan," Neil Young and Joni Mitchell do well for their Canadian brethren, and Bob Dylan's closing set finds him in admirably loose and rollicking form. (One question remains -- what exactly is Neil Diamond doing here?) And while the closing studio-recorded "Last Waltz Suite" sounds like padding, the contributions from Emmylou Harris and the Staple Singers are beautiful indeed. It could be argued that you're better off watching The Last Waltz on video than listening to it on CD, but either way it's a show well worth checking out.

© Mark Deming /TiVo

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