Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
At the time this album was recorded, the particularly intense blues artist Louisiana Red was a protégé of the Blue Labor/Labor recording empire, which was actually two guys, Kent Cooper and jazz arranger and composer Heiner Stadler. Cooper's involvement with Red led, as in many cases of blues producers and their clients, to co-authorship on some of the songs recorded. Cooper and Stadler regarded Red as an artist cut from the same cloth as John Lee Hooker or Lightning Hopkins, and of the same quality -- meaning an intense, mood-setter of a bluesman with a sizzling improvisatory style. They were certainly accurate in their appraisal of his talent, and their interest in recording Red led to several classic blues albums. The fine studio sound they got on these solo recordings makes for a superior album, and it was the first Red would record unencumbered by a combo backing him up. Every nuance of his playing is captured, and he is definitely the type of blues player who thrives on solo work. He rarely sticks to a formula bar structure and likes to stretch out his licks as if casting out a line for fish, but he isn't a player who just stays on one chord like Hooker often did. One of Red's original blues, in which he describes how his wife died of cancer, has got to set some kind of a record for misery described in a blues song, meaning it is the saddest of the sad.
© Eugene Chadbourne /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Not Documented, Composer - Louisiana Red, MainArtist
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Albumbeschreibung
At the time this album was recorded, the particularly intense blues artist Louisiana Red was a protégé of the Blue Labor/Labor recording empire, which was actually two guys, Kent Cooper and jazz arranger and composer Heiner Stadler. Cooper's involvement with Red led, as in many cases of blues producers and their clients, to co-authorship on some of the songs recorded. Cooper and Stadler regarded Red as an artist cut from the same cloth as John Lee Hooker or Lightning Hopkins, and of the same quality -- meaning an intense, mood-setter of a bluesman with a sizzling improvisatory style. They were certainly accurate in their appraisal of his talent, and their interest in recording Red led to several classic blues albums. The fine studio sound they got on these solo recordings makes for a superior album, and it was the first Red would record unencumbered by a combo backing him up. Every nuance of his playing is captured, and he is definitely the type of blues player who thrives on solo work. He rarely sticks to a formula bar structure and likes to stretch out his licks as if casting out a line for fish, but he isn't a player who just stays on one chord like Hooker often did. One of Red's original blues, in which he describes how his wife died of cancer, has got to set some kind of a record for misery described in a blues song, meaning it is the saddest of the sad.
© Eugene Chadbourne /TiVo
Informationen zu dem Album
- 1 Disc(s) - 11 Track(s)
- Gesamte Laufzeit: 00:36:07
- Künstler: Louisiana Red
- Komponist: Not Documented
- Label: Fat Possum
- Genre: Blues/Country/Folk Blues
(C) 2011 Fat Possum Records (P) 2011 Fat Possum Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.