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John Hammond|So Many Roads

So Many Roads

John Hammond

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So Many Roads is Hammond's most notable mid-'60s Vanguard album, due not so much to Hammond's own singing and playing (though he's up to the task) as the yet-to-be-famous backing musicians. Three future members of the Band -- Robbie Robertson, Garth Hudson, and Levon Helm -- are among the supporting cast, along with Charlie Musselwhite on harmonica, and Mike Bloomfield also contributes. It's one of the first fully realized blues-rock albums, although it's not in the same league as the best efforts of the era by the likes of the Paul Butterfield Blues Band or John Mayall's Bluesbreakers. In part that's because the repertoire is so heavy on familiar Chicago blues classics by the likes of Willie Dixon, Bo Diddley, and Muddy Waters; in part that's because the interpretations are so reverent and close to the originals in arrangement; and in part it's also because Hammond's blues vocals were only okay. Revisionist critics thus tend to downgrade the record a notch. But in the context of its time -- when songs like "Down in the Bottom," "Long Distance Call," "Big Boss Man," and "You Can't Judge a Book By the Cover" were not as well known as they would become -- it was a punchy, well-done set of electric blues with a rock touch.

© Richie Unterberger /TiVo

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So Many Roads

John Hammond

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1
Down In The Bottom
00:03:03

WILLIE DIXON, ComposerLyricist - John Hammond, MainArtist

℗ 2006 Vanguard Records, a Welk Music Group Company

2
Long Distance Call
00:03:20

Muddy Waters, ComposerLyricist - John Hammond, MainArtist

℗ 2006 Vanguard Records, a Welk Music Group Company

3
Who Do You Love
00:03:02

ELLAS MCDANIEL, ComposerLyricist - John Hammond, MainArtist - Maynard Solomon, Producer

℗ 2006 Vanguard Records, a Welk Music Group Company

4
I Want You To Love Me
00:04:07

Muddy Waters, ComposerLyricist - John Hammond, MainArtist

℗ 2006 Vanguard Records, a Welk Music Group Company

5
Judgment Day
00:03:25

Robert Johnson, Composer - John Hammond, Author, MainArtist

℗ 2006 Vanguard Records, a Welk Music Group Company

6
So Many Roads So Many Trains
00:02:41

Marshall Paul, ComposerLyricist - John Hammond, MainArtist - Maynard Solomon, Producer

℗ 2006 Vanguard Records, a Welk Music Group Company

7
Rambling Blues
00:03:17

Robert Johnson, ComposerLyricist - John Hammond, MainArtist

℗ 2006 Vanguard Records, a Welk Music Group Company

8
O Yea!
00:03:35

ELLAS MCDANIEL, ComposerLyricist - John Hammond, MainArtist

℗ 2006 Vanguard Records, a Welk Music Group Company

9
You Can't Judge A Book
00:03:30

WILLIE DIXON, ComposerLyricist - John Hammond, MainArtist

℗ 2006 Vanguard Records, a Welk Music Group Company

10
Gambling Blues
00:03:13

John Hammond, MainArtist - Lil' Son Jackson, ComposerLyricist

℗ 2006 Vanguard Records, a Welk Music Group Company

11
Baby Please Don't Go
00:02:21

John Hammond, MainArtist - Big Joe Williams, ComposerLyricist

℗ 2006 Vanguard Records, a Welk Music Group Company

12
Big Boss Man
00:02:41

Luther Dixon, ComposerLyricist - John Hammond, MainArtist - Al Smith, ComposerLyricist - Maynard Solomon, Producer

℗ 2006 Vanguard Records, a Welk Music Group Company

Albumbeschreibung

So Many Roads is Hammond's most notable mid-'60s Vanguard album, due not so much to Hammond's own singing and playing (though he's up to the task) as the yet-to-be-famous backing musicians. Three future members of the Band -- Robbie Robertson, Garth Hudson, and Levon Helm -- are among the supporting cast, along with Charlie Musselwhite on harmonica, and Mike Bloomfield also contributes. It's one of the first fully realized blues-rock albums, although it's not in the same league as the best efforts of the era by the likes of the Paul Butterfield Blues Band or John Mayall's Bluesbreakers. In part that's because the repertoire is so heavy on familiar Chicago blues classics by the likes of Willie Dixon, Bo Diddley, and Muddy Waters; in part that's because the interpretations are so reverent and close to the originals in arrangement; and in part it's also because Hammond's blues vocals were only okay. Revisionist critics thus tend to downgrade the record a notch. But in the context of its time -- when songs like "Down in the Bottom," "Long Distance Call," "Big Boss Man," and "You Can't Judge a Book By the Cover" were not as well known as they would become -- it was a punchy, well-done set of electric blues with a rock touch.

© Richie Unterberger /TiVo

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