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Stray|Saturday Morning Pictures  (Expanded Edition)

Saturday Morning Pictures (Expanded Edition)

Stray

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After two albums of inventive, unpredictable progressive hard rock, Stray kept chugging right along with their third album, 1972's Saturday Morning Pictures, which notably found guitarist and guiding force Del Bromham growing ever more obsessed with the latest synthesizer technology, although not to the point where gadgetry was crowding out his ever-dominant fretwork, or completely hijacking the band's analog roots. Rather, Bromham's ever-growing arsenal of synths and keyboards mostly added enriching nuances to some of the band's more adventurous material like "After the Storm," "Sister Mary," and "Move That Wigwam," featuring an odd mixture of country-fried harmonicas and Native American themes. Another interesting hybrid, the first single, "Our Song," came complete with churchy organs and soulful backing vocals from P.P. Arnold, as did "Mr. Hobo," which kept any sign of high-tech machinery at bay with its sprightly acoustic jamboree. In conjunction with the similarly eclectic material rounding out Saturday Morning Pictures, these tracks appeared to bode well for Stray's slow-building success, and, indeed, the album (which was cleverly launched with a Saturday matinee performance by the group, at London's Rainbow Theatre) managed to climb higher up the charts than either of its slightly heavier, more aggressive predecessors. Unfortunately, it too would stall long before reaching the higher echelons, or breaking the band to a wider audience, eventually driving Bromham into taking Stray in some truly questionable stylistic directions on subsequent albums.

© Eduardo Rivadavia /TiVo

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Saturday Morning Pictures (Expanded Edition)

Stray

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1
Our Song
00:06:03

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

2
After the Storm
00:06:44

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

3
Sister Mary
00:04:19

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

4
Move That Wigwam
00:05:20

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

5
Leave It Out
00:04:33

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

6
How Could I Forget You
00:05:50

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

7
Mr Hobo
00:02:39

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

8
Queen of the Sea
00:06:23

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

9
Our Song (Single Edit)
00:04:04

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

10
Mama's Coming Home
00:03:48

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

11
Georgia
00:03:13

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

12
Get Out Right Away
00:03:00

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

13
Sister Mary (BBC Radio 1 Session)
00:03:52

Stray, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 2006 BBC. Licensed courtesy of BBC Worldwide to Sanctuary Records Group Ltd., a BMG Company

Albumbeschreibung

After two albums of inventive, unpredictable progressive hard rock, Stray kept chugging right along with their third album, 1972's Saturday Morning Pictures, which notably found guitarist and guiding force Del Bromham growing ever more obsessed with the latest synthesizer technology, although not to the point where gadgetry was crowding out his ever-dominant fretwork, or completely hijacking the band's analog roots. Rather, Bromham's ever-growing arsenal of synths and keyboards mostly added enriching nuances to some of the band's more adventurous material like "After the Storm," "Sister Mary," and "Move That Wigwam," featuring an odd mixture of country-fried harmonicas and Native American themes. Another interesting hybrid, the first single, "Our Song," came complete with churchy organs and soulful backing vocals from P.P. Arnold, as did "Mr. Hobo," which kept any sign of high-tech machinery at bay with its sprightly acoustic jamboree. In conjunction with the similarly eclectic material rounding out Saturday Morning Pictures, these tracks appeared to bode well for Stray's slow-building success, and, indeed, the album (which was cleverly launched with a Saturday matinee performance by the group, at London's Rainbow Theatre) managed to climb higher up the charts than either of its slightly heavier, more aggressive predecessors. Unfortunately, it too would stall long before reaching the higher echelons, or breaking the band to a wider audience, eventually driving Bromham into taking Stray in some truly questionable stylistic directions on subsequent albums.

© Eduardo Rivadavia /TiVo

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